Корнелл Вулрич - A Treasury of Stories (Collection of novelettes and short stories)

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Someone — I wish it were me — has put together a fantastic collection of Woolrich stories that everyone needs to have. This includes most of his classics (It Had to be Murder is really Rear Window). Many great pulp classics here — plus one I’ve been looking for for a long time, Jane Brown’s Body, which is CW’s only Science Fiction story. Grab this one — it’s a noirfest everyone should indulge in.

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I may live a long time, I may live only a short one, she told herself with a bitter inward shudder, but somehow I’ll never be able to look at a pair of men’s shoes and not have a little bit of recollection of tonight come back to me.

At the corner she diverged from the other three. They kept going straight ahead, and she turned aside and went over to where the bus-stop was, just a little past the intersection. It was packed, this was the time for it to be that, and she wedged herself into the bee-swarm of people standing there all clustered together. Then later-comers, who kept coming every moment, closed her in and soon she was in the very core of the mass. You couldn’t see anyone’s shoes, there wasn’t spread enough above to look down.

The first one wasn’t hers, and then the next one was. She debated whether to hang back and let it go by. But this wouldn’t fool him, he’d already been on it with her, he’d only hang back himself and let it go by. And of the two evils, she didn’t want to be left there with him in a smaller crowd, or in no crowd at all. Which would soon happen if she let too many go by.

It was so packed you couldn’t get inside it anymore, but she managed to get onto the round back-apron, which was left open except for a guard-rail, so that people actually bulged out over its sides. She put her newspaper up alongside her face again, this time with a weary, disheartened gesture, as if to say, what good is this doing me? Her head inclined a little, as part of the same mood.

Alongside her were a pair of snub-toed mouse-colored pumps. And over right next to them — hubs with a design like a musical clef-sign. Like a handwritten capital S with a slanting line through it.

The stops came and the stops went past, and they all quivered and jittered a little in unison, like in a toned-down version of that dance that once was called the Twist. Electricity turned the sidewalks into a dazzling beach, so that even the particles of sand mixed into the cement glittered like spilled sugar. Red, blue, green, white neons warred and clashed in a long perspective that finally ended with a blurred, flashing, spinning Catherine-wheel-effect as its focal point. Inside lighted show-windows wax figures engaged in Leone’s own profession, that of modeling clothes, stared down their noses haughtily at the real people going by. Most of the show-windows were oblongs, but a few were ovals with the excess space left over outside their frames blacked-out, as if you were looking into a magnified peephole. Then as they left the more affluent section of the city behind and gradually worked their way into a lower-income district, these status-symbols became fewer and finally disappeared altogether. A movie-theater marquee blazed up like a real, live fire licking up the walls in back of it, proclaimed GIGI for an instant, and then was gone again as suddenly as it had appeared.

A teen-ager on a bicycle caught hold of something on the back end of the bus, lifted both legs to a near-horizontal position, and let it do her work for her and tow her along, blonde pigtailed hair slapping up and down behind her. The man sitting beside the nearest window to her turned his head her way and cautioned her with a typical middle-aged mildness. She gave a wild yell of derision for an answer, let go, and began to pedal madly and to actually outpace the bus and pull ahead of it. It was starting to slow for a stop ahead, anyway.

People had to get off, and this dispersed the pattern of the feet arranged around Leone as they pushed their way through and past them. Then when it had re-formed itself again, she saw that he had taken advantage of the wider amount of space now offered to move — not closer to her still, but further away, all the way over beside the opposite platform-railing. He was holding onto one of the upright stanchions and staring studiedly out and away from her on that side of the bus. All she could see was the back of one ear-rim and the nape of his neck. And a very thin sliver of profile, thin as the peel of an onion.

This was his technique for throwing her off-guard, for trying to keep her from noticing him, for seeming not to be doing the very thing he was doing. And it was a poor, pitifully poor technique indeed, she said to herself scornfully. What kind of a fool did he take her for, to expect her not to be aware of him, when he was always somewhere in the background, wherever she went, whichever way she turned. He must be a dope, among all the other things he was. But in this kind of situation, she reminded herself apprehensively, dopes can be a real danger, rather than not.

He had the inevitable cigarette fixed in his mouth, that he never seemed without, as though it were a part of it, like a malformed tooth projecting. Smoking wasn’t permitted, even on the open, back parts of the buses, and for a moment she wondered half hopefully if this mightn’t be a means of having him thrown off. Then she saw that it wasn’t burning, it was dry, and the conductor noticed it too at the same time. She could tell that by the way he craned his neck out a little, to get a look around to the front of the offender’s face, then went back to his own affairs again without saying anything. But what it indicated was an implicit breaking of the rules and disregard for restraints, an outlaw type of attitude. And that, too, wasn’t a good factor to involve in a situation like this.

Her face was white and stony-hard with a mixture of fear and hostility, the fear of the pursued, the hostility of the put-upon, that marred and muddied all its usual good looks. Her nerves were being drawn more taut all the time. Each evening she felt less confidence than the evening before, felt more of a desire for no reason at all to run and hide away. At times she could feel approaching panic lapping over her feet like a cold slowly rising tide that had to be held back, fought down. One of these times, if it kept up too much longer, control would burst and she would suddenly scream out in the middle of everyone and everything and go all to pieces.

And so the bus swept along, like a majestic ocean-liner, scattering the shoals of taxis and lesser cars before it as though they were tugs, while he looked out on his side at the buildings streaming endlessly by, and she looked down on her side at the platform-floor and brooded, eyes intent and furtive.

Her stop was coming up, there were only fixed stops on the buses, not improvised bell-signaled ones like in some other large cities, and the usual cat and mouse play was about to begin. Each one waiting to see the other move first. He didn’t turn his head around, she didn’t lift hers up from looking at the floor, and yet there was an electrical current of awareness going back and forth between them that almost prickled the skin and made stray hairs stand up singly.

She could feel the bus come to a stop under her feet with a soft slurring sensation and then a final shudder, and she heard the conductor call out the name of the stop.

She didn’t move a muscle, didn’t blink an eye. The shoes with the clef-signs were inert over there, too.

It was no use trying to pin him onto the bus by waiting to the last minute and then jumping for it. He could do that far easier than she could, with her stiletto-heels. She might fall and turn her ankle or something.

She suddenly came to life and gave herself a push away from the railing by main force, almost like a violent fling around the other way, like when you cannot tear yourself away from something, have to exert every ounce of will-power to do so. And sprang down to the ground just as the bus got started once more.

She didn’t have to turn around to see if he had followed her off; she knew he had. She knew what he was doing now, because he had done it each time before. He would stand there at first, kill time there, so that she could get far enough up the street, put enough distance between them, to make his coming after her less conspicuous. In other words, so that he wouldn’t be treading right at her heels. Her street was straight and sloped slightly upward, so that it was perfect for his purpose: He could keep her in sight without any difficulty from a distance of a whole block behind her.

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