Брэд Мельтцер - The Fifth Assassin

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The Fifth Assassin: краткое содержание, описание и аннотация

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From John Wilkes Booth to Lee Harvey Oswald, there have been more than two dozen assassination attempts on the President of the United States.
Four have been successful.
But now, Beecher White--the hero of the #1 *New York Times* bestseller *The Inner Circle* --discovers a killer in Washington, D.C., who's meticulously re-creating the crimes of these four men. Historians have branded them as four lone wolves. But what if they were wrong?
Beecher is about to discover the truth: that during the course of a hundred years, all four assassins were secretly working together. What was their purpose? For whom do they really work? And why are they planning to kill the current President?
Beecher's about to find out. And most terrifyingly, he's about to come face-to-face with the fifth assassin.
### Amazon.com Review
**Amazon Best Books of the Month, January 2013** : I consider myself a cagey reader, the literary equivalent of a wizened salmon, suspicious of fakery, wary of sloppy plotting and cliché, and ready to bail if I’m not lured in by page 50. So when Meltzer got his hooks in me by the end of page three, and never stopped reeling me in, I have to say I was impressed. I was also impressed that the hero of *The Fifth Assassin* (first introduced in *The Inner Circle* ) isn’t a misanthrope cop or hard-drinking PI but a brainy archivist at the National Archives. Beecher White is a glorified *librarian* , for god's sake. But with a dash of Sherlock Holmes and a hint of Indiana Jones, White is a refreshingly quirky pursuer of justice, and his hunt for a would-be assassin—which takes us through history and through the secret spaces around Washington, DC—makes for a thrilling read, as well as a nice reminder that a page-turner can be smart, deeply researched, and just plain fun. -- *Neal Thompson*
### Review
'All of Brad's books are a fascinating read. He is a great storyteller who keeps all of us on the edge of our seats.' -- President George H.W. Bush '[Meltzer] is an architect. His structures are towering , intricate, elegant, and surprising -- but always grounded in humanity and logic.' -- Joss Whedon 'Meltzer has mastered the art of baiting and hooking readers into a fast-moving plot.' -- USA Today 'Meltzer has earned the right to belly up to the bar with John Grisham, Scott Turow, and David Baldacci.' -- People

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“Make sure you shoot it all! They need to see how bad it is!” his dad called out, though all Marshall was thinking of was Bobby McNamera, who he heard was put in a mental institution, though no one could confirm it.

Wading through the water, which tugged at his thighs and slowed him down, it wasn’t as if Marshall expected to find human bones, or chains that hung from the wall. But as he glanced around he couldn’t help but wonder what else was buried under all this water.

In every direction, loose papers, the lids to cardboard storage boxes, a plastic garbage can, even an old piece of luggage floated through the room, which had less than three feet of headroom because of the basement’s low ceiling and a maze of high piping. Barely ten seconds had passed, and Marshall was breathing heavily. He knew the main water line was turned off, but that didn’t stop him from thinking about what would happen if the water got any higher. Looking up at the ceiling, with the camera still over his head and the flashlight jerking back and forth in its own crazed light show, he could feel his sweat spreading, his glasses sliding down his nose.

On his left, from the banister, a thick black bug with the body of a spider and the legs of a cricket hopped through the air, landing in the water. Spider-bugs, Marshall called them, knowing them from every local basement, including his own.

From what he could tell as he looked around, the basement was divided into two rooms. This first was all mechanical. A flashbulb exploded as he took a picture of the half-submerged water heater on his left. Another bulb exploded as he snapped one of the nearby boiler, an old 1920s metal beast that barely broke the surface of the water.

“And get the boiler and water heater!” his father added as Marshall waded through the doorway that had no door on it, into the next room, which for some reason was better lit. On his right, he saw why: There was a narrow basement window, no bigger than an air-conditioning vent, that looked out into the backyard, but was covered in so much dust, the light barely got in. As for the room, it didn’t look much different—lots of floating papers and debris—but instead of machinery and pipes, it had a chest-high built-in bookcase along the back wall.

The water had already risen to ruin half the books. But as Marshall snapped a photo and another Polaroid spit out, he saw that on the top shelf a large framed picture leaned diagonally against the wall.

“Marsh, how you doing!?” his father called out.

“Almost done!” Marshall called back, still holding the camera over his head as his glasses slid even farther down his nose. “I found this big picture frame down here…!”

