Ozzy Osbourne - I Am Ozzy

Maybe that’s what I would have done in the end if the army hadn’t told me to fuck off.

I was invited to do the gig because the prison had its own band, called the Scrubs, which had both guards and inmates in it. They’d written a song and donated the royalties to charity.

Then they wrote to me and asked if I fancied doing a gig with them. The deal was that they’d play a set, then I’d play my set, then we’d do a jam of ‘Jailhouse Rock’.

So we get to the prison and they let me through all the fences and gates and doors, then they show me into this back room where there’s a big fat guy making a pot of tea. He’s a nice jolly chap, very friendly, and offers me a cup of tea.

I ask him, ‘How long are you in here for, then?’

‘Oh,’ he says, ‘I’ll never get out of here.’

We keep chatting for a while and I’m drinking this cup of tea, but then curiosity gets the better of me and I say, ‘So, how come you’re in here for such a long stretch?’

‘I murdered eight people.’

That’s a bit heavy duty, I think, but we carry on talking. Then curiosity gets the better of me again. ‘So, how did you do it?’ I ask, taking another sip of my tea. ‘I mean, how did you kill all those people?’

‘Oh, I poisoned them,’ he says.

I just about threw the mug of tea at the wall. And whatever had been in my mouth came out of my nose. It’s funny, when you think of a murderer, you always picture some tall, dark, evil-looking monster. But it can be just a nice, normal, jolly fat bloke, with a loose wire somewhere.

The gig itself was surreal.

The smell of dope in the hall where we played almost knocked me off my feet. It was like a Jamaican wedding in there. Another thing that amazed me was that they had a bar right outside, where all the guards went. As for the members of the Scrubs, the bass player was a Vietnamese guy who’d burned thirty-seven people to death a few years earlier by pouring petrol through the letterbox of an underground club in Soho and putting a match to it (the biggest mass killing in British history at the time); the guitarist was a kid who’d murdered a drug dealer by beating him to death with an iron bar; and then there were a couple of guards who sang and played the drums.

I’ll never forget the moment when it was our turn to go on stage. Jake E. Lee had just left the band and Zakk Wylde had taken over as lead guitarist. He was young, with ripped muscles and long blond hair, and the second he walked out from the wings, the entire place started to wolf-whistle and scream, ‘Bend over, little boy, bend over, little boy!’ Then they all started to jump around, stoned out of their minds, while the riot-guards stood guard. It was insane. I’d said to Sharon before we went on, ‘At least if we’re crap, no one will walk out.’ Now I was thinking, No, they’ll just kill me.

At one point, I looked down and there in the front row was Jeremy Bamber, the bloke who murdered his entire family with a rifle at a farmhouse in Essex and then tried to make it look like his mentally ill sister had done it. His face had been on the front page of every tabloid in Britain for months. He gave me a big smile, did the old Bambinator.

At the end, when we were playing ‘Jailhouse Rock’, there was a full-on stage invasion, led by one of the kids who had tried to cut the head off that police officer, Keith Blakelock, during the Broadwater Farm riot. I knew it was him ’cos one of the guards on stage told me. The last thing I saw was this kid taking off a shoe and hitting himself on the head with it.

Fuck this for a game of soldiers, I thought. Nice seeing ya, I’m off now.

And I didn’t look back.

One morning, not long after that gig, Sharon asked me, ‘Did you have a good night last night, Ozzy?’

‘What d’you mean?’

‘At Kelly’s birthday party. Did you have a good time?’

‘Yeah, I suppose.’

All I could remember was playing with the kids in the garden, making Jack laugh by tickling his tummy, telling a few funny jokes, and eating one too many slices of Kelly’s birthday cake. We’d even hired a clown for the occasion—a bloke called Ally Doolally—who’d put on a little puppet show. The rest was a bit of a blur, ’cos I’d also had one or two drinks.

‘You should have seen yourself,’ said Sharon.

‘What d’you mean?’

‘I mean you should have seen yourself.’

‘I don’t understand, Sharon. I was a bit tipsy, yes, but it was a birthday party. Everyone was a bit tipsy.’

‘No, honestly, Ozzy, you should have seen yourself. Actually, would you like to see yourself? I have a video.’

Oh crap, I thought.

Sharon had filmed the whole thing. She put the tape in the machine, and I couldn’t believe my eyes. In my mind, I’d been the fun dad that everyone wants to have around. Then I saw the reality. Jack was terrified and in tears. Kelly and Aimee were hiding in the shed, also in tears. All the other parents were leaving and muttering under their breath. The clown had a bloody nose. And there was me, in the middle of it all, fat, pissed, cake all over my face, dripping wet from something or other, raving, screaming drunk.

I was a beast. Absolutely terrifying.

After I’d come out of the Betty Ford Center, I’d started to say to myself, ‘Well, I might be an alcoholic, but I have the perfect job for an alcoholic, so maybe it’s kind of all right that I’m an alcoholic.’

In a way, it was true. I mean, what other occupation rewards you for being out of your brains all the time? The more loaded I was when I got on stage, the more the audience knew it was gonna be a good night. The trouble was the booze was making me so ill that I couldn’t function without taking pills or cocaine on top of it. Then I couldn’t sleep—or I had panic attacks, or I went into these paranoid delusions—so I turned to sedatives, which I’d get from doctors on the road. Whenever I overdosed, which I did all the time, I’d just blame it on my dyslexia: ‘Sorry, Doc, I thought it said six every one hour, not one every six hours.’

I had a different doctor in every town—‘gig doctors’ I called them—and played them off against each other. When you’re a drug addict, half the thrill is the chase, not the fix. When I discovered Vicodin, for example, I used to keep an old bottle and put a couple of pills in it, then I’d say, ‘Oh, Doc, I’ve got these Vicodins, but I’m running low.’ He’d look at the date and the two pills left in the jar, then whack me up another fifty. So I’d get fifty pills before every gig.

I was doing twenty-five a day at one point.

Mind you, in America, if you’re a celebrity, you don’t have to try very hard to get doctors to give you whatever you want. One gig doctor would drive out to see me in his pick-up. In the back he had one of those tool cabinets full of little drawers, and in each drawer he had a different kind of drug. All the heavy shit you could ever want. Eventually Sharon found out what was going on and put her foot down. She grabbed the doc by the scruff of the neck and said,

‘Do not give my husband any drugs under any circumstances or you’re going to jail.’

Deep down, I knew that all the booze and drugs had turned sour on me; that I’d stopped being funny and zany and had started to become sad. I’d run miles to get a drink. I’d do anything for a drink. I used to keep a fridge full of beer in the kitchen, and I’d get up, first thing in the morning, knock off a Corona, and by twelve o’clock I was fucking blasted. And when I was doing Vicodin and all that other shit, I was always playing with my fucking nose. You can see how bad I was on Penelope Spheeris’s documentary The Decline of Western Civilization Part II. Everyone thought it was hysterical, me trying to fry an egg at seven o’clock in the morning after I’d been out on the piss all night, drinking bottle after bottle of vino.