Tom Savage - Mrs. John Doe

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Mrs. John Doe: краткое содержание, описание и аннотация

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USA TODAY BESTSELLER. In this adrenaline-laced novel of suspense from Tom Savage – hailed by Michael Connelly as "a master of the high-speed thriller" – an American actress in Europe races to find the truth behind her husband's mysterious accident. What she uncovers makes her the target of a shocking conspiracy.
Nora Baron's life is perfect. She lives on Long Island Sound, teaches acting at a local university, and has a loving family. Then one phone call changes everything. She's informed that her husband, Jeff, has died in a car crash while on a business trip in England. Nora flies to London to identify the body, which the police have listed as a "John Doe." When she leaves the morgue, a man tries to steal her purse containing Jeff's personal effects. Clearly, all is not as it seems.
At her hotel, Nora receives a cryptic message that leaves her with more questions than answers. She follows the message's instructions to France, where a fatal encounter transforms her into a fugitive. Wanted for murder, on the run in a shadowy landscape of lies, secrets, and sudden violence, Mrs. "John Doe" must play the role of a lifetime to stay one step ahead of a ruthless enemy with deadly plans for her – and for the world.
Praise for Mrs. John Doe
"This is a rare spy thriller, smart, beautifully written, and stay-up-all-night enjoyable!" – Gayle Lynds, New York Times bestselling author of The Assassins
"It isn't easy to blindside a fellow suspense author, but Tom Savage manages to fool me every time. A clever, compelling, and cinematic page-turner in which nothing is as it seems, Mrs. John Doe opens with a twist I didn't see coming and closes with a satisfying bang. This longtime Savage fan ranks Mrs. John Doe right up there with Precipice." – Wendy Corsi Staub, New York Times bestselling author of The Black Widow
"Tom Savage's Mrs. John Doe races a fictional path somewhere between Alfred Hitchcock and Agatha Christie, a modern heroine-on-the-run spy thriller dealing with some of our time's deadliest challenges." – James Grady, New York Times bestselling author of Last Days of the Condor
"Savage twists the plot in two startling ways, and Nora's transformation from wealthy home-focused wife to clever investigator holds up brilliantly… I enjoyed each page, gasped at the swift twists, and came away with a hunger for more of the same, whether it be thrills, France, or books by Tom Savage." – Kingdom Books
"If you like books that make your pulse pound, where the images conjured up by your mind while reading are better than the best 'action' movie, Mrs. John Doe should be on your shelf." – Back Porchervations
"Cloak-and-dagger suspense, dark, shadowy figures, secret agents, and a diabolical terrorist plot that must be thwarted combine to create… a shocking, heart-pounding, unrelenting thrill ride." – The Book Reviews
Praise for Tom Savage
"Savage knows the mystery novel inside and out, and it shows on every page." – James Patterson
"A master of the high-speed thriller." – Michael Connelly
"A very gifted writer who creates living, breathing characters, wonderful dialogue, and mesmerizing tension." – Nelson DeMille
"Savage writes with fierce energy, piercing holes in the shredding fabric of our society, where no one is safe, no one is free from harm." – Lorenzo Carcaterra

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She didn’t have what he wanted, and she very nearly laughed at the absurdity of it. What he wanted was the manila envelope in her shoulder bag, but the bag was lying on the backseat of the car. She’d left it there and brought the flowers here. She must get to the car before he-

A scrape of metal against stone, very close to her. She braced herself and leaned to her right, past the edge of the mausoleum, peering over toward the sound. Jacques was hunched down behind Grand- tante Jeanette’s gravestone. As she watched, he inched his head up over the top to see the orchard. He raised his gun arm to rest on top of the stone, aiming.

The edge of the crypt above her head exploded. She threw herself back behind the wall, out of range, wincing as a tiny sliver of marble embedded itself in the side of her neck. An instant later came the crashing of glass as the bullet that had struck her hiding place ricocheted off to hit the nearest stained glass window thirty feet to her right. She hugged the wall, looking over at the church, watching as a section of colored glass fell away from the upper portion of the window, raining down inside the building with a loud clatter, leaving Our Lady headless.

Pfft. Pfft . The hissing came from beside her this time, followed immediately by a strangled cry and another hissing sound from the orchard. Then she distinctly heard Jacques utter one word.

“Merde.”

She risked leaning out again and peeking around the corner of the crypt to see what had happened. Jacques was on his feet now, standing beside the stone with his back to her, his gun arm still extended, looking off toward the grove. She followed his gaze just in time to see a bulky black shape drop from the branches of a tree and land with a heavy thump on the ground behind the fence. The shooter was down, and as far as she could see from here, he wasn’t moving. Silence.

