Kate Atkinson - Case Histories

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Case Histories: краткое содержание, описание и аннотация

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The scene is set in Cambridge, with three case histories from the past: A young child who mysteriously disappeared from a tent in her back garden; An unidentified man in a yellow jumper who marched into an office and slashed a young girl through the throat; and a young woman found by the police sitting in her kitchen next to the body of her husband, an axe buried in his head. Jackson Brodie, a private investigator and former police detective, is quietly contemplating life as a divorced father when he is flung into the midst of these resurrected old crimes. Julia and Amelia Land, long having given up hope of uncovering the truth of what happened to their baby sister, Olivia, suddenly discover her lost toy mouse in the study of their recently-deceased father. Enlisting Jackson's help they embroil him in the complexities of their own jealousies, obsessions and lust. A woman named Shirley needs Jackson to help find her lost niece. Amidst the incessant demands of the Land sisters, Jackson meets solicitor Theo Wyre whose daughter, Laura, was murdered in his office and, now that the police case has been closed, is desperate for Jackson to help him lay Laura's ghost to rest. As he starts his investigations Jackson has the sinister feeling that someone is following him. As he begins to unearth secrets that have remained hidden for many years, he is assailed by his former wife's plan to take his young daughter away to live in New Zealand, and his stalker becomes increasingly malevolent and dangerous. In digging into the past Jackson seems to have unwittingly threatened his own future.This wonderfully crafted, intricately plotted novel is heartbreaking, uplifting, full of suspense and often very funny, and shows Kate Atkinson returning to the literary scene at the height of her powers.

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Amelia was in the dining room, boxing up an endless parade of crockery and ornaments. Julia was in the study where she was supposed to be. She had been in there since they started clearing out Victor's goods and chattels, and said (melodramatic as ever) that she thought she might be under a spell that condemned her to be trapped in there forever. Victor's dank, airless lair had remained a black hole throughout the years and was now piled high with all kinds of dusty papers, files, and folders. It was like a bonfire waiting for a match. They had pulled the curtains down, and Julia said, "Let there be light!" and Amelia said, "It's quite a nice room really."

Julia was so badly affected by the dust in the house that, as well as all the medication she took (she treated it like sweets), she had started to wear a face mask and goggles that she'd bought in a do-it-yourself place. You could still hear her chesty cough from half a mile away.

Amelia was surprised that when midday came around Julia hadn't sought her out to suggest lunch. When she went looking for her she found her leaning against Victor's desk, a troubled look on her face. "What?" Amelia said, and Julia indicated one of the drawers to Victors desk. "I broke the lock," she said.

"Well, it doesn't matter," Amelia said. "We have to go through everything. And technically it all belongs to us now."

"No, I didn't mean that. I found something," Julia said, opening the drawer and removing an object, handling it delicately like an archaeologist removing an artifact that might disintegrate in the air. She handed it to Amelia. For a moment Amelia was puzzled and then suddenly she was stepping into space, as if she'd walked through a door that opened onto nothing. And as she fell all she could think of was Olivia's Blue Mouse, clutched in her hand.

"You like him."

"No, I don't." They were making supper together, Amelia poaching eggs, Julia warming baked beans in a saucepan. They were both at the frontier of their culinary capabilities.

"Yes, you do," Julia said. "That's why you were so antagonistic toward him."

"I'm antagonistic toward everyone." Amelia could feel herself blushing and concentrated on the bread in the toaster as if it needed psychic assistance to pop up. "You like him too," she muttered.

"I do. There's something very attractive about Mr. Brodie. He has his own teeth, he isn't even going bald yet," she said. "I bags him," and Amelia said, "Why you?" and Julia said, "Why not? And anyway, you already have a boyfriend. You have Henry."

Amelia thought the word "boyfriend" sounded ridiculous when it was applied to a forty-five-year-old woman. When it was applied to herself.

It was a shame Julia hadn't encountered Jackson Brodie when she was wearing her goggles and face mask. He wouldn't have found her so attractive then. Because he had found her attractive, there was no doubt about it. Of course some men were into things like that, masks and bondage and God only knows what else Rubber! Why?).

