Dan Wakefield - New York in the '50s

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The rhythms of jazz and beat poetry punctuate this sweeping, firsthand account of New York City’s 1950s literary scene from the Bowery to Spanish Harlem
National bestselling author Dan Wakefield first came to New York City in 1952 with the intention of receiving a proper literary education on the ivied campus of Columbia University. An equally enlightening experience, he quickly found, was hiding in the smoky bars and cafés of Greenwich Village frequented by the most talented writers of the fifties, including James Baldwin, Joan Didion, and Allen Ginsberg. Wakefield recounts drinking at the White Horse Tavern, Dylan Thomas’s Village haunt, as well as the offices of Esquire and the Nation, capturing rare, intimate moments of spirited camaraderie between some of the most influential artists of their generation.
Like Hemingway’s recollections of 1920s Paris in A Moveable Feast, New York in the ’50 sshowcases a city in its artistic heyday, replete with Wakefield’s remembrances of brushing shoulders with literary icons such as Jack Kerouac and Norman Mailer, and watching Thelonious Monk play jazz at the Five Spot Café. Wakefield’s experience as a journalist and chronicler of Americana allows him to capture the subtleties of a decade of unparalleled artistic expression.

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Macdonald, Dwight, 60, 151, 262, 285, 296–97

MacDowell Colony, 153

Mademoiselle , 52, 190, 270, 329

Magazine Management Company, 52

magazines, 52–53; aspiring writers at, 51–54, 68–70, 285–86, 320; “little,” 69; and psychoanalysis debate, 218, 219, 220–22, 224–25, 241; status of journalism, 288–89, 296–97. See also specific titles

Magid, Marion, 3, 22, 31, 46–47, 54, 62–63, 148, 166, 239, 240, 258, 339

Mailer, Adele, 112

Mailer, Bea, 144

Mailer, Norman, 112, 129, 232, 245, 258, 272, 289, 296, 330; Advertisements for Myself , 166, 221–22, 232, 239, 289; The Armies of the Night , 147; Barbary Shore , 144, 147; The Deer Park , 145, 146–47, 258, 265; The Executioner’s Song , 147; and jazz, 310–11; on Kerouac, 166, 167; on Krim, 133, 134; The Naked and the Dead , 142, 144, 147, 265; on psychoanalysis, 219, 220–22, 224; “The White Negro,” 112, 143, 220–22, 224, 289; wins Pulitzer Prizes, 147; writing for the Voice , 142–48

Malamud, Bernard, 286

Malaquais, Jean, 144

Manchurian Candidate, The (film), 304

Manhattan: and other boroughs, 21–22

Manhattan Tower (Kenton), 4, 20

Mann, Thomas, 244

Manning, Robert, 336

Manville, Bill, 288

Marie’s Crisis Café, 200, 214

marijuana, 42, 162, 172, 177, 182, 183, 232, 310, 332

Markson, David, 21, 128, 207

Marquand, John P., 16

Marx, Karl, 29, 30

Mason, Jackie, 313

Masses, The , 76

masturbation, 202, 205, 333

Maurin, Peter, 76, 79

Mayhall, Jane, 126, 154, 156, 239, 284, 301; Cousin to Human , 156

McCarthy, Joseph, 15, 81, 130, 140, 247–51, 257–60, 261, 262, 263, 264

McCarthy, Mary, 236, 239; The Group , 214, 232, 234

McCoy, Mary Ann (DeWeese), 7, 78–79, 80, 81–82, 85, 86–90, 92

McCullers, Carson, 106, 164–65, 239, 277, 294; appearance at Columbia, 278–80; Clock Without Hands , 279; The Heart Is a Lonely Hunter , 6, 106, 278, 279; The Member of the Wedding , 278

McDarrah, Fred, 163

McDowell, David, 149

McDowell, Obolensky, 149, 150, 269

McGill, Ralph, 326

McGrath, Myrna, 267

McKay, Louis, 315, 316

McLean, Jackie, 304

McPartland, Marian, 306

McSorley’s saloon, 72

McWilliams, Carey, 65, 66, 67, 268

Meade, Julia, 58

media: NY as headquarters of, 36. See also journalism; magazines; newspapers; television

Melendez, Louie (pseudonym), 103–4, 109–10, 112–13, 114–15

Mencken, H. L., 60

Mercer, Mabel, 195, 214

Merman, Ethel, 6, 16

Merton, Thomas: The Seven Storey Mountain , 25

Metcalf-Volker bill, 108

Metropole, 298

Metropolitan Hospital, 108, 110

Metropolitan Opera, 6, 42

Meyer, Frank, 69, 261

Milam, J. W., 64

Miles, Barry, 181

military draft, 51

Millay, Edna St. Vincent, 6, 61, 122, 159, 196, 198, 239

Miller, Arthur, 277

Miller, Henry, 183

Miller, Warren, 110, 114

Mills, C. Wright, 5, 23, 32–36, 51, 74, 256, 269, 271–74, 287, 322, 337; and Cuba, 272–73; death of, 273–74; as DW’s mentor, 59–60, 271; DW studies with, 32–36; DW works with, 51, 55–56, 58–60, 72; Listen, Yankee , 272, 273; The Power Elite , 5, 32, 287; White Collar , 5, 32, 33, 34, 35, 36, 247

