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Kate Atkinson: Case Histories

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Kate Atkinson Case Histories

Case Histories: краткое содержание, описание и аннотация

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The scene is set in Cambridge, with three case histories from the past: A young child who mysteriously disappeared from a tent in her back garden; An unidentified man in a yellow jumper who marched into an office and slashed a young girl through the throat; and a young woman found by the police sitting in her kitchen next to the body of her husband, an axe buried in his head. Jackson Brodie, a private investigator and former police detective, is quietly contemplating life as a divorced father when he is flung into the midst of these resurrected old crimes. Julia and Amelia Land, long having given up hope of uncovering the truth of what happened to their baby sister, Olivia, suddenly discover her lost toy mouse in the study of their recently-deceased father. Enlisting Jackson's help they embroil him in the complexities of their own jealousies, obsessions and lust. A woman named Shirley needs Jackson to help find her lost niece. Amidst the incessant demands of the Land sisters, Jackson meets solicitor Theo Wyre whose daughter, Laura, was murdered in his office and, now that the police case has been closed, is desperate for Jackson to help him lay Laura's ghost to rest. As he starts his investigations Jackson has the sinister feeling that someone is following him. As he begins to unearth secrets that have remained hidden for many years, he is assailed by his former wife's plan to take his young daughter away to live in New Zealand, and his stalker becomes increasingly malevolent and dangerous. In digging into the past Jackson seems to have unwittingly threatened his own future.This wonderfully crafted, intricately plotted novel is heartbreaking, uplifting, full of suspense and often very funny, and shows Kate Atkinson returning to the literary scene at the height of her powers.

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Jackson settled into his economy seat, row twenty, a window seat. He could have afforded to fly business class, but he wasn't going to start throwing the money around. He was still his father's son, it seemed.

He was rich. Unexpectedly, absurdly rich. Binky had made him the sole beneficiary of her estate – two million pounds, in bonds and stocks, all of which had been sitting in a safe-deposit box all these years while she hadn't spent a bean on anything but her cats. "To my friend, Mr. Jackson Brodie, for being kind." He had cried when her solicitor had read that out to him. Cried, because he hadn't been particularly kind to her, cried because she didn't have a better friend, that she had died alone, without a hand to hold. Cried because he was turning into a woman.

Two million on condition that the cats were looked after. Did that mean their offspring as well? Would he have to look after Binky's cats forever and ever, until he died, and then would Marlee and her descendants have to look after them? The first thing he would do would be to have them all neutered. He knew he didn't deserve it, of course he didn't deserve it, it was like winning the lottery without buying a ticket. But then, who did deserve it? Not Quintus, her only blood relative, that was for sure. Quintus, who had found his aunt's will made out in favor of Jackson and then had tried to kill Jackson to stop him from inheriting. Quintus, who would probably have killed his aunt if she hadn't preempted him by dying quietly of old age.

At first Jackson had worried that the money was tainted, that it had originated in the diamond mines, made out of the blood and sweat and slave labor of "bleck" miners. Filthy lucre. He had wondered about just handing it all over to Howell. "Because I'm black?" Howell said, looking at him as if he'd just grown an extra head. "You stupid fucker." Jackson supposed it was a bit much to make Howell the token representative of the whole sordid history of imperial exploitation. Howell and Julia were playing cribbage, sitting at Victor's dining-room table, drinking gin, Julia slamming her empty glass down, saying, "Hit me again," to Howell. Jackson would never have taken either of them on in a drinking competition.

Howell and Jackson were staying in the Garden House Hotel now that Jackson no longer had a home in Cambridge. Julia had offered to put them up but Jackson couldn't bear the idea of staying in Victor's old, cold house, sleeping in a room last occupied by one of the lost Land girls.

He was the one who had told Julia. He had taken her to see the delicate leveret bones laid out in the police mortuary ("Against the rules, Jackson," the forensic pathologist rebuked him mildly). Julia was strong, he knew that, she could look at what was left of Olivia's tiny skeleton without growing hysterical. She reached out a hand to her sister, and the pathologist said, "Don't touch, dear. Later, later you can touch her," and Julia had retracted her hand and held it over her heart as if her heart hurt and said, "Oh," very softly and Jackson hadn't realized that such a small word could be so unbearably sad.

