Корнелл Вулрич - A Treasury of Stories (Collection of novelettes and short stories)
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- Название:A Treasury of Stories (Collection of novelettes and short stories)
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- Год:2018
- ISBN:нет данных
- Рейтинг книги:3 / 5. Голосов: 1
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A Treasury of Stories (Collection of novelettes and short stories): краткое содержание, описание и аннотация
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“You win,” he said, “let’s get the tickets. But I shoulda skipped that cocoanut pie at dinner.”
Dance music came blaring up, and the excursion tug that linked the showboat to the shore fitted its apron neatly into the pier. The crowd made a dive for the floating bar it boasted, and sounds of ice rattling against metal filled the night.
“Let’s go round to the other side,” gulped Whitey, “away from the smell of that orange peel.”
“It’s just your imagination,” Dulcy told him. “Don’t give in. Keep saying the multiplication table over to yourself. It works wonders.” The sail down-river lasted for about three-quarters of an hour, and Ames held out manfully. The last outlying lights of St. Louis on the right had petered out before a playful searchlight beam sent a shaft of pale blue up into the sky ahead of them. The excursion tug tracked it down, and presently a low-lying hulk showed up on the river bosom, garlanded with colored lights. The tug came alongside, nudged it, retreated, and finally stuck as closely as a stamp to a letter.
A ribbed incline on castors was wheeled out, the showboat lying lower in the water, and down it poured the audience. Almost before the last stragglers had cleared it, it was hauled up again, the tug gave a toot, beat the water white, and headed back where it had come from. The crowd it had brought was left there in midstream, cut off from the shore until the end of the show on something that had been a freighter and was no longer fit to go to sea.
The whole superstructure had been planed off, leaving a flat surface not more than ten feet above water level. An awning on metal stanchions roofed it, leaving the sides open to the breeze. Under this were ranged rows of folding wooden chairs packed tightly together with an aisle running down the middle of them. The bow, which was the stage, was curtained off. There were no footlights, but the same rickety platform back at the stern that lodged the sky-writing searchlight also held a couple of spots with gelatin slides. These were trained out across the heads of the audience, giving people red or green necks if they sat up too high.
A scramble for seats began and Dulcy, who was very dexterous in crowds, shot ahead and got two on the aisle before Whitey had disentangled himself from everyone else’s arms and legs.
“How you getting along with yourself?” she wanted to know when he joined her.
“I’m up in the fourteens now,” he muttered tensely. “I’m going to need an adding machine pretty soon.”
Jazz blared out, the curtain rolled out of the way, and a long line of little ladies without much clothing pranced out onto the stage. They began to imitate people who have eaten green apples and have a pain in the stomach. It may have been that thought more than anything else, but Whitey suddenly gave up the struggle.
“’Scuse me, be right back,” he said in a strangled voice, and bolted up the aisle, hand soldered to his mouth. A bartender on duty at that end mercifully caught him by the arm and guided him down a short, steep companionway to the lower level. At the bottom of it he found a short elbow of passageway, an open porthole — and peace.
The footsteps of the dancers on the planks over his head sounded like thunder down here. Just as he was about to duck in again he saw something out of the corner of his eye. From where he was, by turning his head sidewise, he could look along the whole hull. The row of lighted portholes was like a succession of orange circles, diminishing in perspective toward the bow.
A hand was sticking out of the one next in line. It stood out white against the black hull. It was slowly moving, drooping downward as it lengthened. The forearm showed up, and told him it was a woman’s. As the elbow cleared the porthole the whole limb sagged bonelessly, like a white vine growing out of the side of the ship, and dangled there against the hull.
Meanwhile a second hand showed up, obviously the mate of the first. Then between them came a head of wavy red hair, hanging downward like the arms, so that the face was hidden. The slowness of the whole thing held Whitey there pop-eyed.
“What’s she fixing to do, crawl halfway out to get a breath of air?” he muttered.
But when people want a breath of air they lift their heads. Her nose was practically scraping the rusty side of the hull. From the first glimpse of her fingertips she had been slowly emerging, like a human snail from its shell; now she stopped and went into reverse, began to disappear backwards. He guessed the reason at once: the porthole wasn’t wide enough to let her shoulders through. Then suddenly he saw something that made his hair stand up. She was a freak! A third hand had showed up. It trailed down the nearest arm, got a grip on it at the elbow, and began to pull it in again after it. It was a heavier hand than the woman’s; darker, rougher.
He got it at once, after the first momentary optical illusion had passed. It was a man’s hand, pulling her back inside again. Her head disappeared, then her upper arms. Last of all went her two hands, crossed at the wrists and inanimate as severed chicken-claws. Then the porthole was empty, just an orange circle. He decided he wanted to see what was going on in there. If she’d fainted, he knew better ways of bringing her to than ramming her in and out of the porthole like a laundry bag.
Somebody else had beaten him to the door when he rounded the comer of the passageway. A very nautical-looking lady stood there, knocking peremptorily. She wore a white yachting cap atop frizzed gray hair, a jacket with brass buttons, and tennis shoes. Her only concession to femininity was her skirt. A cigarette dangled from her lower lip.
“C’mon, Toots,” she was saying in a raspy voice. “You’re holding up my show. I’m gonna dock you for this. Y’shoulda been on long ago! Quit stalling and open up this door!” She saluted Whitey with a terse “Upstairs! No customers allowed down here!” Then went back to rattling the doorknob again.
“Upstairs yourself. I’m homicide squad, St. Louis,” grunted Whitey, crowding her aside. “Dig me up a passkey, or I’ll bust down this door.”
“I’m in the red enough,” rasped the nautical lady. “If you want to get in that bad, go through the chorus dressing room at the end. There’s a door between that won’t cost as much to repair.”
Whitey ran. The dressing room, luckily, was empty. The chorines were all onstage just then. One shoulder cracked the communicating door like a match box, it was that flimsy.
The girl was seated at her dressing table. She was alone in the room; the third hand and whoever it had belonged to had vanished. She was motionless, slumped before the mirror with her head on her arms. She had on even less than the girls upstairs, and that held Whitey for a minute.
“Hey!” he shouted. “Hey, you!” Then he went over to her and noticed that the top of the dressing table was all messed up with rouge.
Only it wasn’t rouge. He lifted her head and for a moment had a horrible impression that it had come off in his hands. A yawning red mouth opened, lower down than the real one. Her throat had been gashed from ear to ear. At her feet was the jagged sliver of glass that had done it, with the rag that had protected the wielder’s hand still folded around the upper half of it.
That let suicide out then and there. Who cares about cutting their hand if they’re going to cut their own throat anyway? The glass had come from the porthole — the casing stood inward, just an empty hoop bolted to the frame. Under it the floor was iced with fragments, and with them lay the heavy curling iron that had smashed the glass.
She had probably thrown it at her murderer in the struggle and unwittingly furnished him with a weapon. Or else broken the porthole purposely in a vain attempt to top the blare of the show and attract the attention of those above. The slow-motion pantomime he had seen, Whitey realized, must have been an unsuccessful attempt to get rid of her body. And the line of escape was fairly obvious — the same side-door he had come through, locked by the murderer on his way out. But of all the quick getaways! He must have just missed the killer by the skin of his teeth. But what counted was that the murderer was still on board, and had to stay there until the tug came back — unless he jumped for it and swam the Mississippi River.
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