Peter Evans - Ava Gardner - The Secret Conversations

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“I EITHER WRITE THE BOOK OR SELL THE JEWELS,” Ava Gardner told her coauthor, Peter Evans, “and I’m kinda sentimental about the jewels.” So began the collaboration that led to this remarkably candid, wickedly sardonic memoir.
Ava Gardner was one of Hollywood’s great stars during the 1940s and 1950s, an Oscar-nominated lead­ing lady who co-starred with Clark Gable, Burt Lancaster, and Humphrey Bogart, among others. Her films included Show Boat, The Snows of Kilimanjaro, The Barefoot Contessa, and On the Beach. But her life off the screen was every bit as fabulous as her film roles.
Born poor in rural North Carolina, Gardner was given a Hollywood tryout thanks to a stunning photo of her displayed in a shop window. Not long after arriving in Hollywood, she caught the eye of Mickey Rooney, then America’s #1 box-office draw. Rooney was a womanizer so notorious that even his mother warned Gardner about him. They married, but the marriage lasted only a year (“my shortest husband and my biggest mistake”). Ava then married band leader and clarinetist Artie Shaw, who would eventually marry eight times, but that marriage, too, lasted only about a year (“he was a dominating son of a bitch… always putting me down”). She carried on a passionate affair with Howard Hughes but didn’t love him, she said. Her third marriage was a tempestuous one to Frank Sinatra (“We were fighting all the time. Fighting and boozing. It was madness…. But he was good in the feathers”).
Faithfully recording Ava’s reminiscences in this book, Peter Evans describes their late-night conver­sations when Ava, having had something to drink and unable to sleep, was at her most candid. So candid, in fact, that when she read her own words, she backed out and halted the book. Only now, years after her death, could this frank and revealing memoir be published.
“If I get into this stuff, oh, honey, have you got something coming,” Ava told Evans. Ava Gardner: The Secret Conversations is the stunning story of a legendary star’s public and private lives.
Peter Evans
Daily Express
Los Angeles Times
Vogue
Peter Sellers: The Man Behind the Mask
Nemesis
Ava Gardner
The Killers
Showboat
Mogambo
The Barefoot Contessa
The Sun Also Rises
On the Beach Review
About the Authors “I read
in a delirious gulp. It is absolutely terrific. I couldn’t put it down. Gardner comes across as a flamboyant but tragic figure who always spoke the truth no matter how painful. And the way writer Peter Evans has shaped their conversations is truly remarkable.”
(Patricia Bosworth, author of
) “Jaw-dropping anecdotes about film legends and the studio system in its heyday make this an irresistible read…. Even seasoned fans will learn fresh tidbits about ex-husbands Mickey Rooney, Artie Shaw, and Frank Sinatra, as well as her tumultuous relationships with Howard Hughes and George C. Scott…. Gardner is funny and frank, and Evans’s diligence makes the book not only one of the more revealing celebrity autobiographies published recently, but a candid glimpse into the world of a ghostwriter, star handler, and late-night confidante.”
(
) “An unvarnished account of [Gardner’s] marriages and affairs in golden-age Hollywood…. Give[s] a vivid sense of Gardner’s salty, no-BS personality…. Juicy.”
(
) “A complete delight…. [Gardner’s] quotes exude the musk of a woman supremely indifferent to the social proprieties and expectations of her era…. Hers is the heartbreaking memoir of the ultimate heartbreaker.”
(Carrie Rickey
)

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We continued our walk very slowly toward the Round Pond.

“Who else do I miss? Well, Frank—or rather I miss my fights with Frank. We’d better not say that. I miss a lot of things: playing tennis; Spain I miss, of course, and dancing to flamenco music late at night.” She smiled sadly. “Those days are over, baby.”

We walked in silence for a while.

“I’m not a quitter, honey. I just get tired, that’s all,” she said apropos of nothing I had said, but I suspected it was to let me know that she understood what was bothering me. “I just felt so awful last week. I couldn’t have worked. I thought I was going to die.”

“You wouldn’t do that to me,” I said. “We have a bestseller to write.”

“I’m not a quitter, honey,” she said again. “We’ll finish the goddamn book if it kills me. I was just so low, baby. I brought Morgan [her Welsh corgi] for a walk in the park to try to clear my head. That didn’t work. I had a memory lapse that was terrifying. I couldn’t remember Morgan’s goddamn name. He ran off into the shrubbery, I couldn’t even remember what the hell he looked like, what color he was, nothing. My mind was a total blank.”

I could understand her forgetting Morgan’s name. I couldn’t get my head around her failure to remember what he looked like, I said.

“I remembered fuck-all, honey. It was a complete memory loss. My mind was a complete blank,” she said again.

“Did you tell your doctor what happened?”

“I didn’t bother. I’ve been forgetting things for years. Anyway, next day I was fine. There are still some things I can’t remember—names, faces, what I had for dinner last night. But for a few hours, I thought my whole memory had been wiped out.”

“A memoirist without a memory would be a problem for both of us,” I said.

“I know quite a few people who’d be damned pleased to hear that news, honey.”

