Kate Atkinson - Case Histories

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Case Histories: краткое содержание, описание и аннотация

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The scene is set in Cambridge, with three case histories from the past: A young child who mysteriously disappeared from a tent in her back garden; An unidentified man in a yellow jumper who marched into an office and slashed a young girl through the throat; and a young woman found by the police sitting in her kitchen next to the body of her husband, an axe buried in his head. Jackson Brodie, a private investigator and former police detective, is quietly contemplating life as a divorced father when he is flung into the midst of these resurrected old crimes. Julia and Amelia Land, long having given up hope of uncovering the truth of what happened to their baby sister, Olivia, suddenly discover her lost toy mouse in the study of their recently-deceased father. Enlisting Jackson's help they embroil him in the complexities of their own jealousies, obsessions and lust. A woman named Shirley needs Jackson to help find her lost niece. Amidst the incessant demands of the Land sisters, Jackson meets solicitor Theo Wyre whose daughter, Laura, was murdered in his office and, now that the police case has been closed, is desperate for Jackson to help him lay Laura's ghost to rest. As he starts his investigations Jackson has the sinister feeling that someone is following him. As he begins to unearth secrets that have remained hidden for many years, he is assailed by his former wife's plan to take his young daughter away to live in New Zealand, and his stalker becomes increasingly malevolent and dangerous. In digging into the past Jackson seems to have unwittingly threatened his own future.This wonderfully crafted, intricately plotted novel is heartbreaking, uplifting, full of suspense and often very funny, and shows Kate Atkinson returning to the literary scene at the height of her powers.

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"Give me a sec and I'll let her know you're here," a young male Australian nurse said to him. (Who was running Australia? They were all over here. God knows why.)

Jackson watched a doctor walk over to Shirley and touch her on the shoulder and say something to her. There was something indefinably intimate about the gesture, and from the way she turned to him and smiled Jackson instantly knew that they'd slept with each other. They both gazed down at the baby. Jackson felt even more like a voyeur than usual. The nurse who had recognized him (What was her name? Elaine? Eileen?) came and stood by his side and said, "Ah, sweet."

"Sweet?" Jackson said, wondering what could be sweet about this little tableau. A woman he'd recently spent a night of unfettered lust with cooing over a sick baby with another lover.

"Well, sad, really, I suppose," Elaine/Eileen said. "They can't have children of their own."

"They? They're married? Shirley Morrison and the doctor guy?"

"Doctor Welch, head of pediatrics." Elaine/Eileen frowned at him.

"They're married?"

"Yes, Inspector Brodie. Are you investigating Shirley?"

"It's Mr. Brodie. I left the force two years ago, Eileen."

"Elaine."

"Why would I be investigating her?"

Elaine shrugged. "The way you're interrogating me, maybe."

"Sorry."

Elaine moved closer to him, her tone more confidential. "You know, don't you, that she's the sister of –"

"Yes," Jackson interrupted her. "I know." Shirley Morrison hadn't changed her name after her sister's conviction, she hadn't changed it when she got married. He had asked her, somewhere in the druglike haze of their morning after, "You never changed your identity?" and she said, "It was the only thing I had left." Her husband moved on to inspect another alien baby and Shirley put the one she was holding back into its little spaceship cot.

The Australian nurse entered the ICU and said something to Shirley Morrison, who looked up and frowned when she saw Jackson. He shrugged at her and made a helpless face. He pointed at his own naked ring finger and then pointed at her. She raised her eyes heavenward as if she couldn't believe he was communicating in this ridiculous way. She signaled to him to go to the entrance of the unit. She opened the door a fraction, as if Jackson posed a threat.

"Why didn't you tell me you were married?" he asked her.

"Would it have made a difference?"

"Yes."

"Christ, Jackson, what are you, the last good man standing? It was just sex, get over it." She closed the door on him. He'd had a bad feeling about her, he should have gone with it. Was she a good liar or was she just good at avoiding the truth? Was there a difference? He liked to think truth was an absolute, but maybe that made him into a tight-arsed moral fascist.

On his way out of the ward, Jackson almost bumped into the yellow-haired homeless girl who was lurking in the corridor. She was muttering under her breath, as if she were saying the rosary, and Jackson wanted to say hello to her because he'd seen her around so much recently that he felt he knew her, but of course he didn't, so he said nothing and was surprised when she spoke.

"You know him, don't you?"

