Chris Whitaker - We Begin at the End

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**'Surely destined to conquer the world . . . Astonishingly good' RUTH JONES**
**'So beautifully written . . . will remain with you for a long time' LYNDA LA PLANTE**
**'Contender for thriller of the year' JON COATES,** SUNDAY EXPRESS
*With the staggering intensity of James Lee Burke and the absorbing narrative of Jane Harper's* The Dry *,* We Begin at the End *is a powerful novel about absolute love and the lengths we will go to keep our family safe. This is a story about good and evil and how life is lived somewhere in between.*
**'YOU CAN'T SAVE SOMEONE THAT DOESN'T WANT TO BE SAVED . . .'**
**There are two kinds of families: the ones we are born into and the ones we create.** Walk has never left the coastal California town where he grew up. He may have become the chief of police, but he’s still trying to heal the old wound of having given the testimony that sent his best friend, Vincent King, to prison decades before. Now, thirty years later, Vincent is being released. Duchess is a thirteen-year-old self-proclaimed outlaw. Her mother, Star, grew up with Walk and Vincent. Walk is in overdrive trying to protect them, but Vincent and Star seem bent on sliding deeper into self-destruction. Star always burned bright, but recently that light has dimmed, leaving Duchess to parent not only her mother but her five-year-old brother. At school the other kids make fun of Duchess―her clothes are torn, her hair a mess. But let them throw their sticks, because she’ll throw stones. Rules are for other people. She’s just trying to survive and keep her family together. A fortysomething-year-old sheriff and a thirteen-year-old girl may not seem to have a lot in common. But they both have come to expect that people will disappoint you, loved ones will leave you, and if you open your heart it will be broken. So when trouble arrives with Vincent King, Walk and Duchess find they will be unable to do anything but usher it in, arms wide closed. Chris Whitaker has written an extraordinary novel about people who deserve so much more than life serves them. At times devastating, with flashes of humor and hope throughout, it is ultimately an inspiring tale of how the human spirit prevails and how, in the end, love―in all its different guises―wins.

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Inside the station he found Leah Tallow on the front desk, lights on the phone blinked frantically. “Crazy in here this morning. You hear the news?”

Walk watched her pick up another call and make no comment.

They’d called in Louanne Miller, a decade older than Walk. She sat behind her desk and ate nuts, a neat collection of shells by the telephone, mute to the furor.

“Morning, Walk. Busy in here. Got the butcher in.”

Walk stopped and scratched the stubble on his cheek. “Where?”

“Interview room.”

“What have they got him in for?”

“Think they tell me anything?” Louanne ate another nut, choked a little and washed it down with coffee. “You need to get some sleep, Walk. And maybe a shave.”

He looked around, the appearance of normal. Leah’s sister owned the florist on Main and dropped an arrangement in each week. Blue hydrangea, alstroemeria and eucalyptus. Sometimes he thought the station resembled a set, maybe a daytime TV cop show, they played their parts, background extras, nothing more.

“Where’s Boyd?”

She shrugged. “He said not to talk to the butcher till he gets back.”

He found Milton in the small room at the back of the station that they might’ve used for interviews, had they ever had to take a statement. Milton clutched his chest, massaging like he needed to get his heart firing again. Stripped of his apron, Walk still smelled blood, as if it were matted to every hair that carpeted Milton’s body.

Walk shoved his hands deep into his pockets. He found himself doing that more now, the drugs again, nothing helping.

Milton stood. “I don’t know why they told me to hang around. I have to get on. I came to them, after all.”

“With what?”

Milton looked at his shoes, loosened his collar and fired his cuffs. He’d dressed for the occasion. “Remembered something.”

“And?”

“I like to look out, right. Watch the water, the sky, got my Celestron, computerized now. You should come over one time and we could—”

Walk held up a hand, too tired for it.

“That night, before the shot. I think I heard yelling. Had my window open, I was broiling a little rabbit, you know, leave it overnight, soften the bones.”

“Think you heard?”

Milton looked to the lights above. “I heard yelling. An argument.”

“And this has only come to you now?”

“I could be in shock still. Maybe it’s wearing off.”

Walk stared at him. “You see Darke that night?”

A moment before he shook his head. Maybe a couple of seconds but Walk caught it. There had been mention of Dickie Darke’s name in connection, but that mention had come from Walk himself. Duchess wouldn’t say anything about the man. Walk wondered if she was scared.

