Stephen King - End of Watch

And that was the word! The very one!

‘Darkness!’

He screamed it at the top of his lungs – at least inside. Outside it was that same whispered croak from long unused vocal cords. His pulse, respiration, and blood pressure had all begun to rise. Soon Head Nurse Becky Helmington would notice and come to check him, hurrying but not quite running.

In Brady’s basement workroom, the countdown on the computers stopped at 14, and on each screen a picture appeared. Once upon a time, those computers (now stored in a cavernous police evidence room and labeled exhibits A through G) had booted up showing stills from a movie called The Wild Bunch . Now, however, they showed photographs from Brady’s life.

On screen 1 was his brother Frankie, who choked on an apple, suffered his own brain damage, and later fell down the cellar stairs (helped along by his big brother’s foot).

On screen 2 was Deborah herself. She was dressed in a clingy white robe that Brady remembered instantly. She called me her honeyboy, he thought, and when she kissed me her lips were always a little damp and I got a hard-on. When I was little, she called that a stiffy. Sometimes when I was in the tub she’d rub it with a warm wet washcloth and ask me if it felt good.

On screen 3 were Thing One and Thing Two, inventions that had actually worked.

On screen 4 was Mrs Trelawney’s gray Mercedes sedan, the hood dented and the grille dripping with blood.

On screen 5 was a wheelchair. For a moment the relevance wouldn’t come, but then it clicked in. It was how he had gotten into the Mingo Auditorium on the night of the ’Round Here concert. Nobody worried about a poor old cripple in a wheelchair.

On screen 6 was a handsome, smiling young man. Brady couldn’t recall his name, at least not yet, but he knew who the young man was: the old Det-Ret’s nigger lawnboy.

And on screen 7 was Hodges himself, wearing a fedora cocked rakishly over one eye and smiling. Gotcha, Brady, that smile said. Whapped you with my whapper and there you lie, in a hospital bed, and when will you rise from it and walk? I’m betting never.

Fucking Hodges, who spoiled everything.

Those seven images were the armature around which Brady began to rebuild his identity. As he did so, the walls of his basement room – always his hideaway, his redoubt against a stupid and uncaring world – began to thin. He heard other voices coming through the walls and realized that some were nurses, some were doctors, and some – perhaps – were law enforcement types, checking up on him to make sure he wasn’t faking. He both was and wasn’t. The truth, like that concerning Frankie’s death, was complex.

At first he opened his eyes only when he was sure he was alone, and didn’t open them often. There wasn’t a lot in his room to look at. Sooner or later he would have to come awake all the way, but even when he did they must not know that he could think much, when in fact he was thinking more clearly every day. If they knew that, they would put him on trial.

Brady didn’t want to be put on trial.

Not when he still might have things to do.

A week before Brady spoke to Nurse Norma Wilmer, he opened his eyes in the middle of the night and looked at the bottle of saline suspended from the IV stand beside his bed. Bored, he lifted his hand to push it, perhaps even knock it to the floor. He did not succeed in doing that, but it was swinging back and forth from its hook before he realized both of his hands were still lying on the counterpane, the fingers turned in slightly due to the muscle atrophy physical therapy could slow but not stop – not, at least, when the patient was sleeping the long sleep of low brainwaves.

Did I do that?

He reached out again, and his hands still did not move much (although the left, his dominant hand, trembled a bit), but he felt his palm touch the saline bottle and put it back in motion.

He thought, That’s interesting, and fell asleep. It was the first honest sleep he’d had since Hodges (or perhaps it had been his nigger lawnboy) put him in this goddam hospital bed.

On the following nights – late nights, when he could be sure no one might come in and see – Brady experimented with his phantom hand. Often as he did so he thought of a high school classmate named Henry ‘Hook’ Crosby, who had lost his right hand in a car accident. He had a prosthetic – obviously fake, so he wore it with a glove – but sometimes he wore a stainless steel hook to school, instead. Henry claimed it was easier to pick things up with the hook, and as a bonus, it grossed out girls when he snuck up behind them and caressed a calf or bare arm with it. He once told Brady that, although he’d lost the hand seven years ago, he sometimes felt it itching, or prickling, as if it had gone numb and was just waking up. He showed Brady his stump, smooth and pink. ‘When it gets prickly like that, I’d swear I could scratch my head with it,’ he said.

Brady now knew exactly how Hook Crosby felt… except he, Brady, could scratch his head with his phantom hand. He had tried it. He had also discovered that he could rattle the slats in the venetian blinds the nurses dropped over his window at night. That window was much too far away from his bed to reach, but with the phantom hand he could reach it, anyway. Someone had put a vase of fake flowers on the table next to his bed (he later discovered it was Head Nurse Becky Helmington, the only one on staff to treat him with a degree of kindness), and he could slide it back and forth, easy as pie.

After a struggle – his memory was full of holes – he recalled the name for this sort of phenomenon: telekinesis. The ability to move objects by concentrating on them. Only any real concentration made his head ache fiercely, and his mind didn’t seem to have much to do with it. It was his hand , his dominant left hand, even though the one lying splay-fingered on the bedspread never moved.

Pretty amazing. He was sure that Babineau, the doctor who came to see him most frequently (or had; lately he seemed to be losing interest), would be over the moon with excitement, but this was one talent Brady intended to keep to himself.

It might come in handy at some point, but he doubted it. Wiggling one’s ears was also a talent, but not one that had any useful value. Yes, he could move the bottles on the IV stand, and rattle the blinds, and knock over a picture; he could send ripples through his blankets, as though a big fish were swimming beneath. Sometimes he did one of those things when a nurse was in the room, because their startled reactions were amusing. That, however, seemed to be the extent of this new ability. He had tried and failed to turn on the television suspended over his bed, had tried and failed to close the door to the en suite bathroom. He could grasp the chrome handle – he felt its cold hardness as his fingers closed around it – but the door was too heavy and his phantom hand was too weak. At least, so far. He had an idea that if he continued to exercise it, the hand might grow stronger.

I need to wake up, he thought, if only so I can get some aspirin for this endless fucking headache and actually eat some real food. Even a dish of hospital custard would be a treat. I’ll do it soon. Maybe even tomorrow.

But he didn’t. Because on the following day, he discovered that telekinesis wasn’t the only new ability he’d brought back from wherever he’d been.

The nurse who came in most afternoons to check his vitals and most evenings to get him ready for the night (you couldn’t say ready for bed when he was always in bed) was a young woman named Sadie MacDonald. She was dark-haired and pretty in a washed-out, no-makeup sort of way. Brady had observed her through half-closed eyes, as he observed all visitors to his room in the days since he had come through the wall from his basement workroom where he had first regained consciousness.