Корнелл Вулрич - A Treasury of Stories (Collection of novelettes and short stories)

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Someone — I wish it were me — has put together a fantastic collection of Woolrich stories that everyone needs to have. This includes most of his classics (It Had to be Murder is really Rear Window). Many great pulp classics here — plus one I’ve been looking for for a long time, Jane Brown’s Body, which is CW’s only Science Fiction story. Grab this one — it’s a noirfest everyone should indulge in.

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Until at last he breasted them, he reached the top. There only remained the door now, the door to their tenement flat. He could see it over there from where he was, here.

He picked up his coat. He knew where to go for it. Strange, but he knew where to go for it. The sleeves were white-satin lined, but only before his arms had introduced themselves.

He’d been hurt in some kind of a street fight. It must have been a bad fight. It was starting to run down, now that he was perpendicular. He looked down at the floor, and there were dark polka dots all around him. Like splashes of Marsala wine.

Everything was so hard, even to get the buttons through the buttonholes. The buttons turned sticky after a while, and that made it even harder.

He even took the hat by the brim and gropingly settled it on his head. He had always been nattily dressed, impeccably so, these latter times of affluence and power. He still was, this last time of all. He didn’t look in the mirror, though; that was the one thing he didn’t do now.

He had difficulty with the door. Getting it open. His own leaning body kept pushing it back again each time. At last he got it to scrape past him all along one side, and that gave it clearance to swing free.

He saw it no more, knew of it no more; he was out in the hall now, up against the wall in the hall, standing very still, face inward, like a pupil being punished by being made to stand there face to wall. On the threshold where he’d just been lay a moistly glittering star, still pulsing with his life-force. Then the pulsing went out of it. A swirl of ruddy shellac remained, like a brush-stroke left by a careless painter.

He began to inch along the wall now, the flats of his hands patting each new place to see if it was there first, then his feet shifting over with a dragging scrape.

Death, pretending to be alive.

Then after a while he’d reached the point at which he’d have to cross in openness, because the elevator was on the other side. Three times he tried it, and three times he came right back to the wall again, to stay up on his feet. And once he kissed it with his lips, as if pleading with it not to abandon him. It seemed to shed a garnet tear over his predicament, which ran down slowly right where he was standing, and then thickened to a stop.

At last he pushed rudely at it, cast it away from him, and on jumbled, stiffly scissoring legs tottered head-low, to come against the matching wall on the opposite side. Journey’s end; no more groping, no more staggering, no more fears of leaving the wall. Thick satiny glass was there beside him, and a nubby little push-button, easy to find. He pressed it with his thumb. Within moments warm yellow light climbed behind the glass, filled it to its top like a tank. There was a muffled unlatching, and the glass slid away and there was open space before Abbazzia’s penitently down-hanging face.

A man was standing at the back of the car, his face down-turned, too, a newspaper held open just below it as if to catch it should it fall off out of sheer weariness. And midway between the two of them, a youth with a pillbox cap, too somnolent to look closely at Abbazzia.

Three vagrant people, as unaware of each other as a moment before birth, or a moment after death. Or for that matter, a moment in mid-life.

“Going up?” the boy asked sleepily.

“No,” Abbazzia whispered, “going down.”

The panel slid closed, and darkness slowly came up in it, pushing the light up out of it.

And as it did so, Abbazzia in turn slowly went down, his palms trailing the glass, lingeringly, to the last.

Then he rolled over very briefly just once on the floor.

Then the spark went out.

And then there was death, the great know-nothing part of life. Or had life perhaps been only the brief know-something part of an endless all-encompassing death?

The Night of June 20, 1896

The lights were going on in the St Anselm Hotel for the first time The last - фото 97

The lights were going on in the St. Anselm Hotel for the first time. The last mason had left a week ago. The last painter and carpenter had left two days ago. The last decorators were still busy, in some of the rooms on some of the floors, working overtime, working like mad, unrolling carpets, tacking up drapes, unpacking mirrors. Everyone was new at his job, from the manager down to the merest bellboy; everyone was confused, highly excited, uncertain just what was expected of him, and how to go about what was expected of him. Everyone was asking the personnel member just over him what to do and how to do it, and then getting it wrong because he’d been told wrong. The bellboys were asking the bell captain, the bell captain was asking the desk clerk, the desk clerk was asking the manager. It stopped there; the manager had no one higher than himself to ask. So he passed the blame in reverse direction, and it started down the line again: to desk clerk, to bell captain, to bellboy. Then, when it got there, it had to stop once more and start up-rank again. But everyone was making allowances, so there was no great harm done, except to nervous energy. Everyone knew no one could be expected to be letter-perfect. Everyone knew they’d do better in a day or so, or a week. Everyone knew things would calm down and straighten out.

This was opening day, and the hotel had been in business for exactly six hours, ever since high noon.

Now room by room the lights were going on. Window after window bloomed yellow, against the outer presummer darkness, as the rooms were taken. Not in direct order, one after the next, of course. Haphazardly; but still the desk clerk was working his registrations upward pretty much floor by floor, from lower to higher. It was simpler that way. The second and third had been all gone even days before the opening, by premature reservation. The fourth and fifth were sold out by midafternoon, and by nightfall he was already as high as the ninth, with just a scattering of back singles on the two immediately below. And a completely booked hotel in those days was no mean feat.

The carriage arrived a little before ten. Carriages had been arriving all day in unending succession, rolling up in an almost unbroken line, so no one gave it a second look. It was a hired carriage, not a private one. There were telltale grains of rice sprinkled on its black felt flooring. There was a fairly sizable amount of hand-luggage on the seat beside the driver. At the back some mischievous person had affixed a placard reading “Just Married.” There was also an empty soup can and an old shoe trailing along behind it at the end of a string, and clattering considerably over the pavement.

A young man alighted, rather nervously. He had on a starched collar the height of his neck. He had on a dark-blue jacket, pinched-in at the back and secured by a halfbelt that ended at the sides. He had on white duck trousers, this being the beginning of the warm season. A flower from some recent function decorated the buttonhole of his lapel. He was about twenty-four.

He looked at the blazing hotel entrance. He looked extremely frightened. Then he turned back toward the carriage, and removed the flat-crowned, rigidly stiff straw hat he wore. This had a tricolored band of blue, white and green around it, and was secured to one of the buttons of his jacket by a black cord. He held out his hand toward the carriage, and, rather strainedly, forced a smile of reassurance. A reassurance that it was obvious he didn’t feel himself at the moment, much less being able to pass it on to someone else.

A smaller hand reached out to take his, and its owner followed him down.

She was about eighteen. Perhaps not even that. She had dark-brown hair, piled high atop her head and drawn back from her face in what was called a pompadour. She wore a hat that went high up on one side and far down on the other. It stayed that way through the aid of numbers of pins. It had willow plumes on the side that was up, it had roses and green leaves on the side that was down. A collar as high as his gripped her throat. However, it was not starched linen, but lace, stiffened with whalebone ribs. She held the bottom of her dress up from the ground with one hand. This was highly necessary, for it not only touched the ground, it lay over it for quite a few inches on all sides of her when at rest.

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