Т Паркер - Where Serpents Lie

“Ten years old...,” I said.

I turned my attention to Donna Mason. I always feel all alone with her, even in a crowded room. I kind of have to screw up my courage to talk to her in a situation like this. “That was a good segment you did on us,” I said.

“You probably don’t realize how good,” she said. “The phones have been ringing all day. That bite looks bad, Sergeant.”

I nodded and smiled at her, rather stupidly, I think. I ran my fingers over the bandage on my face. She looks different than she does on TV, her face is thinner and her smile is quirkier and she seems lighter, less permanent. She’s from one of the hollows of West Virginia, born poor but naturally advantaged: she’s quite beautiful, extremely smart and knows what she wants. She works long hours, keeps up a demanding social life and still manages to read two or three books a week. I’ve gathered that much. She was married at twenty-two and divorced two years ago, at twenty-eight. No kids. Her hair is wavy and black and cut short, kind of curls forward around the sides of her face. Her skin is pale and her eyes are brown. She’s small, perfectly proportioned, unathletic. The first seconds I spent with her were six months ago in an elevator at a press conference, where we were headed from the briefing room to the seafood buffet. I looked at her, introduced myself and shook her hand. I’ve been thinking about her ever since, off and on, no matter how hard I try not to.

“It’s nice to work together,” I said lamely. “You know, law enforcement and the... media.”

“Oh, can’t you just call me the news? Or the press, or a reporter, or even a hyena, vulture, jackal or bloodsucker? I can’t get used to being a medium of any kind. It makes me feel so... vaporous.”

Vaporous, with just a hint of the hollows in the lengthened vowels and the gentle lilt of the “r.” You won’t hear her talk like that on CNB.

Sheriff Wade smiled down with an avuncular grin. He’s labored hard for good press over the years, and I’ve helped him land an ally in CNB. More accurately, the children I work to protect have helped him into the good graces of the news sellers. Children are hot now. Children — namely the children of the baby boomers, and the bad things that happen to them — sell. CNB is a local news network, but extremely popular here, and getting more so every month. Like other businesses defined by place, CNB’s fortunes and the future of Orange County are intertwined.

So, what I did next no cop should do, but I had my reasons.

“Sir,” I said to Sheriff Wade, “we’re going to be getting an artist’s sketch of a Horridus suspect in the next hour. Can I have it sent through to the fax in your car?”

He put his lips together as if to whistle, leveled his gray eyes on me through his glasses and took me by the arm, away from the group.

“Easy, media hound. What’s this about?”

We worked our way toward the bar and I told him about the reptile collection angle and my visit to Steve Wicks. Jordan Ishmael eased in our direction, but Wade warned him off in that silent way the powerful have. I glanced over at Donna and the supervisors, then back to the sheriff.

“I thought we were going to let this guy operate,” he said.

“For now.”

“Comments like that have a way of hitting the news.”

“She’ll clear it with me. She always has.”

He looked across the room at Donna Mason. Wade is over six-three, with the weathered skin and dry pale eyes of a rancher. Then he looked down at me. “What do we know about your guy, besides he likes snakes and knows a little Latin?”

“He matches the physical description on the profile.”

“Besides that?”

“Nothing.”

“Go easy, Terry. We don’t need to be seen swinging at bad pitches. That’s best done off-camera.”

“I understand.”

He nodded. “You and Melinda going to come to the ranch Saturday?”

Sheriff Jim Wade’s annual equestrian show and benefit for County Youth Services was set for the weekend. If you’re somebody, you go. I’d never been invited until this year, though I know that Jordan and Melinda Ishmael used to attend together.

“Much looking forward to it.”

“Go ahead. Call Amanda and use the fax in the Lincoln. Here’s the key.”

“Thank you.”

“You’re in charge of CAY, Terry. But I wouldn’t go public with that sketch yet, if I were you.”

“Understood, sir.”

The fax transmission came through the machine in Wade’s gold Lincoln about twenty minutes later. It was clear and specific, taunting in its ordinariness. I smoothed it against my lap and studied it. Slender face, wavy hair, the glasses. A high forehead. Mustaches and beard. Smallish ears and a mouth that looked neither cruel nor kind. A look of intelligence, perhaps. I’ve seen enough artist’s sketches derived from witnesses to know how much they can seem to tell you and how little they often do. The next page had him without the facial hair. Same guy, but he looked more ordinary, less individual. Without the glasses he could have been an artist’s conception of Everyman. I folded the sheets neatly and put them in the inside pocket of my sport coat.

Back inside I got another drink and made the rounds. I put in a good word for our part of the sheriff’s budget with Lucille and Ingardia; they control our purse strings, sort of. I suggested to one of the Disneyland executives that some kind of abused kids’ night might be a nice PR stunt for the theme park and the Sheriffs. I felt good. I introduced Ishmael to a Times editor I know, with the idea the editor might want to hear about the new Sheriff Department Web site that Ishmael and some of his cohorts are working overtime to establish. Ish silently fumed at my farming out a media source to him, which pleased me. I bought another drink for myself, and one for Peter Stowe, who works for the Irvine Company, which is the county’s largest landowner. We talked about this new “developer/environmentalist” agreement that would set aside certain county acreage to preserve endangered species, while opening up other parts of it for houses, industrial parks and what have you. The Times and the Register — Orange County’s two major dailies — had both recently gushed about the sexy way the builders and the environmentalists had jumped into the same bed. Basically, the Orange County press is for developing the county until the last blade of grass is gone, though they publish photo-heavy, love-the-land features that suggest otherwise. To me the new land agreement looked like a good deal for the Irvine Company, and I said so, and Peter Stowe said, smoothly, “Of course it is, or we wouldn’t have made it.”

I smiled and clicked his glass in a fit of bonhomie I immediately regretted. Truth be told, I kind of hate the Irvine Company and all the development interests who’ve had carte blanche in this county since the beginning of time. It really was a beautiful, logical, functional place once, and I sorely miss that era. I grew up here and I feel vested in this place: my family is here, my blood and history, my dreams and disappointment, my co-mortgage — shared with Melinda. So I’m a little dour about people like Peter Stowe, and his easy confidence, and the way that people like him and companies like his always, always get what they want here.

Orange County has a rural, agrarian history, but it has become a tightly packed grid of suburbs that even now — and I’m not sure why this is — continues to be an in-demand place to live. The traffic is as bad as Los Angeles County, our neighbor to the north, and the air is every bit as contaminated. Crime rates are high. Property is expensive, though not as expensive as it used to be. The developers and county politicians are trying to jam a new international airport — fifth largest in the nation — down the throats of about a million people in south Orange County who voted against it. A few people will make a lot of money from it, though there is a perfectly good airport — just recently opened — about five miles away. More customers, is what it all boils down to. County “business leaders” brought us to this saturation point with earnest vigor, and they have not stopped yet. They’re not really leaders; they’re opportunists with an eye, always, on the bottom line.