Tom Savage - Mrs. John Doe

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Mrs. John Doe: краткое содержание, описание и аннотация

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USA TODAY BESTSELLER. In this adrenaline-laced novel of suspense from Tom Savage – hailed by Michael Connelly as "a master of the high-speed thriller" – an American actress in Europe races to find the truth behind her husband's mysterious accident. What she uncovers makes her the target of a shocking conspiracy.
Nora Baron's life is perfect. She lives on Long Island Sound, teaches acting at a local university, and has a loving family. Then one phone call changes everything. She's informed that her husband, Jeff, has died in a car crash while on a business trip in England. Nora flies to London to identify the body, which the police have listed as a "John Doe." When she leaves the morgue, a man tries to steal her purse containing Jeff's personal effects. Clearly, all is not as it seems.
At her hotel, Nora receives a cryptic message that leaves her with more questions than answers. She follows the message's instructions to France, where a fatal encounter transforms her into a fugitive. Wanted for murder, on the run in a shadowy landscape of lies, secrets, and sudden violence, Mrs. "John Doe" must play the role of a lifetime to stay one step ahead of a ruthless enemy with deadly plans for her – and for the world.
Praise for Mrs. John Doe
"This is a rare spy thriller, smart, beautifully written, and stay-up-all-night enjoyable!" – Gayle Lynds, New York Times bestselling author of The Assassins
"It isn't easy to blindside a fellow suspense author, but Tom Savage manages to fool me every time. A clever, compelling, and cinematic page-turner in which nothing is as it seems, Mrs. John Doe opens with a twist I didn't see coming and closes with a satisfying bang. This longtime Savage fan ranks Mrs. John Doe right up there with Precipice." – Wendy Corsi Staub, New York Times bestselling author of The Black Widow
"Tom Savage's Mrs. John Doe races a fictional path somewhere between Alfred Hitchcock and Agatha Christie, a modern heroine-on-the-run spy thriller dealing with some of our time's deadliest challenges." – James Grady, New York Times bestselling author of Last Days of the Condor
"Savage twists the plot in two startling ways, and Nora's transformation from wealthy home-focused wife to clever investigator holds up brilliantly… I enjoyed each page, gasped at the swift twists, and came away with a hunger for more of the same, whether it be thrills, France, or books by Tom Savage." – Kingdom Books
"If you like books that make your pulse pound, where the images conjured up by your mind while reading are better than the best 'action' movie, Mrs. John Doe should be on your shelf." – Back Porchervations
"Cloak-and-dagger suspense, dark, shadowy figures, secret agents, and a diabolical terrorist plot that must be thwarted combine to create… a shocking, heart-pounding, unrelenting thrill ride." – The Book Reviews
Praise for Tom Savage
"Savage knows the mystery novel inside and out, and it shows on every page." – James Patterson
"A master of the high-speed thriller." – Michael Connelly
"A very gifted writer who creates living, breathing characters, wonderful dialogue, and mesmerizing tension." – Nelson DeMille
"Savage writes with fierce energy, piercing holes in the shredding fabric of our society, where no one is safe, no one is free from harm." – Lorenzo Carcaterra

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You have to spend money, Lonny had told her, and this is why: Immigration. What you want is a business premier class, flexible, round-trip ticket with chauffeur service at the other end. Nora had never been on the Eurostar before, but many of the Byron’s guests booked it through the hotel, and young Lonny had learned all the quirky rules and perks of the game. Bottom line: The rich are different.

If Nora was trying to be inconspicuous, he explained, she’d need a top-tier ticket. It was pricey but worth it. Business premier travelers were handled quickly in St. Pancras International Station, whereas the cheap-seaters might endure a longer process, usually involving lines. More questions, more scrutiny. Furthermore, she had to fill out an Immigration landing card because she was an American, and her passport would be checked by French Customs and Immigration people in the station before she boarded. One more step in the process, which wasn’t good for a Yank who needed to be off the grid, in Lonny’s considered opinion. Get it over with quickly, he advised, first-class all the way. She made a mental note to introduce Lonny to Bill Howard. The way the kid’s mind worked, he might very well have a future with those people…

The train was slowing down; the twenty-minute underground part of the journey was almost over. They’d left St. Pancras at eight, and there’d been two stops on the British side before the tunnel. Next was Calais, then Lille, then Paris. They’d be there before eleven, and Lonny had arranged for a car and driver to meet her.

Her seat was bigger than the one on the plane yesterday. She was in a line of singles along the left side of the sleek business premier carriage, and the right side was lined with double seats and groupings for conferences in motion. The staff came round regularly, offering snacks, tea, and coffee. The rest of the train was packed with tourists, many of them taking their hyperactive children to Disneyland-another reason to be grateful to Lonny for insisting on deluxe travel.

The pressure in her ears abated; they were back above ground. The train slowed, then stopped. Calais-well, actually Coquelles, four miles west of the city. She was in France now, as instructed. She was finally beginning to relax a little when the sudden announcement came over the speaker system.

