Мэри Габриэль - Женщины Девятой улицы. Том 1

Terry Miller, Greenwich Village and How It Got That Way , 124.

Barbara Rose, Lee Krasner: The Long View , videotape courtesy PKHSC; Levin, Lee Krasner , 49; Deborah Solomon, Jackson Pollock , 112; John Lee Post, interview by author.

Naifeh and Smith, Jackson Pollock , 379; Lee Krasner , interview by Barbara Novak, videotape courtesy PKHSC; Lee Krasner, interview by Barbara Rose, 1972, AAA – SI, 1.

Lee Krasner, interview by Barbara Rose, 1972, AAA-SI, 1; Lee Krasner, interview by Barbara Novak, AAA-SI, 12; Levin, Lee Krasner , 75–76; Landau, Lee Krasner: A Catalogue Raisonné , 302; Robert Hobbs, Lee Krasner (1993), 17.

Levin, Lee Krasner , 75–76; oral history interview with Harold Rosenberg, AAA-SI; B. H. Friedman, Jackson Pollock: Energy Made Visible , 69.

Oral history interview with Ludwig Sandler, AAA-SI; Lee Krasner, interview by Barbara Novak, AAA-SI, 11–12; Marquis, Art Czar , 134; “Abstract Expressionism: A Tribute to Harold Rosenberg”, 9. Сол Беллоу сказал о Гарольде: «Я знал, что встретил самого значимого человека, который, однако, вел себя совсем не так, как ведут себя такие люди… [у него был] до абсурдного будничный взгляд на самого себя…»

“Abstract Expressionism: A Tribute to Harold Rosenberg”, 9; Sandler, A Sweeper Up After Artists , 182; Marquis, The Art Biz , 124.

Natalie Edgar, interview by author, January 20, 2014; Mark Stevens and Annalyn Swan, De Kooning , 222; Gruen, The Party’s Over Now , 172.

Lee Krasner, interview by Barbara Novak, AAA – SI, 12.

Chandler Brossard, ed., The Scene Before You , 20; Lionel Abel, The Intellectual Follies , 34–35; Howard Zinn, A People’s History of the United States , 386. По словам Зинна, Джон Кеннет Гэлбрейт обвинял в этом «нездоровые корпоративные и банковские структуры», «невыгодную внешнюю торговлю», «экономическую дезинформацию» и «неправильное распределение доходов». Зинн утверждает: «Пять процентов самых состоятельных людей получали около трети всех доходов населения».

Peter Clements, Prosperity, Depression and the New Deal , 101–3, 132; Mauritz A. Hallgren, Seeds of Revolt , 271; Isabel Leighton, ed., The Aspirin Age , 286.

Hallgren, Seeds of Revolt , 48, 53–54, 64–65, 81, 118, 154, 165, 169, 191; Ashton, The Life and Times of the New York School , 18–19, 54; oral history interview with George Wittenborn, AAA-SI; Terkel, Hard Times, 381–382; Barbara Blumberg, The New Deal and the Unemployed , 17–18; Dorfman, Out of the Picture , 13; Ashton, The Life and Times of the New York School , 54.

Giorgio Cavallon, interview by Jack Taylor; Abel, The Intellectual Follies , 36–37; Terkel, Hard Times , 34, 381. Эмпайр-стейт-билдинг в то время было самым высоким зданием в мире, а мост Джорджа Вашингтона – самым длинным подвесным мостом на Земле.

Stevens and Swan, De Kooning, 111; Abel, The Intellectual Follies , 34–35; Brossard, The Scene Before You , 20.

Terkel, Hard Times , 380.

Gerald M. Monroe, “Artists as Militant Trade Union Workers during the Great Depression”, 7.

Ross Wetzsteon, Republic of Dreams, 537; Elaine de Kooning and Slivka, Elaine de Kooning , 91.

Elaine de Kooning and Slivka, Elaine de Kooning , 92–93; Hayden Herrera, Arshile Gorky , 202–203; Giorgio Cavallon, interview by Jack Taylor.

Stevens and Swan, De Kooning , 96–97; Gruen, The Party’s Over Now , 263–64; Nouritza Matossian, Black Angel , 151, 209; Edgar, Club Without Walls , 30.

Oral history interview with Harold Rosenberg, AAA-SI.

Oral history interview with Irving Block, AAA-SI.

Oral history interview with Harold Rosenberg, AAA-SI; Elaine Owens O’Brien, “The Art Criticism of Harold Rosenberg: Theaters of Love and Combat”, 204–5.

Naifeh and Smith, Jackson Pollock , 379–380; Potter, To a Violent Grave, 64.

May Tabak Rosenberg, interview by interview by Jeffrey Potter, audiotape courtesy PKHSC; Levin, Lee Krasner , 99; oral history interview with Harold Rosenberg, AAA-SI; O’Brien, “The Art Criticism of Harold Rosenberg”, 204n83; Harold Rosenberg and May Tabak Rosenberg, interview by John Gruen, AAA-SI, 7.

Dore Ashton, The New York School , 53–54; Terkel, Hard Times , 298.

Richard Hofstadter, The American Political Tradition and the Men Who Made It , 414; Michael Parrish, Anxious Decades , 348. За время своего существования Управление общественных работ предоставило заработок 8 млн человек, или примерно одной пятой трудоспособного населения.

Levin, Lee Krasner , 91; Ellen G. Landau, “Lee Krasner’s Early Career, Part One”, 112.

Barbara Rose, “Life on the Project”, 76; Barbara Rose, Lee Krasner: A Retrospective , 34; Lee Krasner, interview by Betty Smith, November 3, 1973, courtesy PKHSC.

Англ.: College Art Association (CAA) – профессиональная ассоциация американских искусствоведов и арт-критиков.

Oral history interview with Harold Rosenberg, AAA-SI; O’Brien, “The Art Criticism of Harold Rosenberg”, 199–200; oral history interview with Irwing Block, AAA-SI.

McKinzie, The New Deal for Artists , 77.

McKinzie, The New Deal for Artists , 78–79; Ashton, The Life and Times of the New York School , 47.

McKinzie, The New Deal for Artists , 82; Gerald M. Monroe, “The Artists Union of New York”, 19.

McKinzie, The New Deal for Artists , 99.

McKinzie, The New Deal for Artists , 80; Alice Goldfarb Marquis, Alfred H. Barr, Jr. , 139.