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Kate Atkinson: Case Histories

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Kate Atkinson Case Histories

Case Histories: краткое содержание, описание и аннотация

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The scene is set in Cambridge, with three case histories from the past: A young child who mysteriously disappeared from a tent in her back garden; An unidentified man in a yellow jumper who marched into an office and slashed a young girl through the throat; and a young woman found by the police sitting in her kitchen next to the body of her husband, an axe buried in his head. Jackson Brodie, a private investigator and former police detective, is quietly contemplating life as a divorced father when he is flung into the midst of these resurrected old crimes. Julia and Amelia Land, long having given up hope of uncovering the truth of what happened to their baby sister, Olivia, suddenly discover her lost toy mouse in the study of their recently-deceased father. Enlisting Jackson's help they embroil him in the complexities of their own jealousies, obsessions and lust. A woman named Shirley needs Jackson to help find her lost niece. Amidst the incessant demands of the Land sisters, Jackson meets solicitor Theo Wyre whose daughter, Laura, was murdered in his office and, now that the police case has been closed, is desperate for Jackson to help him lay Laura's ghost to rest. As he starts his investigations Jackson has the sinister feeling that someone is following him. As he begins to unearth secrets that have remained hidden for many years, he is assailed by his former wife's plan to take his young daughter away to live in New Zealand, and his stalker becomes increasingly malevolent and dangerous. In digging into the past Jackson seems to have unwittingly threatened his own future.This wonderfully crafted, intricately plotted novel is heartbreaking, uplifting, full of suspense and often very funny, and shows Kate Atkinson returning to the literary scene at the height of her powers.

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What he actually did in there was a mystery to all of them. Something so important, apparently, that his home life was trifling in comparison. Their mother said he was a great mathematician, at work on a piece of research that would one day make him famous, yet on the rare occasions when the study door was left open and they caught a glimpse of their father at work, all he seemed to be doing was sitting at his desk, scowling into empty space.

He was not to be disturbed when he was working, especially not by shrieking, screaming, savage little girls. The complete inability of those same savage little girls to abstain from the shrieking and the screaming (not to mention the yelling, the blubbering, and the strange howling like a pack of wolves that Victor had never managed to fathom) made for a fragile relationship between father and daughters.

Rosemary's chastisements may have washed over them like water, but the sight of Victor lumbering out of his study, roused like a bear from hibernation, was strangely terrifying, and although they spent their lives challenging all that was outlawed by their mother, they never once thought of exploring the forbidden interior of the study. The only time they were ushered into the gloomy depths of Victor's den was when they needed help with their maths homework. This wasn't so bad for Sylvia, who had a fighting chance of understanding the greasy pencil marks with which an impatient Victor covered endless pages of ruled paper, but as far as Julia and Amelia were concerned Victor's signs and symbols were as mysterious as ancient hieroglyphs. If they thought of the study at all, which they tried not to, they thought of it as a torture chamber. Victor blamed Rosemary for their innumeracy – it was clearly their mother's deficient female brain that they had inherited.

Victor's own mother, Ellen, had lent a sweet and balmy presence to his early infancy before being taken off to a lunatic asylum in 1924. Victor was only four at the time and it was judged better for him not to visit his mother in such disturbing quarters, with the result that he grew up imagining her as a raving madwoman of the Victorian variety – long white nightdress and wild hair, roaming the corridors of the asylum at night, prattling nonsense like a child – and it was only much later in his life that he discovered that his mother had not "gone insane" (the family's term for it) but had suffered a severe postpartum depression after giving birth to a stillborn baby and neither raved nor prattled but lived sadly and solitarily in a room decorated with photographs of Victor, until she died of tuberculosis when Victor was ten.

Oswald, Victor's father, had packed his son off to boarding school by then, and when Oswald himself died, accidentally falling into the freezing waters of the Southern Ocean, Victor received the news calmly and returned to the particularly difficult mathematical puzzle he had been working on.

Before the war, Victor's father had been that most arcane and useless of English creatures, a polar explorer, and Victor was rather glad that he would no longer have to live up to the heroic image of Oswald Land and could become great in his own, less valiant, field.

