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Rosamund Hodge: Gilded Ashes

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Rosamund Hodge Gilded Ashes

Gilded Ashes: краткое содержание, описание и аннотация

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A romantic and fantastical reimagining of the classic Cinderella tale, is a novella by Rosamund Hodge set in the same world as the author's debut novel, . Orphan Maia doesn't see the point of love when it only brings pain: Her dying mother made a bargain with the evil, all-powerful ruler of their world that anyone who hurt her beloved daughter would be punished; her new stepmother went mad with grief when Maia's father died; and her stepsisters are desperate for their mother's approval, yet she always spurns them. And though her family has turned her into a despised servant, Maia must always pretend to be happy, or else they'll all be struck dead by the curse. Anax, heir to the Duke of Sardis, doesn't believe in love either—not since he discovered that his childhood sweetheart was only using him for his noble title. What's the point of pretending to fall in love with a girl just so she'll pretend to fall in love with him back? But when his father invites all the suitable girls in the kingdom to a masked ball, Anax must finally give in and select a wife. As fate would have it, the preparations for the masquerade bring him Maia, who was asked by her eldest stepsister to deliver letters to Anax. Despite a prickly first encounter, he is charmed and intrigued by this mysterious girl who doesn't believe in love. Anax can't help wishing to see her again—and when he does, he can't help falling in love with her. Against her will, Maia starts to fall in love with him too. But how can she be with him when every moment his life is in danger from her mother's deadly bargain? HarperTeen Impulse is a digital imprint focused on young adult short stories and novellas, with new releases the first Tuesday of each month.

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“You stupid little bitch ,” says Stepmother. “You’ve wrecked all our chances. Do we mean nothing to you? Does your family mean nothing to you?”

Koré shrinks back. For the first time I can remember, she looks terrified.

Stepmother seizes a handful of her hair. “Look at me, girl. Why did you do it? Why did you do it?

“I’m sorry, Mother,” she whispers. “I didn’t mean—”

Stepmother shakes her like a rag doll. “No daughter of mine would be so selfish. No daughter of mine. None. ” Her mouth spasms, and then she shoves Koré against the wall. “Go to your room. Stay there till you rot.”

Thea whimpers, but I have my hand pressed over her mouth. There’s nothing we can do for Koré. There’s never anything we can do.

Koré wavers to her feet. Her eyes meet mine, and she nods fractionally: she understands. Then, head bowed, she stumbles out of the room.

Thea nearly breaks free of my grip, but I whisper in her ear, “The only way to help her is to make Stepmother happy.” And she goes limp. She’s stupid, but not stupid enough to think she can fight, and so I release her.

Stepmother opens the box of masks, pulls out Koré’s, and throws it into the fire. She watches the edges begin to blacken and curl; then she turns back to us.

“Come, Thea,” she says. “We’ll go to the ball together, and you’ll prove you are my true daughter when Lord Anax falls in love with you.”

Thea glances at me. Her eyes are wide and leaking tears. But she pulls herself up straight and bends her mouth into a smile.

“Of course, Mother,” she says. “I—I can’t wait.”

When I bring Koré a bowl of broth for supper, she’s wavering on her feet as she tries to put on her dress.

“Sit down,” I tell her.

“No,” she says, struggling with the buttons. “I must—Lord Anax—” She coughs again.

“He won’t be charmed by a girl who coughs in his face,” I say, grabbing her shoulders, and push her down to sit on the bed.

Koré glares up at me. “You don’t understand.”

“No. I don’t.” My chest feels full of ice and gravel. “You’ve driven yourself sick to win him, but even if he did marry you, do you think it would make Stepmother love you? Do you think she ever has?”

“No,” says Koré.

The low, flat syllable slices through my rage and leaves me staring at her like a gutted fish.

“But,” I say, and can find no more words.

“Mother can’t love me or Thea ever again,” says Koré. “I know that. I’ve always known.”

“Then why,” I ask slowly, “are you still trying to please her?”

“Because she got that way for my sake.”

“She stopped loving you because she loved you?”

Koré’s mouth twists into something like a smile. “No. She married your father because she loved us and it was the only way to keep us fed. She stopped loving us because she made a bargain with the Gentle Lord.”