“Brandon Rock.” Milton puffed out his chest. “The car … this morning. I get up early, and that guy comes home at all hours. I need my sleep, Walk.”

“I’ll talk to him.”

“You know we had another person drop out of the Watch. It’s like they don’t care about the neighborhood anymore.”

“How many you down to now?”

Milton sniffed. “Just me and Etta Constance. But she can’t watch all that much with the one eye. Peripheral.” He waved a hand around for effect.

“I sleep better knowing the two of you are looking out.”

“I document it all. Big suitcase under my bed.”

Walk could only imagine the kind of notes the man kept.

“I was watching a show and the cop took a civilian on a ride along. You ever thought about that, Walk? I could bring a little cotechino … spice up the cabin. And then after we could—”

Walk heard noise outside and turned as Boyd filled the doorway. Broad, buzzcut, soldier to cop.

Walk followed him out.

Boyd led him to his own office and then sat heavily in his chair.

“You want to tell me what’s going on?” Walk said.

Boyd leaned back and stretched, his shoulders big as he steepled fingers behind his neck. “I just got back from the D.A.’s office. We’re going to charge Vincent King with the murder of Star Radley.”

Walk knew it would come, but hearing it straight from Boyd still rocked him.

“The butcher told us he saw Vincent King get into it with Dickie Darke a few nights prior. Said it looked like Vincent was warning him off. Jealous. Right outside the Radley house.”

“And what does Darke say about this?”

“Corroborates. He came in with his lawyer. Big fucker, right. Sounds like he was seeing the victim, though he says they were just friends.”

“Milton, the butcher. He’s called a lot over the years, likes to watch the town, you know. He gets … excited. He sees things that maybe aren’t there.”

Boyd licked his teeth and pursed his lips. He was always moving, like holding still would see his middle fill out and his hairline race back. Strong smell of cologne. Walk eyed the window and wanted to pop it open.

“We’ve got Vincent at the scene, prints. His DNA on her. She had three broken ribs, his left hand was swollen. He won’t deny it, won’t say anything. It’s easy, Walker.”

“No residue,” Walk said. “The gun. No residue and no gun.”

Boyd rubbed his chin. “You said the faucet was running. He washed his hands. The gun. We’ve had people out, everywhere, but we’ll find it. He kills her, loses the gun, returns and calls it in.”

“Doesn’t make sense.”

“We’ve had the ballistics report back. The bullet they pulled was .357 Magnum, hell of a kick. We ran the address and it turns out Vincent King’s father had a gun registered in the mid-seventies.”

Walk watched the man, not liking where he was going. Walk remembered it, a couple of threats were made toward the Kings, serious enough for Vincent’s father to keep a gun.

“See if you can guess the caliber, Walker.”

Walk stayed even, despite the way his stomach flipped.

“The D.A. wanted more. Now we’ve got the motive and access to the murder weapon. We’ll go for the death penalty.”

Walk shook his head. “There’s still people we need to talk to. I want to go over Dickie Darke’s alibi again, and then there’s Milton and I’m not sure—”

“Leave it alone, Walker. It’s open and shut. I want to hand it over to the D.A. by the end of the week. We’ve got enough on. Then we’ll be out of your hair.”

“But I really think—”

“Listen. It’s alright, what you’ve got going on here. I’ve got a cousin that works in Alson Cove and he loves it, the pace is slow, the work is easy. There’s nothing wrong with that. But when was the last time you worked a real case, I mean something more than a misdemeanor?”

Walk had not worked more than an infraction.

Boyd reached over and gripped his shoulder tight. “Don’t fuck this up for us.”

Walk swallowed, the wheels turning frantic. “If he pleads. If I can get him to plead?”

Boyd met his eye, didn’t say it but didn’t have to.

Vincent King would die for this.

13

CLOUDS CASCADED DOWN THE MOUNTAIN behind, framing the farmhouse like it belonged in a print.

She worked, legs heavy, the skin on her hands torn beneath her gloves.

Whatever job he gave, mucking, cutting back the long vines by the house, shifting branches from the winding driveway, she did with quiet hatred. Hal playing grandfather now her mother was deep in the ground.

The funeral had been shamefully quiet. Walk had fished out an old necktie for Robin, the same he’d worn when his own mother passed. Robin had held her hand through it, the priest trying to lead them from their broken lives, talk of God’s need for another angel like he knew nothing of the tortured soul that had been taken.

“We’ll break for lunch now.” The old man snapped her from the memory.

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