Ozzy Osbourne - I Am Ozzy

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I Am Ozzy: краткое содержание, описание и аннотация

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“They’ve said some crazy things about me over the years. I mean, okay: ‘Нe bit the head off a bat.’ Yes. ‘He bit the head off a dove.’ Yes. But then you hear things like, ‘Ozzy went to the show last night, but he wouldn’t perform until he’d killed fifteen puppies…’ Now
, kill fifteen puppies? I love puppies. I’ve got eighteen of the f**king things at home. I’ve killed a few cows in my time, mind you. And the chickens. I shot the chickens in my house that night.
It haunts me, all this crazy stuff. Every day of my life has been an event. I took lethal combinations of booze and drugs for thirty f**king years. I survived a direct hit by a plane, suicidal overdoses, STDs. I’ve been accused of attempted murder. Then I almost died while riding over a bump on a quad bike at f**king two miles per hour.
People ask me how come I’m still alive, and I don’t know what to say. When I was growing up, if you’d have put me up against a wall with the other kids from my street and asked me which one of us was gonna make it to the age of sixty, which one of us would end up with five kids and four grandkids and houses in Buckinghamshire and Beverly Hills, I wouldn’t have put money on me, no f**king way. But here I am: ready to tell my story, in my own words, for the first time.
A lot of it ain’t gonna be pretty. I’ve done some bad things in my time. I’ve always been drawn to the dark side, me. But I ain’t the
. I’m just John Osbourne: a working-class kid from Aston, who quit his job in the factory and went looking for a good time.”

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What Thelma had forgotten was that the week before, my local dope dealer had given me some dodgy hash. It was stale or something, so it was crap to smoke, but it was still as potent as ever. And rather than letting it go to waste, I’d grated it into a bowl with some cake mix and baked it. The trouble was, the lump of dope was enormous, and I only had half a tin of cake mix in the cupboard, so the cake ended up being about 80 per cent dope and 20 per cent mix.

I almost barfed when I tasted it.

‘See this tin?’ I remember saying to Thelma. ‘Don’t let anyone touch it.’

She mustn’t have been listening.

All she knew was that there was a tin with a skull and cross-bones marked on it, with some cake inside, and that she had a vicar to feed. So she gave him a slice.

He’d just swallowed his last mouthful when I got back from the pub. The second I saw him sitting there on the sofa with the little plate in front of him and crumbs everywhere, I knew it was bad news.

‘That really was a delicious slice of cake. Thank you very much, Mrs Osbourne,’ the vicar was saying. ‘Would you mind if I had another?’

‘Oh, not at all!’ said Thelma.

‘Thelma,’ I said, ‘I don’t think we have any more cake.’

‘Yes, we do, John, it’s in the kitch—’

‘WE. DON’T. HAVE. MORE. CAKE.’

‘Oh, I don’t want to be any trouble,’ said the vicar, standing up. Then he started to dab his brow with a handkerchief. Then he turned a funny colour.

I knew exactly what was coming next. You see, eating dope is very different to smoking it—it affects your whole body, not just your head. And it takes only the tiniest bit to send you over the edge.

‘Oh my,’ he said. ‘I think I’m feeling a little—’

BOOM!

‘Fuck! Vicar down!’ I shouted, rushing over to see if he was still breathing. Then I turned to look at Thelma. ‘What the fuck were you thinking?’ I said. ‘He’s gonna die! I told you not to touch that cake. He’s just eaten enough Afghan hash to knock out a bleedin’ elephant!’

‘How was I supposed to know the cake was dodgy?’

‘Because I told you!’

‘No, you didn’t.’

‘It’s in a tin with a skull and crossbones on the top!’

‘So what are we going to do?’ said Thelma, turning white.

‘We’re going to have to move the body, that’s what we’re going to have to do,’ I said.

‘Here, take his legs.’

‘Where are we taking him?’

‘Back to wherever he lives.’

So we carried the vicar to his car, put him on the back seat, found his address in the glove compartment, and I drove him home. He was out cold. Part of me honestly thought he was a goner, although I’d been drinking most of the day, so I can’t say I was thinking completely straight. All I knew is that for a man of the cloth—or anyone else—that much of my hash in one go could be lethal. But I kept telling myself that he’d just wake up with a really bad hangover, and we’d be OK.

When I got to his house I dragged him out of his car and propped him up on the steps to the front door. If I’d have been cleverer, I would have wiped my fingerprints off the car, but I just felt so terrible about what had happened, and I so badly wanted to believe that he’d be fine, I can honestly say it never even entered my head.