She crawled out from the shelter of the building and stood, raising a hand to the wetness on her neck. She pulled out the tiny sliver and flicked it away as she moved over to join her driver, who was obviously much more than a driver. A Jacques-of-all-trades. As she arrived beside him, he turned to look over his shoulder at her. He’d removed the night-vision headset, and the expression in his eyes was her first indication.

“Bien,” he whispered, and then he slid down the gravestone to the ground and rolled over onto his back.

“Jacques!”

She was on her knees beside him, reaching out to take hold of him. His leather jacket had fallen open, and now she saw the spot of darkness on the front of his shirt, growing, spreading out even as she stared in the weak light from the broken church window. He moaned and pressed the gun against her hand.

“Take this,” he gasped. “Take it and go. Go now, mademoi-mademoiselle. Vite!

“Don’t move,” she said. “I’ll get help. I’ll-”

“No! There is not the time. I will be well; it is not a bad one. Le sacristain will come; the noises will have waked him. Go to the car. Go back to Paris. La clé…la clé est dans l’allumage . Your husband…”

She was holding him up now, supporting him. The dark stain widened. “You know my husband? Where is he? Where’s Jeff?”

“I do not know, mademoiselle…You said he would be here…Paris will know, ess-day-ah-tay. Ess. Day. Ah. Tay. They will help you. Jacques will be fine. Go, mademoi-”

“Qu’est-ce qui se passe? Qui est là?”

The deep, angry masculine shout rang out from the direction of the rectory. At the same instant, the entire cemetery was flooded with light. Nora blinked in the sudden glare, looking up at the bright spotlights mounted at the corners of the church building. A flash of lightning, a crack of thunder. The shouting came nearer. Now she saw a flashlight beyond the far fence and a large black shape holding it.

“Qui est là?!”

Jacques had been right about the sexton, or maybe it was the priest. Whoever he was, he was coming this way, and he was furious. Others would be close behind him, and they would get Jacques to a hospital. But she would be detained, and that must not happen, not now. She had to find her husband.

She leaned down and kissed her new friend on the forehead, taking the gun from his hand.

“Go,” he whispered. “ Vite, vite! Find your hus…” He shut his eyes and slumped against her. She lowered him gently to the ground.

“Thank you,” she said. It was all she could think to say. Then she was up and running, flying along the walkway toward the open gate. She paused by the back corner of the church, dazzled by the glare, bringing up the hand with the gun to shield her eyes. When she could see again, she ran. Through the opening, down the steps, and she was sprinting along the dark road, her boots crunching in the gravel, blinded by the tears that poured down her face. She became aware that she was making a moaning sound as she moved, and she forced herself to be silent. The car, the car, get to the car. La clé est dans l’allumage

And there it was, at the end of the lane beside the hanging sign. As she threw herself at the driver’s door, the first warm drops of rain began to pelt her. She was in the car, slamming the door, tossing the gun in her Coach bag, thanking France for left-side steering and right-side driving, just like America. She could do this. She must do this.

The clé was in the allumage, just as Jacques had said. Oh God, a stick shift! She hadn’t driven one in twenty years. Depress the clutch pedal; turn the key. The engine roared to life. Headlights, windshield wipers, release emergency brake. Pull gearshift left; push it forward for first gear. Yes! The car lurched out into the road. She braked, remembering to hold down both pedals so it wouldn’t stall. Where the hell was reverse? There! She backed into the lane, swinging the wheel and yanking the gearshift forward, over, forward for first again, her mind racing faster than the engine. Move right foot from brake to accelerator; lift left foot from clutch. With another roar, the Renault turned, heading downhill, back the way they’d come.

Over the little stone bridge she drove, shifting gears easily now. She sped down the mountainside as fast as she dared, putting as much distance as possible between her and Pinède. She swiped at the tears in her eyes, squinting through the rain-pelted windshield. Jacques might be dead. The other man, whoever he was, was probably dead. Jacques had a wife in Paris, Marianne. This car belonged to their eldest son, who was on vacation with his family in New York City…

Where am I? she thought. Which way did we come? She glanced down at the dashboard, frowning. The navigation app would be in French, of course, but she’d figure it out. Ess-day-ah-tay . S-D-A-T. What on earth was that? He’d said the SDAT would help her find Jeff…

Another flash of lightning, followed by a loud crack of thunder. She could barely see through the windshield now, but she must keep going. Headlights loomed up on her left, and a car whipped by her. A cluster of lights ahead on her right: another village. More thunder, then-

Sirens. More than one, a high-pitched wail and a klaxon. Flashing lights down the road: blue, red, more blue, coming this way fast. She swung the wheel, turning off into the lane that led to the village. She drove a short way down it and stopped, switching off the lights. She watched in the rearview mirror as two police cars and an ambulance came flashing by, rushing up the main road toward Pinède.

When they were gone, she backed out of the lane and continued down the hill, away from the scene of the crime.

Chapter 16

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