I urged her to talk to her doctor. “You should have a brain scan, at least get a checkup,” I said.

“Dirk Bogarde said it was hysterical amnesia. He reckoned the same thing happened to him in France last year. He said it was nothing to worry about. He said it was a temporary condition.”

“For God’s sake, Dirk’s not a doctor, Ava.”

“Yeah, what the fuck does he know?” She grinned.

“Ava, I’m serious. You should get a checkup.”

She squeezed my arm reassuringly. “When he fell down the stairs, he told people he’d had a stroke. He was just pissed out of his skull. I love Dirk, he is such a drama queen.”

“Will you talk to your doctor? I think you should.”

“We’ll see. Let’s not talk about this anymore, honey. Let’s talk about something else.”

“When I couldn’t reach you last week, I was afraid you might have changed your mind about the book again,” I told her, obediently changing the subject, and immediately regretting it.

“That’s still a possibility,” she said dryly.

Ava never made it easy, and I didn’t want to be goaded into another argument about whether she should go ahead with the book or not. “You know how to keep a fellow guessing,” I said.

“You can’t teach an old broad new tricks, honey.”

I laughed but I knew that she probably meant it—her throwaway lines, especially the funny ones, always contained a grain of truth.

“Anyway, I’ve been beating my brains out trying to think of things that’ll make my childhood interesting for you. Maybe that’s what started off the goddamn headaches,” she said, giving me an accusing look.

I said that I didn’t want the book to make her ill. “Writing an autobiography should be fun.” I lied, of course. An autobiography is never easy and always painful to write truthfully.

“Well, I’d enjoy it a whole lot more if…”

She didn’t finish the sentence.

“If what, Ava?” If I had been wise, I wouldn’t have pressed her. She had, after all, a gift for getting to the point when she needed to. But her hesitation made me curious. “It’s important. What would make you enjoy it more?”

“Honey, we’re getting in awful deep with some of the personal stuff,” she said, after a long pause, as if she were still trying to sort out her feelings. “Is it really necessary to put down exactly what Mickey Rooney said, what I said, what Frank Sinatra did next, and all the rest of that stuff? My own bad behavior, I can live with that—some of it, anyway. I have no choice. I’d just rather not have to remember all the shitty things people have said and done to me. I’m happier not remembering, baby. Little of it seems pertinent now, anyway. Why can’t we settle for what I pretend to remember? You can make it up, can’t you? If I had lost my memory, you would have to have made it up, most of it, wouldn’t you? The publicity guys at Metro did it all the time. Who the fuck knows the difference anyway? The difference can just be our little secret, can’t it, baby? Let’s make it easy on ourselves. We can do that, can’t we?”

“Are you serious?”

“I’m tired, honey.”

“It’s a terrible idea, Ava.”

I was astonished at the suggestion, especially after our last session a couple of weeks earlier which had gone so well. So far, I had gone easy on her. I hadn’t pressed her about Mickey Rooney, I never had to. That stuff just flowed out of her; she needed no prompting at all. Since my faux pas about Frank Sinatra the night she first called me, I had barely mentioned his name. He was always going to be a tricky subject and, unless she brought him up, I’d decided to leave that phase of the book until I had the rest of it pretty well wrapped up.

I said, “I thought you wanted a truthful book, Ava. I thought that was the deal.”

“The truth is trickier than I thought, honey.”

“You’ve had a great life, Ava, an incredible life—the men you’ve loved, the incredible people you’ve known. You are more than just a movie star—”

“Being a movie star’s only half of it, honey,” she said.

“That’s my point, Ava. You shouldn’t settle for just another Hollywood bio, full of lies and hype. You deserve better than that.” I was surprised at how passionate I felt about it, and how protective of her I had become.

It was nearly closing time in the park when we reached Rutland Gate, where we came in. She held on to my arm tightly. “Trying to cross this road is about the most exciting thing left in my life,” she said.

6

“The Barefoot Contessa, ” she said when I picked up the phone. There was no “hello,” no “good morning, honey.” Just the peremptory question: “ The Barefoot Contessa —you saw it, didn’t you?”

“Of course,” I said. I was still half asleep. “You and Humphrey Bogart.”

“And?”

“And what, Ava?”

“And did you like the movie, honey?”

Being woken from a deep sleep at three in the morning, I found it hard enough to recall the plot, let alone give a critique of it. Nevertheless, it was the movie—or maybe it was simply the title—that her fans remembered best. “I haven’t seen it in a while. It’s one we’ll have to see again when we write about it,” I said cautiously. “They called you The World’s Most Beautiful Animal, ” I said, remembering the advertising slogan.

“Thirty goddamn years ago I was, honey.”

“You were stunning,” I said. I felt on safer ground talking about her beauty than the merits of the picture. I had reservations about Joe Mankiewicz’s script; I suspected that its literate, cynical banter would have dated badly. His attempt to do a similar hatchet job on the movie business as he had done three years earlier on the theater in All About Eve —which won six Academy Awards including Best Picture—was not as incisive, or nearly as witty. “You were beautiful,” I repeated dully.

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