Стивен Кинг - The Body

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The Body: краткое содержание, описание и аннотация

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Set in the fictional town of Castle Rock, Maine
#1 New York Times bestselling author Stephen King’s timeless novella “The Body”—originally published in his 1982 short story collection Different Seasons, and adapted into the 1986 film classic Stand by Me—now available for the first time as a stand-alone publication.
It’s 1960 in the fictional town of Castle Rock, Maine. Ray Brower, a boy from a nearby town, has disappeared, and twelve-year-old Gordie Lachance and his three friends set out on a quest to find his body along the railroad tracks. During the course of their journey, Gordie, Chris Chambers, Teddy Duchamp, and Vern Tessio come to terms with death and the harsh truths of growing up in a small factory town that doesn’t offer much in the way of a future.
A timeless exploration of the loneliness and isolation of young adulthood, Stephen King’s The Body is an iconic, unforgettable, coming-of-age story.

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But these dogs never attacked Milo Pressman, the dump-keeper, because Milo was never without Chopper at his heel. Chopper was—at least until Joe Camber’s dog Cujo went rabid twenty years later—the most feared and least seen dog in Castle Rock. He was the meanest dog for forty miles around (or so we heard), and ugly enough to stop a striking clock. The kids whispered legends about Chopper’s meanness. Some said he was half German shepherd, some said he was mostly boxer, and a kid from Castle View with the unfortunate name of Harry Horr claimed that Chopper was a Doberman pinscher whose vocal cords had been surgically removed so you couldn’t hear him when he was on the attack. There were other kids who claimed Chopper was a maniacal Irish wolfhound and Milo Pressman fed him a special mixture of Gaines Meal and chicken blood. These same kids claimed that Milo didn’t dare take Chopper out of his shack unless the dog was hooded like a hunting falcon.

The most common story was that Pressman had trained Chopper not just to sic but to sic specific parts of the human anatomy. Thus an unfortunate kid who had illegally scaled the dump fence to pick up illicit treasures might hear Milo Pressman cry: “Chopper! Sic! Hand!” And Chopper would grab that hand and hold on, ripping skin and tendons, powdering bones between his slavering jaws, until Milo told him to quit. It was rumored that Chopper could take an ear, an eye, a foot, or a leg… and that a second offender who was surprised by Milo and the ever-loyal Chopper would hear the dread cry: “Chopper! Sic! Balls!” And that kid would be a soprano for the rest of his life. Milo himself was more commonly seen and thus more commonly regarded. He was just a half-bright working joe who supplemented his small town salary by fixing things people threw away and selling them around town.

There was no sign of either Milo or Chopper today.

Chris and I watched Vern prime the pump while Teddy worked the handle frantically. At last he was rewarded with a flood of clear water. A moment later both of them had their heads under the trough, Teddy still pumping away a mile a minute.

“Teddy’s crazy,” I said softly.

“Oh yeah,” Chris said matter-of-factly. “He won’t live to be twice the age he is now, I bet. His dad burnin his ears like that. That’s what did it. He’s crazy to dodge trucks the way he does. He can’t see worth a shit, glasses or no glasses.”

“You remember that time in the tree?”

“Yeah.”

The year before, Teddy and Chris had been climbing the big pine tree behind my house. They were almost to the top and Chris said they couldn’t go any further because all of the branches up there were rotten. Teddy got that crazy, stubborn look on his face and said fuck that, he had pine tar all over his hands and he was gonna go up until he could touch the top. Nothing Chris said could talk him out of it. So up he went, and he actually made it—he only weighed seventy-five pounds or so, remember. He stood there, clutching the top of the pine in one tar-gummy hand, shouting that he was king of the world or some stupid thing like that, and then there was a sickening, rotted crack as the branch he was standing on gave way and he plummeted. What happened next was one of those things that make you sure there must be a God. Chris reached out, purely on reflex, and what he caught was a fistful of Teddy Duchamp’s hair. And although his wrist swelled up fat and he was unable to use his right hand very well for almost two weeks, Chris held him until Teddy, screaming and cursing, got his foot on a live branch thick enough to support his weight. Except for Chris’s blind grab, he would have turned and crashed and smashed all the way to the foot of the tree, a hundred and twenty feet below. When they got down, Chris was gray-faced and almost puking with the fear reaction. And Teddy wanted to fight him for pulling his hair. They would have gone at it, too, if I hadn’t been there to make peace.