Victor met Rosemary when he had to go to the emergency room at Addenbrooke's, where she was a student nurse. He had tripped down some steps and fallen awkwardly on his wrist, but he told Rosemary that he'd been on his bike when he was "cut up" by a car on the Newmarket Road. "Cut up" sounded good to his ears, it was a phrase from a masculine world he'd never managed to inhabit successfully (the world of his father) and "the Newmarket Road " implied (untruthfully) that he didn't spend his whole life cloistered in the limited area between St. John's and the maths department.

If it hadn't been for this chance hospital encounter, accidental in all senses, Victor might never have courted a girl. He already felt well on his way to middle age, and his social life was still limited to the chess club. Victor didn't really feel the need for another person in his life, in fact he found the concept of "sharing" a life bizarre. He had mathematics, which filled up his time almost completely, so he wasn't entirely sure what he wanted with a wife. Women seemed to him to be in possession of all kinds of undesirable properties, chiefly madness, but also a multiplicity of physical drawbacks – blood, sex, children – which were unsettling and other. Yet something in him yearned to be surrounded by the kind of activity and warmth so missing in his own childhood, which was how, before he even knew what had happened, like opening the door to the wrong room, he was taking tea in a cottage in rural Norfolk while Rosemary shyly displayed a (rather cheap) diamond-chip engagement ring to her parents.

Apart from her father's whiskery bedtime benedictions, Victor was the first man Rosemary had ever been kissed by (albeit awkwardly, lunging at her like an elephant seal). Rosemary's father, a railway signalman, and her mother, a housewife, were startled when she brought Victor home to meet them. They were awed by his undoubted intellectual credentials (the black-rimmed spectacles, the shabby sports jacket, the air of permanent distraction) and the possibility that he might even be a bona fide genius (a possibility not exactly refuted by Victor), not to mention the fact that he had chosen their daughter – a quiet and easily influenced girl, hitherto overlooked by almost everyone – to be his helpmeet.

The fact that he was twice Rosemary's age didn't seem to worry them at all, although later, when the happy couple had departed, Rosemary's father, a manly type of man, did point out to his wife that Victor was not "a great physical specimen." Rosemary's mother's only reservation, however, was that although Victor was a doctor, he seemed to have trouble giving her any advice about the stomach pains that she was a martyr to. Cornered at a tea table covered in a Maltese lace cloth and loaded with macaroons, Devon scones, and seedcake, Victor finally confirmed, "Indigestion, I expect, Mrs. Vane," a misdiagnosis that she accepted with relief.

Olivia opened her eyes and stared contentedly at the nursery-rhyme wallpaper. Jack and Jill toiled endlessly up the hill, Jill carrying a wooden bucket for the well she was destined never to reach, while elsewhere on the same hillside Little Bo-Peep was searching for her lost sheep. Olivia wasn't too worried about the fate of the flock because she could see a pretty lamb with a blue ribbon round its neck, hiding behind a hedge. Olivia didn't really understand the afterthought, but she would have welcomed a baby. She liked babies and animals better than anything. She could feel the weight of Rascal, the family terrier, near her feet. It was absolutely forbidden for Rascal to sleep in the bedrooms, but every night one or other of them smuggled him into their room, although by morning he had usually found his own way to Olivia.

Olivia shook Blue Mouse gently to wake him up. Blue Mouse was a limp and lanky animal made from toweling. He was Olivia's oracle and she consulted him at all times on all subjects.

A bright slice of sunlight moved slowly across the wall, and when it reached the lamb hiding behind the hedge, Olivia climbed out of bed and pushed her feet obediently into her small slippers, pink with rabbit faces and rabbit ears, and much coveted by Julia. None of the others bothered with their slippers, and now it was so hot that Rosemary couldn't even get them to wear shoes, but Olivia was a biddable child.

Rosemary, lying in her own bed, awake, but with limbs that she could barely move, as if the marrow in her bones had turned to lead piping, was at that very moment trying to devise a plan that would stop the other three from corrupting Olivia's good behavior. The new baby was making Rosemary feel sick, and she thought how wonderful it would be if Victor suddenly woke from his snore-laden sleep and said to her, "Can I get you something, dear?" and she would say, "Oh, yes, please, I would like some tea – no milk – and a slice of toast, lightly buttered, thank you, Victor." And pigs would fly.

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