Tom Clancy - The Cardinal of the Kremlin

One of them was. Ed Foley was looking away after adjusting his glasses with a right hand that wore one glove and held another. The courier turned back forward and went over his escape procedures. Foley went over his own. The courier would dispose of the film, first exposing it by pulling it out of the metal cylinder, then dumping it in the nearest trash receptacle. That had happened twice before that he knew of, and in both cases the cutout had gotten away cleanly. They're trained how , Foley told himself. They know how. CARDINAL would be warned, and another film would be made, and… but this had never happened on Foley's watch, and it took all of his discipline to keep his face impassive. The courier didn't move at all. He got off at the next stop anyway. He'd done nothing unusual, nothing that didn't appear normal. He would say that he'd found this funny little thing with the – was it film, Comrade? – stuff pulled out on the floor of the train, and thought it merely trash to be disposed of. In his pocket, the man was trying to pull the film out of the cassette. Whoever took it always left a few millimeters out so that you could yank all of it – or so they'd told him. But the cassette was slippery and he couldn't quite get a grip on the exposed end. The train stopped again and the courier moved out. He didn't know who was trailing him. He knew nothing other than that he'd gotten his wave-off signal, and that signal also told him to destroy what he had in the prescribed way – but he'd never had to do it before. He tried not to look around, and moved out of the station as quickly as anyone else in the crowd. For his part, Foley didn't even look out of the train's windows.. It was nearly inhuman but he managed it, fearing above all that he might endanger his cutout.

The courier stood alone on a moving step of the escalator. Just a few more seconds and he'd be on the street. He'd find an alley to expose the film, and a sewer to dump it in, along with the cigarette he'd just lit. One smooth motion of the hand, and even if he were picked up, there would be no evidence, and his story, drilled into his head and practiced there every day, was good enough to make the KGB wonder. His career as a spy was now over. He knew that, and was surprised at the wave of relief that enveloped him like a warm, comfortable bath.

The air was a cold reminder of reality, but the sun was rising, and the sky was beautifully clear. He turned right and walked off. There was an alley half a block away, and a sewer grate that he could use. His cigarette would be finished just as he got there, yet another thing that he'd practiced. Now, if only he could get the film out of the cassette and exposed to sunlight… Damn. He slipped off his other glove and rubbed his hands together. The courier used his fingernails to get the film. Yes! He crumpled the film and put the cassette back into his pocket, and –

"Comrade." The voice was strong for a man of his age, the courier thought. The brown eyes sparkled with alertness, and the hand at his pocket was a strong one. The other, he saw, was in the man's pocket. "I wish to see what is in your hand."

"Who are you?" the courier blustered. "What is this?" The right hand jerked in the pocket. "I am the man who will kill you, here on the street, unless I see what is in your hand. I am Major Boris Churbanov." Churbanov knew that this would soon be false. From the look on the man's face, he knew that he had his colonelcy.

Foley was in his office ten minutes later. He sent one of his men – actually a woman – out on the street to look for the signal that the dump had been made successfully, and his hope was that he'd simply goofed, that he'd overreacted to a commuter who was trying too hard to get to work. But… but there was something about that face that had said professional . Foley didn't know what, but it had been there. He had his hands flat on the desk and stared at them for several minutes.

What did I do wrong? he asked himself. He'd been trained to do that, too, to analyze his actions step by step, looking for flaws, for mistakes, for… Had he been followed? He frequently was, of course, like all Americans on the embassy staff. His personal tail was a man he thought of as "George." But George wasn't there very often. The Russians didn't know who Foley was. He was sure of that. That thought caught in his throat. Being certain about anything in the intelligence business was the surest route to disaster. That was why he'd never broken craft, why he never deviated from the training that had been drilled into him at Camp Peary, on the York River in Virginia, then practiced all over the world.

Well. The next thing he had to do was predetermined. He walked to the communications room and sent a telex to Foggy Bottom. This one, however, went to a box number whose traffic was never routine. Within a minute of its receipt, a night-watch officer from Langley drove to State to retrieve it. The wording of the message was innocuous, but its meaning was not: TROUBLE ON THE CARDINAL LINE. FULL DATA TO FOLLOW.

They didn't take him to Dzerzhinskiy Square. KGB headquarters, so long used as a prison – a dungeon for all that happened there – was now exclusively an office building since, in obedience to Parkinson's Law, the agency had expanded to absorb all its available space. Now the interrogations were done at Lefortovo Prison, a block from the Sputnik Cinema. There was plenty of room here.

He sat alone in a room with a table and three chairs. It had never occurred to the courier to resist, and even now he didn't realize that if he'd run away or fought the man who'd arrested him, he might still be free. It wasn't the idea that Major Churbanov had had a gun – he hadn't – but simply that Russians, in lacking freedom, often lack the concepts needed for active resistance. He'd seen his life end. He accepted that. The courier was a fearful man, but he feared only what had to be. You cannot fight against destiny, he told himself.

"So, Churbanov, what do we have?" The questioner was a Captain of the Second Chief Directorate, about thirty years old.

"Have someone develop this." He handed over the cassette. "I think this man is a cutout." Churbanov described what he'd seen and what he'd done. He didn't say that he'd rewound the film into the cassette. "Pure chance that I spotted him," he concluded.

"I didn't think you 'One' people knew how, Comrade Major. Well done!"

"I was afraid that I'd blundered into one of your operations and–"

"You would have known by now. It is necessary for you to make a full report. If you will accompany the sergeant here, he'll take you to a stenographer. Also, I will summon a full debriefing team. This will take some hours. You may wish to call your wife."

"The film," Churbanov persisted.

"Yes. I will walk that down to the lab myself. If you'll go with the sergeant, I'll rejoin you in ten minutes."

The laboratory was in the opposite wing of the prison. The Second Directorate had a small facility here, since much of its work centered on Lefortovo. The Captain caught the lab technician between jobs, and the developing process was started at once. While he waited, he called his Colonel. There was as yet no way to measure what this "One" man had uncovered, but it was almost certainly an espionage case, and those were all treated as matters of the utmost importance. The Captain shook his head. That old war-horse of a field officer, just stumbling into something like that.

"Finished." The technician came back. He'd developed the film and printed one blow-up, still damp from the process. He handed back the film cassette, too, in a small manila envelope. "The film has been exposed and rewound. I managed to save part of one frame. It's interesting, but I have no idea what it actually is."