"Who?"

"The old fat geezer."

"Theo?" he guessed.

"Yeah, is he going to be alright?"

"He's okay," Jackson said. The girl started walking away from the ICU and Jackson said, "Visiting time isn't over, you can go in and see him, he's in medical admissions."

"No, I saw him this afternoon, I came to find someone else."

Jackson accompanied her out of the hospital. She shivered even though it was a balmy evening and lit up a cigarette and then said, "Sorry," and offered one to Jackson. He lit up and said, "You're too young to smoke," and she said, "And you're too old. And anyway I'm twenty-five, old enough for anything." Jackson thought she looked about seventeen, eighteen tops. She retrieved her dog from where it was tied to a bench outside. "Are you a friend of his?" she asked him.

"Theo? Sort of." Was he a friend of Theo's? Maybe he was. Was he a friend of Amelia and Julia? God forbid. (Was he?) And he wasn't a friend of Shirley Morrison no matter what they'd done under the cloak of darkness the other night. "Yes," he said finally, "I'm a friend of Theo's. My name's Jackson."

" Jackson," she repeated as if she were trying to lodge it in her memory. He took a handful of his cards out of his pocket – Jackson brodie: private investigator – and gave one to her.

"This is the bit when you tell me your name," he said, and she said, "Lily-Rose." Close-up, she didn't look so much like a druggie, more a victim of neglect and malnutrition. She seemed insubstantial enough to blow away on the wind, and Jackson wanted to take her to the nearest PizzaExpress and watch her eat. She had a little bowl of a belly like the starving African children you saw on television. Jackson wondered if she was pregnant.

"I found him," she said, "in the park. Christ's whatever."

"Pieces."

"Stupid name."

"Very stupid," Jackson agreed.

"He was having an attack."

"He said someone gave him an inhaler."

"That wasn't me," Lily-Rose said. "It was some woman. He's going to be alright?" she persisted.

"Absolutely fine," Jackson said and then realized he was talking to her as if she were Marlee's age. He couldn't believe she was twenty-five. "No, he's not really alright," Jackson said. "His daughter was murdered ten years ago and he can't get over it."

"Why should he?"

Stan Jessop taught at a different school now but lived in the same small thirties semi-detached that he had ten years ago. "Stan" made him sound like an old allotment guy, but he was only thirty-six. When Laura died Stan Jessop was only twenty-six. Twenty-six sounded incredibly young to Jackson – just a year older than Lily-Rose, two years younger than Emma Drake (he had to stop doing this). There was a well-worn Vauxhall Vectra in the driveway with a baby seat in the back, the floor littered with toys and sweet wrappers and general domestic grunge. Stan Jessop had one child, Nina, ten years ago, according to Emma Drake. Now he seemed to have a zoo of them – the front garden looked like a battleground for a war being fought with the contents of Toys "R" Us. "Kids." Stan Jessop shrugged. "What can you do?" And Jackson thought, Well, tidy up for a start, but he shrugged in return and accepted the mug of weak instant coffee that Stan made him and took a seat in the living room. The mug had drip marks down the side as if it hadn't been washed properly. Jackson put it down on the coffee table and didn't drink from it.

Emma Drake said Stan Jessop was "really cute" ten years ago. and he still had a handsome, boyish air about him. "I'm looking into some aspects of the Laura Wyre case," Jackson said, and Stan said, "Oh, yeah?" in an offhand way that didn't convince Jackson somehow.

From upstairs came the thunderous noise of small children resisting bedtime and the increasingly frustrated voice of a woman. It sounded like an old routine. "Three boys," Stan said, as if that explained everything. "It's like trying to put the barbarian hordes to bed. I should help really," he added and slumped down on the sofa. He looked like the barbarian hordes had defeated him long ago. "What about her?" he asked irritably.

"Who?"

"Laura – what about her? Is the case being reopened?"

"It was never closed, Mr. Jessop. I've been speaking to some of her friends. They think you had a crush on her."

"A crush?" Jackson thought he saw a shadow cross Stan Jessop's face. "Is that why you're here, because I had a 'crush' on Laura Wyre?"

"Did you?"

"You know" – he sighed, as if whatever it was he was about to explain wasn't really worth the effort – "when you're a young guy and you're put in that position, sometimes things can get out of hand." He grew sullen. "All those girls, intelligent, pretty girls, their hormones are off the scale, they come on to you all the time."

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