Корнелл Вулрич - A Treasury of Stories (Collection of novelettes and short stories)

One morning when she woke up, he had already dressed and gone out of the room. They had a beautifully situated front-view of rooms which overlooked the lake itself (the bridal suite, as a matter of fact), and when she went to the window she saw him out there on the white-painted little pier which jutted out into the water on knock-kneed piles. He’d put on a turtle-necked sweater instead of a coat and shirt, and that, over his spare figure, with the shoreward breeze alternately lifting and then flattening his hair, made him look younger than when he was close by. A ripple of the old attraction, of the old attachment, coursed through her and then was quickly gone. Just like the breeze out there. The little sidewalk-cafe chairs of Rome with the braided-wire backs and the piles of parcels on them, where were they now? Gone forever; they couldn’t enchant any more.

The lake water was dark blue, pebbly-surfaced by the insistent breeze that kept sweeping it like the strokes of invisible broom-straws, and mottled with gold flecks that were like floating freckles in the nine o’clock September sunshine.

There was a little boy in bathing trunks, tanned as a caramel, sitting on the side of the pier, dangling his legs above the water. She’d noticed him about in recent days. And there was his dog, a noisy, friendly, ungainly little mite, a Scotch terrier that was under everyone’s feet all the time.

The boy was throwing a stick in, and the dog was splashing after it, retrieving it, and paddling back. Over and over, with that tirelessness and simplicity of interest peculiar to all small boys and their dogs. Off to one side a man was bringing up one of the motorboats that were for rent, for Mark to take out.

She could hear him in it for a while after that, making a long slashing ellipse around the lake, the din of its vibration alternately soaring and lulling as it passed from the far side to the near and then back to the far side again.

Then it cut off suddenly, and when she went back to look it was rocking there sheepishly engineless. The boy was weeping and the dog lay huddled dead on the lake rim, strangled by the boiling backwash of the boat that had dragged it — how many times? — around and around in its sweep of the lake. The dog’s collar had become snagged some way in a line with a grappling hook attached, left carelessly loose over the side of the boat. (Or aimed and pitched over as the boat went slashing by?) The line trailed limp now, and the lifeless dog had been detached from it.

“If you’d only looked back,” the boy’s mother said ruefully to Mark. “He was a good swimmer, but I guess the strain was too much and his little heart gave out.”

“He did look! He did! He did! I saw him!” the boy screamed agonized, peering accusingly from in back of her skirt.

“The spray was in the way,” Mark refuted instantly. But she wondered why he said it so quickly. Shouldn’t he have taken a moment’s time to think about it first, and then say, “The spray must have been—” or “I guess maybe the spray—” But he said it as quickly as though he’d been ready to say it even before the need had arisen.

Everyone for some reason acted furtively ashamed, as if something unclean had happened. Everyone but the boy of course. There were no adult nuances to his pain.

The boy would eventually forget his dog.

But would she? Would she?

They left the lake — the farewells to Mark were a bit on the cool side, she noticed — and moved into a large rambling country house in the Berkshire region of Massachusetts, not far from Pittsfield, which he told her had been in his family for almost seventy-five years. They had a car, an Alfa-Romeo, which he had brought over from Italy, and, at least in all its outward aspects, they had a not too unpleasant life together. He was an art importer, and financially a highly successful one; he used to commute back and forth to Boston, where he had a gallery with a small-size apartment above it. As a rule he would stay over in the city, and then drive out Friday night and spend the week-end in the country with her.

(She always slept so well on Mondays, Tuesdays, and Wednesdays. Thursdays she always lay awake half the night reminding herself that the following night was Friday. She never stopped to analyze this; if she had, what would it have told her? What could it have, if she didn’t realize it already?)

As far as the house was concerned, let it be said at once that it was not a depressing house in itself. People can take their moods from a house, but by the same token a house can take its mood from the people who live in it. If it became what it became, it was due to him — or rather, her reaction to him.

The interior of the house had crystallized into a very seldom evoked period, the pre-World War I era of rococo and gimcrack elegance. Either its last occupant before them (an unmarried older sister of his) had had a penchant for this out of some girlhood memory of a war-blighted romance and had deliberately tried to recreate it, or what was more likely, all renovations had stopped around that time and it had just stayed that way by default.

Linda discovered things she had heard about but never seen before. Claw legs on the bathtub, nacre in-and-out push buttons for the lights, a hanging stained-glass dome lamp over the dining-room table, a gramophone with a crank handle — she wondered if they’d first rolled back the rug and then danced the hesitation or the one-step to it? The whole house, inside and out, cried out to have women in the straight-up-and-down endlessly long tunics of 1913, with side-puffs of hair over their ears, in patent-leather shoes with beige suede tops up to the middle of the calf, suddenly step out of some of the rooms; and in front of the door, instead of his slender-bodied, bullet-fast Italian compact, perhaps a four-cornered Chalmers or Pierce-Arrow or Hupmobile shaking all over to the beat of its motor.

Sometimes she felt like an interloper, catching herself in some full-length mirror as she passed it, in her over-the-kneetop skirt and short free down-blown hair. Sometimes she felt as if she were under a magic spell, waiting to be disenchanted. But it wasn’t a good kind of spell, and it didn’t come wholly from the house or its furnishings.

One day at the home of some people Mark knew who lived in the area, where he had taken her on a New Year’s Day drop-in visit, she met a young man named Garrett Hill. He was branch head for a company in Pittsfield.

It was as simple as that — they met. As simple as only beautiful things can be simple, as only life-changing things, turning-point things, can be simple.

Then she met him a second time, by accident. Then a third, by coincidence. A fourth, by chance... Or directed by unseen forces?

Then she started to see him on a regular basis, without meaning anything, certainly without meaning any harm. The first night he brought her home they chatted on the way in his car; and then at the door, as he held out his hand, she quickly put hers out of sight behind her back.

“Why are you afraid to shake my hand?”

“I thought you’d hurt me.”

“How can anyone hurt you by just shaking your hand?”

When he tried to kiss her, she turned and fled into the house, as frightened as though he’d brandished a whip at her.

When he tried it again, on a later night, again she recoiled sharply — as if she were flinching from some sort of punishment.

He looked at her, and his eyes widened, both in sudden understanding and in disbelief. “You’re afraid physically ,” he said, almost whispering. “I thought it was some wifely scruple the other night. But you’re physically afraid of being kissed! As if there were pain attached to it.”

Before she could stop herself or think twice she blurted out, “Well, there is, isn’t there?”