Richard Feynman - “Surely You’re Joking, Mr. Feynman” - Adventures of a Curious Character

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The outrageous exploits of one of this century’s greatest scientific minds and a legendary American original. In this phenomenal national bestseller, the Nobel Prize-winning physicist Richard P. Feynman recounts in his inimitable voice his adventures trading ideas on atomic physics with Einstein and Bohr and ideas on gambling with Nick the Greek, painting a naked female toreador, accompanying a ballet on his bongo drums and much else of an eyebrow-raising and hilarious nature. A New York Times bestseller; more than 500,000 copies sold.

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I thought I only had to correct the air resistance at different altitudes. Instead, my job was to invent a machine that would make the shell explode at the right moment, when the fuse won’t burn!

I decided that was too hard for me and went back to Princeton.

Testing Bloodhounds

When I was at Los Alamos and would get a little time off, I would often go visit my wife, who was in a hospital in Albuquerque, a few hours away. One time I went to visit her and couldn’t go in right away so I went to the hospital library to read.

I read an article in Science about bloodhounds, and how they could smell so very well. The authors described the various experiments that they did—the bloodhounds could identify which items had been touched by people, and so on—and I began to think: It is very remarkable how good bloodhounds are at smelling, being able to follow trails of people, and so forth, but how good are we, actually?

When the time came that I could visit my wife, I went to see her, and I said, “We’re gonna do an experiment. Those Coke bottles over there (she had a six-pack of empty Coke bottles that she was saving to send out)—now you haven’t touched them in a couple of days, right?”

“That’s right.”

I took the six-pack over to her without touching the bottles, and said, “OK. Now I’ll go out, and you take out one of the bottles, handle it for about two minutes, and then put it back. Then I’ll come in, and try to tell which bottle it was.”

So I went out, and she took out one of the bottles and handled it for quite a while—lots of time, because I’m no bloodhound! According to the article, they could tell if you just touched it.

Then I came back, and it was absolutely obvious! I didn’t even have to smell the damn thing, because, of course, the temperature was different. And it was also obvious from the smell. As soon as you put it up near your face, you could smell it was dampish and warmer. So that experiment didn’t work because it was too obvious.

Then I looked at the bookshelf and said, “Those books you haven’t looked at for a while, right? This time, when I go out, take one book off the shelf, and just open it—that’s all—and close it again; then put it back.”

So I went out again, she took a book, opened it and closed it, and put it back. I came in—and nothing to it! It was easy. You just smell the books. It’s hard to explain, because we’re not used to saying things about it. You put each book up to your nose and sniff a few times, and you can tell. It’s very different. A book that’s been standing there a while has a dry uninteresting kind of smell. But when a hand has touched it, there’s a dampness and a smell that’s very distinct.

We did a few more experiments, and I discovered that while bloodhounds are indeed quite capable, humans are not as incapable as they think they are: it’s just that they carry their nose so high off the ground!

(I’ve noticed that my dog can correctly tell which way I’ve gone in the house, especially if I’m barefoot, by smelling my footprints. So I tried to do that: I crawled around the rug on my hands and knees, sniffing, to see if I could tell the difference between where I walked and where I didn’t, and I found it impossible. So the dog is much better than I am.)

Many years later, when I was first at Caltech, there was a party at Professor Bacher’s house, and there were a lot of people from Caltech. I don’t know how it came up, but I was telling them this story about smelling the bottles and the books. They didn’t believe a word, naturally because they always thought I was a faker. I had to demonstrate it.

We carefully took eight or nine books off the shelf without touching them directly with our hands, and then I went out. Three different people touched three different books: they picked one up, opened it, closed it, and put it back.

Then I came back, and smelled everybody’s hands, and smelled all the books—I don’t remember which I did first—and found all three books correctly; I got one person wrong.

They still didn’t believe me; they thought it was some sort of magic trick. They kept trying to figure out how I did it. There’s a famous trick of this kind, where you have a confederate in the group who gives you signals as to what it is, and they were trying to figure out who the confederate was. Since then I’ve often thought that it would be a good card trick to take a deck of cards and tell someone to pick a card and put it back, while you’re in the other room. You say, “Now I’m going to tell you which card it is, because I’m a bloodhound: I’m going to smell all these cards and tell you which card you picked.” Of course, with that kind of patter, people wouldn’t believe for a minute that that’s what you were actually doing!

People’s hands smell very different—that’s why dogs can identify people; you have to try it! All hands have a sort of moist smell, and a person who smokes has a very different smell on his hands from a person who doesn’t; ladies often have different kinds of perfumes, and so on. If somebody happened to have some coins in his pocket and happened to be handling them, you can smell that.

Los Alamos from Below [1] Adapted from a talk given in the First Annual Santa Barbara Lectures on Science and Society at the University of California at Santa Barbara in 1975. “Los Alamos from Below” was one of nine lectures in a series published as Reminiscences of Los Alamos, 1943—1945, edited by L. Badash et al., pp. 105—132. Copyright C 1980 by D. Reidel Publishing Company, Dordrecht, Holland.

When I say “Los Alamos from below,” I mean that. Although in my field at the present time I’m a slightly famous man, at that time I was not anybody famous at all. I didn’t even have a degree when I started to work with the Manhattan Project. Many of the other people who tell you about Los Alamos—people in higher echelons—worried about some big decisions. I worried about no big decisions. I was always flittering about underneath.

I was working in my room at Princeton one day when Bob Wilson came in and said that he had been funded to do a job that was a secret, and he wasn’t supposed to tell anybody but he was going to tell me because he knew that as soon as I knew what he was going to do, I’d see that I had to go along with it. So he told me about the problem of separating different isotopes of uranium to ultimately make a bomb. He had a process for separating the isotopes of uranium (different from the one which was ultimately used) that he wanted to try to develop. He told me about it, and he said, “There’s a meeting.”

I said I didn’t want to do it.

He said, “All right, there’s a meeting at three o’clock. I’ll see you there.”

I said, “It’s all right that you told me the secret because I’m not going to tell anybody but I’m not going to do it.”

So I went back to work on my thesis—for about three minutes. Then I began to pace the floor and think about this thing. The Germans had Hitler and the possibility of developing an atomic bomb was obvious, and the possibility that they would develop it before we did was very much of a fright. So I decided to go to the meeting at three o’clock.

By four o’clock I already had a desk in a room and was trying to calculate whether this particular method was limited by the total amount of current that you get in an ion beam, and so on. I won’t go into the details. But I had a desk, and I had paper, and I was working as hard as I could and as fast as I could, so the fellas who were building the apparatus could do the experiment right there.

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