Our eyes meet. I should feel dread or sadness to learn that someone else in the household has made the same ruinous, wicked bargain with the prince of demons and ruler of our world. But all I feel is a bright, desperate exultation: She knows what it’s like. She knows what it’s like. She knows.

“What happened?” I ask.

“Father died,” says Koré, and for a moment she lets the words sit between us as if they’re all the explanation I need. (Maybe they are. In the end, Mother died is the only thing that will ever need to be said of me.)

“He was rich,” Koré goes on, “but the way his estate was entailed—everything went to his cousin. We would have been reduced to living off his charity, except Mother had quarreled with him, so we had not even that. She married your father because it was the only way to keep a roof over our heads. But she couldn’t forget our father. The one she loved. It was driving her mad, grieving for him while pretending to love her new husband. She told me so and then she told me that she had a plan.” Koré’s fists clench. “She would call upon the Gentle Lord, and when he came, she would offer to pay him with all her best memories of her first husband, if in exchange he could make her love her second husband and his house. And he granted her wish. She loved her husband and his house. She loved them so much she had no room to love anything else, and when he died, it drove her mad.”

I think of the desperate way that Stepmother says the honor of our house. She’s as helplessly relentless as my own mother; I should have known that she, too, had made a bargain.

“And you think,” I say, “if you marry Lord Anax, it will make her happy? That’s why you’re striving so hard?”

A harsh laugh rips out of Koré and frays into coughing. “Oh, she’d be delighted at such an honor to our house,” she says when she has her voice again. “But it won’t make her happy. There’s nothing left in this world that can do that.” She looks up at me, and her face is no longer posed or scornful in the slightest. “But if I can marry well, I can get Thea out of this house. She won’t have to lie awake half the night, afraid the demons are finally going to crawl out of the corners and come for her. She won’t have to spend her days afraid that she’ll finally offend Mother too much. She won’t have to waste her time worrying about you. She’ll be safe and well fed and people won’t laugh at her—she’ll be able to marry somebody kind and be happy.”

I can’t seem to move. I’m not sure I can breathe. I knew my stepsisters must have heard the servants’ reports of something strange in the hallways, but it had never occurred to me that they might believe them, let alone realize that there were demons in the house. That they might be almost as frightened of their mother as I was. That they, too, might long for escape.

“I don’t care whom I have to marry,” says Koré. “I don’t care what he makes me suffer. I will get Thea out of this house.”

Her voice is a rough thread, thin and desperate and utterly unyielding. It feels as familiar as my own heartbeat.

We are exactly the same. Almost exactly, because I deserve my doom and can’t escape it. But maybe I can save her.

“You’re too sick to dance,” I say. “I will go for you. And this time, I will make him promise to marry you.”

Chapter 7

S o for the first time in nine years, I admit to my mother that there’s something I want.

“Mother,” I say, kneeling beneath the tree and trying not to shiver in the chill evening breeze, “dearest, dearest mother, will you grant me a wish?”

Boneless fingers slide against my cheek. My heart slams against my ribs; I feel fragile and terrified and sure as stone.

“I’ve changed my mind,” I say. “I want to go to the ball—in a beautiful dress and a beautiful mask, just like you used to wear when you were young. I want to drive there in a lovely carriage. Can you do that, Mother?”

The tree leaves rustle, and I hear a faint laugh. My throat closes up, because it’s the same laugh I remember from my childhood, when my mother was alive and danced with me in the garden and I never had to fear her.

Then the air comes alive around me. Ghostly fingers pull off my cap and comb my hair free of its pins. They draw me to my feet and peel my dress away from me piece by piece, thread and bits of cloth pattering to the ground about me until I am standing naked in the twilight with my servant’s uniform in shreds around my feet.

Shadows vein the air like phantom tree branches. My body shudders instinctively, but I am beyond fear. I watch them and I do not go mad as linen and thread, lace and boning swim out of the air and wrap themselves around me into a shift and petticoats and corset. As the corset strings draw themselves taut, the shadows seem to catch on fire, glittering with light; then I realize it is golden thread, great lengths of it corkscrewing through the air. It’s followed by waves of gold satin, honey-colored gauze, and pale, white-gold lace like moonlight. The dress weaves itself around me in great shimmering ripples, and when it’s done, I can barely breathe for wonder.

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