Mills, Yara, 274

Millstein, Gilbert, 9, 162, 163–64, 166, 194

Minetta’s restaurant, 130

Mingus, Charles, III, 311–12

Mingus, Charlie, 6, 13, 111, 301, 304, 309, 311, 313

Minton, Walter, 147, 302

Mizener, Arthur: The Far Side of Paradise , 16

Modern Jazz Quartet, 113, 154, 301–2

Mohr, Charlie, 331–32

Mole, Miff, 299

Monk, Thelonious, 301, 307, 309–10, 311, 312, 314

Monroe, Marilyn, 318

Montgomery, Ann, 21, 54, 57, 142, 291

Moon Is Blue, The (play), 16

Morgan, Thomas B., 291

Moses, Robert, 119

Mount Sinai Hospital, 235

movies, see films and specific titles

Muhammad, Elijah, 324

Muñoz, Ramon, 96

Murrow, Edward R., 252

Museum of Modern Art, 43

music, 6, 42; at end of fifties, 334. See also jazz

Napoleon, Phil, 299

Nathan, George Jean, 277

Nation, The , 20, 44, 65–66, 68–69, 165, 179, 263, 268, 303; DW reports for, 5, 29, 39, 47, 63–67, 71, 72, 84, 85, 100, 112, 138, 155, 161, 164, 170, 172, 173, 197, 263, 314, 322, 326, 328; film reviews in, 276

National Review, The , 69, 261, 262, 268, 282

Navasky, Victor, 126

Naver, Mike, 33, 42, 45, 117

Nemiroff, Bob, 157, 158

New Criterion, The , 156

New Directions, 154

New Directions , 285

Newfield, Jack, 288

New Guard, The , 266

New Journalism, 132–33, 288–89, 296–97

New Letters , 186

Newman, Paul, 134

New Republic, The , 259, 286, 289

New School for Social Research, 144, 282

newspapers, 51, 60–61. See also specific titles

New Statesman , 263

Newsweek , 224, 236, 286

New World Writing , 28, 35, 142, 284

New York: apartment life, 57–58; arriving by train, 11–12; as capital of jazz, 298–318; Jews and culture of, 46–47; as laboratory, 42, 73; life in Spanish Harlem, 5, 7, 91–115; life in the Village, 116–59; lifestyle and communities in, 5–9; as mecca, 19–23, 42; in the nineties, 338–40; outer boroughs, 21; and politics, 244–64; romance and sexual relations in, 195–99; sexual relations in, 195–243; as writers’ city, 277–97; writers leaving at end of fifties, 334–36, 337; writers seeking work in, 48–55

New York Daily Mirror , 51, 141, 207

New York Daily News , 51

New Yorker, The , 21, 36, 40, 158, 199, 220, 234, 238, 282, 284, 303

New York Herald Tribune , 37

New York Philharmonic, 304

New York Post , 4, 51, 60, 63, 179, 207, 250, 259–60, 261, 287

New York Review of Books, The , 260

New York State Emergency Defense Act, 82

New York Times , 36, 37, 123, 252, 293, 294, 295, 325–26; ad on Castro, 245–46; Columbia correspondent for, 37–38; reviews Kerouac, 161–62, 163, 164

New York Times Book Review, The , 156, 178

New York World-Telegram , 51

Nichols, Mary Perot, 20, 119, 126, 130, 142, 196, 222–23

Nick’s, 299

Nieman fellowship: DW seeks and wins, 321, 328, 329, 336

Nietzsche, F. W., 30

“Night Beat” (TV), 275

Night of the Hunter (film), 276

nihilism, 109–10, 112–13

Nixon, Richard M., 54, 262, 264, 288

nonfiction writing, 287–97; novels vs., 288–89, 293. See also journalism

No Sun in Venice (film), 301

novels: aspirations to write, 286; films based on, 275; vs. nonfiction, 288–89

Oberon, Merle, 285

Obolensky, Ivan, 269

obscenity trials, 179, 183

O’Casey, Sean: Red Roses for Me , 200

O’Connor, Edwin, 69

Odetta, 318

O’Gorman, Ned, 8, 32, 78, 79, 87–88, 196, 339; Night of the Hammer , 80

O’Hara, Frank: “The Day Lady Died,” 317–18

O’Hara, John, 276

Olivier, Laurence, 16

O’Neill, Eugene, 75, 122, 341

On the Bowery (film), 140

Orlovsky, Lafcadio, 190, 191

Orlovsky, Peter, 184, 190, 191

Ortega y Gasset, J., 34

Orwell, George, 92, 300

Ostrow, Seymour, 107–8

pacifism, 82–84

Pack, Robert, 31

Page, Geraldine, 5, 120

Paglia, Camille, 238

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