"Oh, you're such a prude, Milly," Julia said. "You should try something adventurous with Henry. Spice things up between you. It took you long enough to find a boyfriend, it would be a shame to lose him because you can't get out of the missionary position."

Amelia buttered the toast and laid it on plates. Julia tipped the beans on top. Amelia had begun to enjoy sharing domestic tasks with Julia, basic though they were. She'd lived on her own since her second year at university, that was a long time, more than two decades. Solitary life hadn't been a choice, no one had ever wanted to live with her. She mustn't get used to being with Julia. She mustn't get used to waking up in a house where someone knew her, inside out.

"Handcuffs," Julia continued airily, as if she were discussing seasonal accessories, "a little bit of leather or a whip."

"Henry's not a horse," Amelia said irritably. Were accessories still seasonal? They were when their mother was around. Rosemary had worn white shoes and carried a white handbag in the summer. A little straw hat. Zip-up suede boots for winter and – was she imagining this? – a woolen tammy. If only she'd taken more notice of Rosemary when she was alive.

"There's nothing wrong with a little light bondage," Julia said, "I imagine Henry would like it. Men love anything filthy." She said the word "filthy" with relish. Amelia had once, completely unintentionally, accompanied Julia into a sex shop in Soho. Upmarket, aimed at women only, as if it were a proud emblem of the triumph of feminism, when in fact it was just full of pornographic smut. Amelia had followed Julia inside under the misapprehension that it sold bath products and was stunned when Julia picked up an object that looked like a pink horse's tail and declared admiringly, "Oh, look, a butt plug – how cute!" Sometimes Amelia wondered if women hadn't been better off darning and sewing and baking bread. Not that she could do any of those things herself.

"Are accessories still seasonal?"

"Yes, of course," Julia said decisively, and then, less certain, "aren't they? You know, you're very lucky to have a steady boyfriend, Milly," and Amelia said, "Why, because I'm so unattractive?" and Julia said, "Don't be a silly-Milly." "Silly-Milly" was what Sylvia called her when they were young. Sylvia always made fun of people. She could be very cruel.

"At your age," Julia said (would she just shut up?), "women are usually either on their own or stuck in tedious marriages." Amelia slipped the poached eggs on top of the beans.

"Our age," Amelia corrected her. "And you're being patronizing, 'Steady boyfriend' and 'Julia'aren't words that have ever occurred in the same sentence. If it's not a good thing for you, why is it a good thing for me?" There was something about eating eggs that seemed wrong – swallowing something, annihilating something that contained new life. Banishing it into the inner darkness.

Julia put on a great show of being hurt. "No, really, what I mean is your Henry seems just the ticket, you're lucky to have found someone who suits you. If I found someone who suited me I would settle down, believe me."

"I don't." Amelia looked at the eggs – like sickly, jaundiced eyes – and thought of her own eggs, a handful left, old and shrivelled like musty dried fruit where once they must have been bursting toward the light – "Come on, Milly, the food's getting cold. Milly?"

Amelia fled the room, running awkwardly up the stairs before throwing up in the bathroom toilet. They had scrubbed and bleached the toilet but it still bore the stains of years of careless use by Victor, and the very thought of him in here made her start to retch all over again.

"Milly, are you alright?" Julia's voice drifted up the stairs.

Amelia came out of the bathroom. She paused on the threshold of Olivia's room. It was the same as it had always been – the bed, stripped of all bedding, the small wardrobe and chest of drawers, all empty of clothing. All of the past seemed concentrated in this one little room. There was a ghost living in this house, Amelia thought, but it wasn't Olivia. It was her own self. The Amelia she would have been – should have been – if her family hadn't imploded.

And then suddenly, standing there in Olivia's decrepit bedroom, Amelia had what she could only term an epiphany – she thought this must be how people who received mystical visions felt, those who, like Sylvia, thought they heard the voice of God or felt grace tailing on them (although she knew it was actually evidence of an unstable temporal lobe). Amelia simply knew, and the knowledge was like a warm wave that passed through her body – Olivia was coming back. She might be coming back as no more than a shadow of grease and ash, but she was coming back. And someone had to be here to welcome her.

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