Still, I spent the entire night lying awake, waiting for the sirens. Clearly, I’d be the first person to get a knock on the door in the middle of the night if they did any tests on the vicar’s body. Who else in his parish would have given him a lethal slice of hash cake? But there were no sirens that night. And none the next day, either.

Then more days passed. Still nothing.

I was out of my fucking mind with guilt. So was Thelma.

But I didn’t want to go anywhere near the vicarage—it might look a bit suspicious—so every time I went to the Hand & Cleaver I’d make subtle enquiries. ‘Anyone bumped into the vicar lately?’ I’d say, all casual. ‘He’s a nice bloke, that vicar, isn’t he? I wonder what his sermon will be about on Sunday.’ Eventually someone mentioned that he must be off sick, ’cos he’d missed church and no one had seen him for a while.

That’s it, I thought. I killed him. I wondered if I should turn myself in. ‘It was an accident, Your Honour,’ I imagined myself saying to the judge. ‘A terrible, terrible accident.’ This went on for at least a week.

Then, one day, I walked into the pub and there he was, at the bar, in his frock, sipping a cranberry juice.

I almost hugged the bloke and gave him a kiss.

‘Oh, er, hello there, Vicar,’ I said, going light in the head with relief.

‘Ah, Mr Osbourne,’ he said, shaking my hand. ‘You know the funniest thing? I can’t remember how I got home from your house the other day. And the next morning I had this terrible, terrible flu.’

‘I’m very sorry to hear that, Vicar.’

‘Yes, yes, a very nasty business, that flu.’

‘I’m sure.’

‘I’ve never had flu like it.’

‘Well, I’m glad you’re feeling bett—’

‘I was having hallucinations for three days, you know? The most curious experience. I convinced myself that Martians had landed on the Vicarage lawn and were trying to organise a tombola.’

‘That’s terrible, Vicar. I hope you’re feeling better now.’

‘Oh, much better, thank you. Although I must have put on 40 pounds this week, I’ve been so incredibly hungry.’

‘Listen, Vicar,’ I said. ‘If there’s anything I can do for the church, anything at all, just let me know, OK?’

‘Oh, how kind of you. Do you play the organ, by any chance?’

‘Er, no.’

‘But you are in some kind of pop group, aren’t you?’

‘Yes, I am.’

‘Tell me, what do you call yourselves?’

‘Black Sabbath.’

‘Oh.’ The vicar frowned for a while. Then he looked at me and said, ‘That’s a rather peculiar name, isn’t it?’

6. The End Is Nigh

We recorded the next Black Sabbath album in a haunted house, out in the middle of absolutely fucking nowhere. I don’t know whose brilliant idea that was, but it wasn’t mine, that’s for sure. The name of the place was Clearwell Castle. It was in the Forest of Dean, on the Welsh border, and it scared the crap out of us from day one. It had a moat, a portcullis, four-poster beds in the rooms, big fireplaces everywhere, animal heads on the walls, and a big old dark musty dungeon, which we used as our rehearsal room. It had been built in 1728 on the site of an old Tudor manor house, and the locals told us that a headless figure would roam the corridors at night, moaning and wailing. We just laughed it off, but as soon as we’d unpacked our bags, we all started to get the willies, big time. At least that took the pressure off us, as far as the next album was concerned. We were more worried about sleeping alone in these spooky old rooms with swords and armour on the walls than coming up with another million-selling LP. We weren’t so much the Lords of Darkness as the Lords of Chickenshit when it came to that kind of thing. I remember when we went to see The Exorcist that Christmas in Philadelphia: we were so freaked out, we had to go and watch The Sting afterwards to take our minds off it. Even then, we all ended up sleeping in the same hotel room, because we were scared out of our minds. It’s funny, because years later Linda Blair—who played the satanic kid in that movie—ended up dating my mate Glenn Hughes from Deep Purple. She definitely liked musicians, it turned out. She even went out with Ted Nugent once. But she wouldn’t go near me.

Not a fucking chance.

Clearwell Castle certainly wasn’t our first choice of venue for making the new album. The plan had initially been to go back to the Bel Air mansion to write the next record, but then we found out we wouldn’t be able to do any recording in LA, because Stevie Wonder had installed a giant synthesizer in our favourite room at the Record Plant. So that idea was shelved. Probably a good job, too: we’d almost killed ourselves with cocaine the last time we’d made a record in LA. At Clearwell Castle, meanwhile, the only danger was scaring ourselves to death.

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