Kate Atkinson - Case Histories

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Case Histories: краткое содержание, описание и аннотация

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The scene is set in Cambridge, with three case histories from the past: A young child who mysteriously disappeared from a tent in her back garden; An unidentified man in a yellow jumper who marched into an office and slashed a young girl through the throat; and a young woman found by the police sitting in her kitchen next to the body of her husband, an axe buried in his head. Jackson Brodie, a private investigator and former police detective, is quietly contemplating life as a divorced father when he is flung into the midst of these resurrected old crimes. Julia and Amelia Land, long having given up hope of uncovering the truth of what happened to their baby sister, Olivia, suddenly discover her lost toy mouse in the study of their recently-deceased father. Enlisting Jackson's help they embroil him in the complexities of their own jealousies, obsessions and lust. A woman named Shirley needs Jackson to help find her lost niece. Amidst the incessant demands of the Land sisters, Jackson meets solicitor Theo Wyre whose daughter, Laura, was murdered in his office and, now that the police case has been closed, is desperate for Jackson to help him lay Laura's ghost to rest. As he starts his investigations Jackson has the sinister feeling that someone is following him. As he begins to unearth secrets that have remained hidden for many years, he is assailed by his former wife's plan to take his young daughter away to live in New Zealand, and his stalker becomes increasingly malevolent and dangerous. In digging into the past Jackson seems to have unwittingly threatened his own future.This wonderfully crafted, intricately plotted novel is heartbreaking, uplifting, full of suspense and often very funny, and shows Kate Atkinson returning to the literary scene at the height of her powers.

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Not right away of course, not there in the staff room – how awful would that have been, if he'd ravished her among the crumpled newspapers and the old mugs with their dregs of Nescafe while she wondered if the janitor was going to put his head round the door. But, no, he simply picked up his rucksack and said, "Good-bye, then, see you tomorrow," as if nothing of any significance had passed between them.

Before Andrew Vardy, Amelia imagined that sex would be (somehow, God knows how) an amalgam of the mystical and the coarsely animalistic, a warm and blurry experience that would transcend the mechanics. What she hadn't imagined was that it would be banal and rather tiresome. Although, unfortunately, still vaguely disgusting.

"Be bold," she thought and invited him round for "a cup of coffee, one evening," she was pretty sure that both of them knew what that meant but if it turned out to be just that – a cup of coffee – then she wouldn't look too stupid. She bought a woman's magazine that had a sealed book on the cover announcing that it contained "Sex Tips to Drive Him Wild" and tried (and failed) to learn some of them off by heart. She felt as if she were preparing for an exam that she was bound to fail. And why would anyone want hot candle wax dripped on their nipples anyway? Would he do that to her? Surely not. "Undress slowly," the book advised.

"All men appreciate a sexy striptease." Amelia had rather hoped that they might keep their clothes on throughout the whole process. Nonetheless, she shaved her legs and armpits, although for the life of her she couldn't see what was wrong with body hair, and painted (rather badly) her toenails, and showered and perfumed herself with something French that Julia had left behind after a visit. She felt as if she were preparing herself for a sacrifice. She kept ready a very good bottle of Bordeaux and bought stuffed olives and peanuts as if she were readying herself for a Tupperware party. She had been to a Tupperware party once, at the invitation of a woman who was a tutor in the beauty and hairdressing department, and had bought a very useful cereal dispenser. It was the only party of any description that she had been to in five years.

The olives and peanuts were not a sex tip, although the book did suggest doing something with popcorn that Amelia considered belonged in a blue movie, not a front-of-counter woman's magazine. You would never think that sex was meant for procreation of the species, that it was simply about male and female organs accommodating each other for a biological purpose. Certainly not according to the authors of "Sex Tips to Drive Him Wild," for whom it seemed to be a case of stuffing every orifice with anything that came to hand.

For five nights in a row, she waited. By the sixth night Amelia began to wonder if she had misheard him, if he had offered to "oblige" her with something else, the loan of a book or a computer program. In the staff room, no mention was made between them of coffee or sex, the only conversation of any kind they had was about how you had to pretend that the slaters had fulfilled all their criteria-based topics of learning in order to get them through the course and off your hands. She stopped preparing herself every night, her legs grew bristles, and she had forgotten all the sex tips, so, of course, Sod's Law, Andrew Vardy turned up at the door when she was in her oldest clothes, painting a little bedside table she had bought in an auction.

