Жан-Жак Руссо - The Confessions of Jean Jacques Rousseau — Complete

More than thirty years after, when I published the ‘Lettres de la Montagne’, M. Feron (I know not by what means) discovered this attestation, and made use of it in his paper. I must confess the discovery was very critically timed, and appeared very diverting, even to me.

I was destined to be the outcast of every condition; for notwithstanding M. Gatier gave the most favorable account he possibly could of my studies, they plainly saw the improvement I received bore no proportion to the pains taken to instruct me, which was no encouragement to continue them: the bishop and superior, therefore, were disheartened, and I was sent back to Madam de Warens, as a subject not even fit to make a priest of; but as they allowed, at the same time, that I was a tolerably good lad, and far from being vicious, this account counterbalanced the former, and determined her not to abandon me.

I carried back in triumph the dear music book, which had been so useful to me, the air of Alpheus and Arethusa being almost all I had learned at the seminary. My predilection for this art started the idea of making a musician of, me. A convenient opportunity offered; once a week, at least, she had a concert at her house, and the music-master from the cathedral, who directed this little band, came frequently to see her. This was a Parisian, named M. le Maitre, a good composer, very lively, gay, young, well made, of little understanding, but, upon the whole, a good sort of man. Madam de Warens made us acquainted; I attached myself to him, and he seemed not displeased with me. A pension was talked of, and agreed on; in short, I went home with him, and passed the winter the more agreeably at his chambers, as they were not above twenty paces distant from Madam de Warens’, where we frequently supped together. It may easily be supposed that this situation, ever gay, and singing with the musicians and children of the choir, was more pleasing to me than the seminary and fathers of St. Lazarus. This life, though free, was regular; here I learned to prize independence, but never to abuse it. For six whole months I never once went out except to see Madam de Warens, or to church, nor had I any inclination to it. This interval is one of those in which I enjoyed the greatest satisfaction, and which I have ever recollected with pleasure. Among the various situations I have been placed in, some were marked with such an idea of virtuous satisfaction, that the bare remembrance affects me as if they were yet present. I vividly recollect the time, the place, the persons, and even the temperature of the air, while the lively idea of a certain local impression peculiar to those times, transports me back again to the very spot; for example, all that was repeated at our meetings, all that was sung in the choir, everything that passed there; the beautiful and noble habits of the canons, the chasubles of the priests, the mitres of the singers, the persons of the musicians; an old lame carpenter who played the counter-bass, a little fair abbe who performed on the violin, the ragged cassock which M. le Maitre, after taking off his sword, used to put over his secular habit, and the fine surplice with which he covered the rags of the former, when he went to the choir; the pride with which I held my little flute to my lips, and seated myself in the orchestra, to assist in a recitative which M. le Maitre had composed on purpose for me; the good dinner that afterwards awaited us, and the good appetites we carried to it. This concourse of objects, strongly retraced in my memory, has charmed me a hundred time as much, or perhaps more, than ever the reality had done. I have always preserved an affection for a certain air of the ‘Conditor alme Syderum’, because one Sunday in Advent I heard that hymn sung on the steps of the cathedral, (according to the custom of that place) as I lay in bed before daybreak. Mademoiselle Merceret, Madam de Warens’ chambermaid, knew something of music; I shall never forget a little piece that M. le Maitre made me sing with her, and which her mistress listened to with great satisfaction. In a word, every particular, even down to the servant Perrine, whom the boys of the choir took such delight in teasing. The remembrance of these times of happiness and innocence frequently returning to my mind, both ravish and affect me.

I lived at Annecy during a year without the least reproach, giving universal satisfaction. Since my departure from Turin I had been guilty of no folly, committed none while under the eye of Madam de Warens. She was my conductor, and ever led me right; my attachment for her became my only passion, and what proves it was not a giddy one, my heart and understanding were in unison. It is true that a single sentiment, absorbing all my faculties, put me out of a capacity of learning even music: but this was not my fault, since to the strongest inclination, I added the utmost assiduity. I was attentive and thoughtful; what could I do? Nothing was wanting towards my progress that depended on me; meantime, it only required a subject that might inspire me to occasion the commission of new follies: that subject presented itself, chance arranged it, and (as will be seen hereafter) my inconsiderate head gave in to it.

One evening, in the month of February, when it was very cold, being all sat round the fire, we heard some one knock at the street door. Perrine took a light, went down and opened it: a young man entering, came upstairs, presented himself with an easy air, and making M. Maitre a short, but well-turned compliment, announced himself as a French musician, constrained by the state of his finances to take this liberty. The heart of the good Le Maitre leaped at the name of a French musician, for he passionately loved both his country and profession; he therefore offered the young traveller his service—and use of his apartment, which he appeared to stand much in need of, and which he accepted without much ceremony. I observed him while he was chatting and warming himself before supper; he was short and thick, having some fault in his shape, though without any particular deformity; he had (if I may so express myself) an appearance of being hunchbacked, with flat shoulders, and I think he limped. He wore a black coat, rather worn than old, which hung in tatters, a very fine but dirty shirt, frayed ruffles; a pair of splatterdashes so large that he could have put both legs into either of them, and, to secure himself from the snow, a little hat, only fit to be carried under his arm. With this whimsical equipage, he had, however, something elegant in his manners and conversation; his countenance was expressive and agreeable, and he spoke with facility if not with modesty; in short, everything about him bore the mark of a young debauchee, who did not crave assistance like a beggar, but as a thoughtless madcap. He told us his name was Venture de Villeneuve, that he came from Paris, had lost his way, and seeming to forget that he had announced himself for a musician, added that he was going to Grenoble to see a relation that was a member of Parliament.

During supper we talked of music, on which subject he spoke well: he knew all the great virtuosi, all the celebrated works, all the actors, actresses, pretty women, and powerful lords; in short nothing was mentioned but what he seemed thoroughly acquainted with. Though no sooner was any topic started, than by some drollery, which set every one a-laughing, he made them forget what had been said. This was on a Saturday; the next day there was to be music at the cathedral: M. le Maitre asked if he would sing there—“Very willingly.”—“What part would he chose?”—“The counter-tenor:” and immediately began speaking of other things. Before he went to church they offered him his part to peruse, but he did not even look at it. This Gasconade surprised Le Maitre—“You’ll see,” said he, whispering to me, “that he does not know a single note.”—I replied: “I am very much afraid of him.” I followed them into the church; but was extremely uneasy, and when they began, my heart beat violently, so much was I interested in his behalf.