“I dream about that every now and then,” Chris said, and looked at me with strangely defenseless eyes. “Except in this dream I have, I always miss him. I just get a couple of hairs and Teddy screams and down he goes. Weird, huh?”

“Weird,” I agreed, and for just one moment we looked in each other’s eyes and saw some of the true things that made us friends. Then we looked away again and watched Teddy and Vern throwing water at each other, screaming and laughing and calling each other pussies.

“Yeah, but you didn’t miss him,” I said. “Chris Chambers never misses, am I right?”

“Not even when the ladies leave the seat down,” he said. He winked at me, formed an O with his thumb and forefinger, and spat a neat white bullet through it.

“Eat me raw, Chambers,” I said.

“Through a Flavor Straw,” he said, and we grinned at each other.

Vern yelled: “Come on and get your water before it runs back down the pipe!”

“Race you,” Chris said.

“In this heat? You’re off your gourd.”

“Come on,” he said, still grinning. “On my go.”

“Okay.”

“Go!

We raced, our sneakers digging up the hard, sunbaked dirt, our torsos leaning out ahead of our flying bluejeaned legs, our fists doubled. It was a dead heat, with both Vern on Chris’s side and Teddy on mine holding up their middle fingers at the same moment. We collapsed laughing in the still, smoky odor of the place, and Chris tossed Vern his canteen. When it was full, Chris and I went to the pump and first Chris pumped for me and then I pumped for him, the shocking cold water sluicing off the soot and the heat all in a flash, sending our suddenly freezing scalps four months ahead into January. Then I re-filled the lard can and we all walked over to sit down in the shade of the dump’s only tree, a stunted ash forty feet from Milo Pressman’s tarpaper shack. The tree was hunched slightly to the west, as if what it really wanted to do was pick up its roots the way an old lady would pick up her skirts and just get the hell out of the dump.

“The most!” Chris said, laughing, tossing his tangled hair back from his brow.

“A blast,” I said, nodding, still laughing myself.

“This is really a good time,” Vern said simply, and he didn’t just mean being off-limits inside the dump, or fudging our folks, or going on a hike up the railroad tracks into Harlow; he meant those things but it seems to me now that there was more, and that we all knew it. Everything was there and around us. We knew exactly who we were and exactly where we were going. It was grand.

We sat under the tree for awhile, shooting the shit like we always did—who had the best ballteam (still the Yankees with Mantle and Maris, of course), what was the best car (’55 Thunderbird, with Teddy holding out stubbornly for the ’58 Corvette), who was the toughest guy in Castle Rock who wasn’t in our gang (we all agreed it was Jamie Gallant, who gave Mrs. Ewing the finger and then sauntered out of her class with his hands in his pockets while she shouted at him), the best TV show (either The Untouchables or Peter Gunn —both Robert Stack as Eliot Ness and Craig Stevens as Gunn were cool), all that stuff.

It was Teddy who first noticed that the shade of the ash tree was getting longer and asked me what time it was. I looked at my watch and was surprised to see it was quarter after two.

“Hey man,” Vern said. “Somebody’s got to go for provisions. Dump opens at four. I don’t want to still be here when Milo and Chopper make the scene.”

Even Teddy agreed. He wasn’t afraid of Milo, who had a pot belly and was at least forty, but every kid in Castle Rock squeezed his balls between his legs when Chopper’s name was mentioned.

“Okay,” I said. “Odd man goes?”

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