“That’s from my parents’ wedding! Please don’t tell me it’s underwater!” the pastor’s wife called back.

“No, it’s good! I’ll bring it up!” Marshall said, slogging forward toward the bookcase as the cold water nipped at his testicles. As he placed the camera and the flashlight on the top shelf, a trio of spider-bugs hopped through the air, skimming across the water and leaving a faint wake behind them.

Stepping up on his tiptoes, Marshall reached for the gilded frame that held the old black-and-white photo of a young man in a tux posed so elegantly with his new bride. Like in most old photos, neither was smiling, just staring, lips pressed together in that way that made them look like grandparents even when they were newlyweds. But as Marshall grabbed the bottom corners of the frame, unwedging it from its place, his fingers hit… something .

There was something behind it.

As he pushed the frame aside, he saw a neat stack of magazines, though he didn’t even give them a second look. That is, until he saw…

Breasts. There were breasts. Big ones, cupped by a long-legged brunette with teased-out, tousled hair and a red headband. Kneeling on a pool table, she leaned toward the camera, but looked over her own shoulder, where a muscular, bare-chested man held her hips like he was—Oh jeez.

Marshall looked at the title. Leg Show . As he flipped through the photos inside, they revealed far more than legs. Lots more, including some wildly graphic shots of the woman on the cover and what she and this guy were doing on that pool table.

Marshall stood up straight, feeling something rise in his pants. Porn. Pastor Riis had porn. Lots of it.

Quickly thumbing through the stack, he found a half dozen more magazines, with titles like Score, High Society , and even one called Bitchcraft . Marshall laughed at that. If Beecher saw this—

“C’mon, Marsh, what’s taking so long!?” his father called out.

Scrambling and still thinking of Beecher’s reaction, he grabbed the stack of magazines and stuffed them in the waist of his pants. He was sweating so hard, they stuck to his doughy stomach as he tried to shove them in place. “ Almost done! Just grabbing the picture frame! ” he called back to his dad. But as he lowered his shirt over the magazines—

“Maybe I should help you with that,” a voice asked behind him.

His body jolted wildly, his glasses almost flying from his face. He reached for the large gilded picture frame and spun around to find Pastor Riis standing there, knee deep in the water.

A single spider-bug leapt through the air.

“I-I was just coming up,” Marshall said, holding the large frame.

“What about the flashlight? And your camera?” Riis asked, motioning over Marshall’s shoulder. Both were still lying on the top shelf.

For a frozen moment, Marshall stood there. He could hand the frame to the pastor. But right now, that was the only thing preventing Pastor Riis from getting a good look at the outline of the magazines under Marshall’s shirt.

“Sure. Of course. Here you go,” Marshall said, tilting the picture frame toward the pastor, who grabbed it quickly, keeping it out of the water. With a quick pivot, Marshall spun toward the bookshelf, keeping his back to the pastor as he gathered the Polaroid and the flashlight.

“Y’know, some of the things down here,” Pastor Riis began, “some of them have been here for years.”

“That’s what basements are for, right?”

“Of course. But in church… You wouldn’t believe what people have given me over the years. And what I’ve had to confiscate.”

A decade from now, a grown-up Marshall would’ve had the perfect retort. But right here, in this flooded, mildewed basement, with a glob of muddied light coming through the narrow window, young Marshall simply stared, frozen and terrified, at the pastor he’d known for his entire life.

“My dad’s waiting for me,” he blurted, pushing his glasses up on his nose and shining the light in the pastor’s face, not even realizing it meant Riis couldn’t see anything.

Honey, the plumber’s here with the shop-vac! ” the pastor’s wife called out. “ C’mon up, I don’t want you getting sick down there!

And that was it.

At the top of the stairs, the pastor put the picture frame down on the kitchen table just as the plumber and his assistant joined them in the kitchen. Behind him, the pastor’s wife wrapped a striped beach towel around Marshall, who used it to hide the rectangular bulge along his chest.

“Marsh, what the hell is this ?” his father asked, flipping through the Polaroids and shifting angrily in his wheelchair. “You didn’t let them dry! All the photos are stuck together!”

On any other day, Marshall would’ve apologized and offered to go back down. But today, as he stood there shivering in the kitchen with half a dozen porn magazines stuck to his chest, a twisted smile crept up his cheeks and only one thought filled his mind.

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