“Attention, passagers à destination de Paris

Nora listened, instantly on the alert. The voice was saying something about producing passports and landing cards, which didn’t make sense. Hadn’t they already done that in London? Now the announcement was being repeated in English: a spot check by French authorities, to be completed as quickly as possible, with apologies for the slight delay.

Another inspection. Nora didn’t like the sound of this. It was another opportunity for people to enter her name in lists and ledgers-exactly what she’d been trying to avoid. The other passengers didn’t like it either; she heard groans and exasperated muttering from people nearby, and one disgruntled businessman type loudly opined that they must be looking for someone. This didn’t sound good to Nora, but there was nothing to be done about it now. She got her passport and Immigration card ready and hoped for the best.

The Immigration official who entered the carriage was a pretty young woman, and Nora took that as a good sign. There was a Customs man with her, checking passengers and carry-on bags. Nora watched them make their way along the aisle, asking for everyone’s papers, getting closer. Here they were.

“Bonjour, bienvenue en France,” the young woman said. “ Votre passeport, s’il vous plait . Your passport, please.”

Nora smiled and handed her the Immigration card first.

Une Américaine? Mademoiselle Hughes.”

Now came the passport.

“Ah, Madame Hughes- Baron .”

Nora smiled some more. “Je préfère Mademoiselle Hughes seulement, s’il vous plait. Je suis une actrice; c’est mon nom de théâtre.”

This produced the desired effect. The young woman’s eyes widened in delight, and Nora braced herself for the usual questions about Hollywood and which films had she been in and did she know Johnny Depp? As it turned out, the response was even better than she’d hoped.

“An actress!” the woman said, smiling. “I too will study to be an actress.”

“Oh? Where do you study?” Nora asked her, standing up so the man could run the wand over her. She’d been through this exact process back at St. Pancras ninety minutes ago, and she wondered again what this surprise inspection was about.

“For now I work pour l’Immigration , until I make the money for the Conservatoire .”

“Le Conservatoire d’Art Dramatique?” Nora asked, sitting down again. The man looked through her shoulder bag, peeking briefly in the manila envelope, then set it down on the seat beside her.

“Oui,” the young woman was saying. “I have been accepted there, but I am still…” She indicated her uniform with a smile and a Gallic shrug.

“You must be very talented to get into such a fine school,” Nora said.

Merci, mademoiselle. Are you here for business or pleasure?”

“I’m on vacation in London; I’m just over to do some shopping.”

Nora surreptitiously watched the woman type the information on her little electronic device: Mlle. Hughes, Noreen, Actrice, Vacances . She also entered the passport number, but anyone looking for Nora probably wouldn’t go further than a name, and they’d be looking for Mme. Nora Baron, not Mlle. Noreen Hughes . She smiled some more as the young aspiring actress handed back her papers.

“Bonnes vacances!” the woman said as she and her colleague moved on to the next passenger. “How do you say in America? Break a leg!”

“Yes,” Nora said. “That’s what we say. You, um, break a leg too.”

As soon as they were gone, she fell back against the seat, relieved, silently thanking her late parents for giving her a name that could be abbreviated so easily. Everyone had called her the preferred Nora since she was a little girl, but her passport had the long version. She’d used Noreen in her acting career years ago, but she was Nora at the university and anywhere else that might have been checked recently. Now she hoped that Noreen would be just the cover she needed. Cover- Jeff’s word again.

The young Immigration woman had been polite, even friendly, but Nora the actress had studied her body language and that of her colleague the Customs man. The loud businessman had been right, Nora decided. They were looking for someone. More than one someone: They’d checked all the passengers, male and female. Well, at least they hadn’t been looking for her. And the delay had been brief, as promised, which must have mollified Eurostar.

The train was in motion once more, flying south through the French countryside, which looked remarkably like the British countryside they’d just left. Coquelles gave way to flat fields and woodlands dotted with houses and villages and the occasional ugly industrial complex. This fact of exotic foreign countries always managed to surprise her; the non-tourist areas often looked just like home. With the surprise ordeal at Calais behind her and no interesting scenery at the moment, she ordered coffee and thought back over the plan.

He’d never asked her to do anything for him before. He’d never even discussed his work with her. She wasn’t really sure what he did, exactly. A phone call in the night, a goodbye kiss, and he’d be off to Langley, Virginia, and from there to London. Or Zurich. Johannesburg. Buenos Aires. Once it was Mexico City, which bothered her more than the other places; the news was full of stories of drug cartel violence and murdered officials, some of them American. If he’d ever been sent to the Mideast or South Asia, he’d never mentioned it, which was probably a good thing; she worried enough as it was. But she’d insisted that he tell her where he was going whenever he could, just so she’d know where to start looking if he failed to come home. He’d smiled and indulged her, even though Nora had known it was silly of her to ask. If anything ever did happen to him, Langley would know exactly where he was.

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