No flowers, no chocolates, no wooing – she had rather expected some wooing – and when she said, "Would you like a cup of coffee?" he actually smirked and she offered the good wine only because she knew she couldn't go through with the experience in a cold-stone-sober state. She emptied the peanuts and the olives into glass dishes and put them on the coffee table. Is this what other people did? Other women, preparing for a lover? Didn't they rub themselves with perfumed oils and unguents and comb out their hair, lie down on silken sheets, and present their pomegranate breasts for their lover's kisses? Not put out hors d'oeuvres, surely?

As soon as they sat on the sofa he started kissing her and she could feel how dry and chapped his lips were. He was wearing the same clothes he'd worn into college that day and he smelled stale. Then he was tugging at her paint-stained T-shirt and pawing at her breasts, kneading them as if they were lumps of plasticine, at the same time as he was undoing his trousers so that she wondered what had been the point of mugging up on all that foreplay. Squashed into the sofa cushions, she couldn't really see what he was doing and when she realized he was putting on a condom she felt incredibly embarrassed (which was ridiculous) although part of her wanted to tell him to stop right there so that they could have a discussion about Catholicism and the ethics of contraception – he had five children, after all, was it one rule for his wife and one for his mistress (there was definitely a certain frisson in applying that word to herself)? And, in general, did he really believe in papal infallibility because she had often wondered how an intelligent person (Sylvia, for example) could believe such nonsense, but the moment for an argument over dogma had already passed because he was fitting himself inside her (so much smoother and colder than she'd expected) and she had to stifle the instinct to push him off because it felt so uncomfortable and unnatural. Then they rolled about awkwardly for a bit, scattering the peanuts everywhere and knocking over the wine (which was incredibly careless of him) and then suddenly he let out a low animal sound like a cow giving birth and the next second, his limp thing had slid out of her and flopped like a small dead goldfish on her thigh.

Amelia looked at the ceiling and saw a crack she'd never noticed. Had it always been there or was the house subsiding? She looked at the floor where the peanuts had been broadcast and where the Bordeaux had made a huge stain on the pale carpet, like weak blood, and she wondered if even professional cleaning would be able to remove it.

Andrew Vardy pulled himself and his clothing together – there was a patch of curdled white foam on the shoulder of his jacket that Amelia suspected was baby sick. Her insides seemed to sag. "I'm sorry, I'm going to have to go, Amelia," he said, as if she'd been begging him to stay. "I promised Bernie I'd pick up a pint of milk." Amelia supposed she had been fitted in with the groceries. Pint of milk and a quick shag. So she'd seen him to the door and he'd kissed her on the cheek and said, "That was bloody fantastic,'' and then he tossed an olive into his mouth as if it were a party trick and then he was gone! Almost skipping down the stairs while Henry, the Pekingese, yapped furiously at him from somewhere down below. There was another darker stain on the sofa and it took Amelia a few seconds to realize that it was not the Bordeaux but her own blood. Her knees felt weak and she slumped down onto the floor. She felt damaged. She heard Andrew Vardy's child-soiled Passat drive away and started to cry.

She wanted Jackson. Desperately. And yes, she did lie in her bed and think about him and pleasure herself. Christ, what a stupid term. Mr. Brodie would save you, Julia had said when she declared he was a German shepherd. Amelia wanted to be saved by Jackson, she wanted that more than anything. Jackson, the idea of Jackson, was a hope and a promise and a comfort, it was a sun-warmed pebble in the hand, the scent of wet roses in the rain, it was the possibility of change. Maybe she should just say to him, "If you ever feel like sex, Jackson, I'd be happy to oblige."

She started to undress for bed. It was early, too early to go to bed really. There was still light in the sky outside and she remembered how when she was a child she used to like going to bed in summer when it was still light because she was afraid of the dark. That was before Olivia disappeared, after that there was no safety to be had in either the light or the dark.

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