Jackson's story went like this – he had been out walking a dog when the dog had nosed its way into Binky's garden, where it had rooted around in the undergrowth, barking its head off until Jackson had come and investigated, at which point he had discovered Olivia's body. "And where's the dog now, Inspector?" the first detective on the scene asked. "Ran off." Jackson shrugged and didn't bother to add, "It's plain Mr. Brodie now." He didn't mention his visit to the convent, neither to the police nor to Julia. He felt, rightly or wrongly, that if Sylvia wanted to tell the truth then it was up to her. He had offered her the shelter of the confessional, he had given his word. "Looks like a tragic accident," he said to the investigating DS. "Poor police procedure. Thirty-four years ago, what can you do?"

Howell poured more gin for himself and Julia. "Why don't you join us, Mr. B.?" she said. "We can play three-handed Gladstone. I'll teach you."

"We can try and win some of your excessive and undeserved wealth off you," Howell said. Jackson declined.

"Miserable bugger," Howell said.

Perhaps Jackson could set Howell up in business. He would put some of the money in trust for Marlee. And he could give some to Lily-Rose. He had been to see Theo, had seen the postcard with the picture of the pink flower propped up on the mantelpiece. Neither of them mentioned it. Lily-Rose had made them a pot of tea and they sat and drank it in the garden and ate slices of a Victoria sponge sandwich that Theo had made. "Good, in't it?" Lily-Rose said appreciatively.

And he would have to give some of the money to charity, to salve his conscience if nothing else. It turned out that the money hadn't come from diamonds. A long time ago one of Binky Rain's forebears had invested in the building of the American railroads, so the money had been made from the blood and sweat of whoever built the Union and Central Pacific lines (Chinese? Irish?), which wasn't particularly ethical either, Jackson supposed, but what could you do?

Which charities? There were so many. He thought about asking Amelia, it might be good to give her something to get her teeth into. She had become "a little overwrought," Julia had explained to him, and had taken too many pills and was now "resting" in the hospital.

"You mean she tried to kill herself?" Jackson interpreted.

Julia frowned. "Sort of."

"Sort of?"

He had volunteered to bring Amelia home from the hospital. She was doped up and untalkative, but when they reached the house on Owlstone Road Julia was waiting at the door with the black cat formerly known as Nigger, which she pressed into Amelia's arms as a welcoming gift, and when Jackson observed Amelia burrowing her face into the black fur ("He's called Lucky," Julia said), he realized that he might have found the perfect custodian of Binky's legacy.

"What do you think?" he asked Julia later. "Binky's place would have to be done up, obviously, but then Amelia could live there and look after the cats."

"Oh, and she could rescue the garden as well," Julia said excitedly. "She would love that. Oh, what a splendid idea, Mr. Brodie!"

Jackson hadn't thought about the garden. "Do you think that would be alright though," he said. "I mean with Olivia being there all that time – it wouldn't freak Amelia out?" Amelia hadn't been told about Olivia yet, Julia was still trying to find the "right time," and Jackson had said, "There never will be a right time," and Julia said, "I know."

"I think," Julia said, "that it would be a very good thing. It would be somehow appropriate." She turned her head on the pillow to look at him – because they were conducting this conversation about Amelia's future in bed – and gave him one of her big lazy smiles. She stretched extravagantly and one of her warm feet rubbed up and down his calf.

"Oh, Mr. Brodie," she said, "who would have imagined this would be so delicious?"

Who indeed, Jackson thought. "You might try calling me Jackson now," he said.

"Oh no," she said, "I much prefer 'Mr. Brodie.'"

As the plane went through its preflight routine Jackson perused the estate agents' details. There was a nice chateau, not too showy, in the Minervois (chateaus seemed to be ten-a-penny in France) and a thirteenth-century presbytery in a small village south of Toulouse, a maison de maitre in a village near Narbonne. Not that he'd decided which area to live in, but you had to start somewhere. He imagined he could motor his way round France, viewing houses, take his time. He'd sold his business to Deborah Arnold. If she'd been only a slightly nicer person he might have knocked something off the price. He closed his eyes and thought about France.

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