Natalie Yacobson - Mutilated. Crypt of the Seven Angels

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In the mirror of the young artist, Claire dwells the demon. He is now beautiful, now terrible. Because of him, people die, but for some reason he is afraid of Claire’s pain. Why? The solution lies in medieval Venice, full of predatory mermaids and living masks, and in the aristocrat-sorcerer.

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Looks like the consequences of the sunshine. Claire ran his fingers along the bare abdomen. She recently decided to make piercing. Fancy earring over the navel looked pretty elegant. Near the tiny tattoo – rose in the fingers of the skeleton. Black gothic on lily skin! An innocent angelic appearance she attached something dangerous. Claire is tired that everyone looks at her, as at a harmless angel. She wanted to be at least something defiant, and not innocent. A little bit it succeeded. Tattoo and piercing were a kind of rebellion against angelic indispensability. Claire would not dare to paint her golden curls in black or red color, but thought that it would be nice to braid a pair of braids or to make dreadlocks. Her beauty attracted admiring views of the majority of passersbys. Women looked with envy, male with delight. As far as Claire remembered herself, she always enjoineds an increased attention. She did not even fit in her head, as someone from the crowd could suddenly attract her herself, and even before pain.

Claire still felt some alarm. She was scared that something like this could repeat again. This pain…

Claire frowned. Where does this pain come from? You can understand when her beloved person or knife provokes it, but just strangers in the crowd, with whom you do not want to have anything in common… Is it not strange?

Claire remembered a flash of pain, a shortage of air, a fiery current throughout the body and a vague feeling of the unreality of everything that is happening. And then you needed to come to youself for a long time. She was afraid of repeating all this, as people to be afraid of a fluttering fire. Burned once, and the second is already afraid of approaching the flame. But it cannot be shifted at home and no longer go outside to see someone in the crowd.

Sit days for a long time for creative work – it’s great. But only the work can be crazy. Sometimes you need to be distracted. Claire thought that today it would be nice to go to the museum, then sit in a cafe. She pulled away from the fountain, and someone passing by perfectly pushed her. Claire was surprised to turn him out. Yes, it was clearly not a member of the «Whites» club, she concluded with humor. And really not a typical Englishman. The inhabitants of England are usually distinguished by politeness and cold restraint. The rude person looked more like a foreigner. What an unpleasant type! Be she a guy, and would give delivery. But the girl of a fragile physique is better not to get involved in a fight. Perhaps the guys from her school company were right, and she would have a defender with her, but Claire did not want to sacrifice the sake of it even a part of her daily independence. So what had to be squeezed.

She thought where to go: in Tower or in British Museum. And in the first, and in the second she was already many times. Clair walked down the street, throwing off the coin. Heads or tails? The coin suddenly slipped out of her hands, just at the door of some unfamiliar building, seemingly similar to the museum. Claire drew attention to how beautiful doors are. Gilded bas-reliefs on them created the effect of fabulous luxury. Instead of a handle or a head of a lion with a ring, they decorated a certain mythical creature with a triangular ring in the mouth. Beautiful and a little frightening. She spent trembling fingers over the connecting wings and the horns of a fabulous head. The chill of copper turned out to be pleasant.

«Beautiful, yes?»

Claire reluctantly nodded, not even turning to the voice, which sounded right behind her back.

«This is a water dragon – Vivern.»

«What?» She was frightened by hearing almost the scientific name of fantastic creature. How can a fairy tale study like science.

There was no one behind her. Only creatures similar to black cats ran away from a neighboring building. Such quick that they were impossible to consider in detail.

Claire entered the museum and was surprised by how it was empty. Curators and controllers were so fixed, which seemed part of the exhibits. Although she entered without a ticket, no one stopped her. Probably today is a free passage.

Claire rose through the front staircase, covered with a red carpet. She looked around marble walls with niches, crystal chandeliers, burning even in the afternoon, and bizarre tiles. In the span of the stairs rose a statue, not a typical muse or an antique goddess, and the most dragon-like maritime deity, as before the entrance. Only here it was portrayed in full growth and in exquisite clothes, with a mask on a monstrous face and watery tails, discovering from under the cloak. The sea dragon was similar to Venetian. Capturing spectacle!

Claire did not regret that came here. The museum was very different from all those she visited before in London. If only it was a museum. Of course, closed frames, velvet barriers and illuminated showcases with inscriptions exactly copied the atmosphere of the museum, but there was also something that made it forced her to feel like in the palace, full rare, and not at the exhibition.

Art galleries, uprisites, shows of historical modes – everything that she saw before, did not make any comparison with the exhibits collected here. Claire expected to see a couple of Egyptian halls with mummies and other relics of ancient civilizations, but here everything was sustained in the spirit of Venice: masks, decorations, paintings, parts of the Gondola, Domino and Baututes, are suitable for mannequins. All items here were clearly old, and at the same time something inexorably attached to the museum atmosphere of Lafcraft stories. Next to the verses and beads, the figurines of some incredible marine deities were minted. Beautiful and exquisite half masks alternated with fabulous masks and suits that look like heads, cut from the torsoism of mythical and terrible creatures. The masks pushed on Clairer with fish and dragonfle eyes, released the mermanese of the membrane, abounded by the tentacles of octopus. Next to the masks of owls, heat-birds and peacocks, terrible faces of Krakens, Mavel and the Scaly Sea Devils were sheltered. Claire did not imagine that corrigans and mermaids could be so frightening. Even the mask of the tragedy would not impress the way they are.

It was better to concentrate attention on something harmless. The museum had full luxurious and elegant items. Pipe tubes, musical instruments, capes and hats, decorated with feathers of a wide variety of birds. In one of the halls, even the golden gondola was equally placed. Velvet’s shrink was raised, and two discarded devil masks could be seen on the seat. They were very luxurious, framed purple feathers. But even they were not frightened as the masks of marine creatures. Instead of the gondoller on the nose stood the stuffed of the same sea deity in a dark cape and with an oars in the form of a water snake. Vivern – so called someone at the entrance. Claire carefully looked at it and seemed to see something vaguely familiar in it.

Sheets were lying on the stern with the words of ancient barcarol, and some parchments, similar to spells or a contract with the devil.

If it would not be an abundance of old exhibits, Clair would call the luxurious building as the horror gallery. It reminded a palace. Gilded door flaps were all open, and she could wander here for hours. But it was worth a look at some subject, for example, exquisite scheduling in the shape of a siren on the wall, and some sinister detail immediately rushed into the eyes, like seafood skulls in wells for candles. Hourglass was supported by sea skates with angrily sparkling eyes, Venice’s views on the walls were overshadowed by predatory mermaids, embittered in the bottom of the gondola, sailing over its head. Some mermaids have joined the ship, pulling out entire boards from them, others watched people from the channels. Nobody imagined such Venice. Even Claire. With all her rich imagination, she could not diversify the usual Morina with such terrible details, combine the embittered world of mythical creatures and a city with channels renovated by people. The spirits of the elements, were angry at it. Or at all who lived in it?

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