Lisa Gardner - The Next Accident

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The Next Accident: краткое содержание, описание и аннотация

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This thriller has just the right mix of suspense, intrigue, and murder, topped off with a little romance to make it sizzle. Pierce Quincy, hard-boiled FBI agent, and Rainie Conner, ex-cop turned P.I., team up to catch the perpetrator of several ingenious murders. The psychopath staged the death of Quincy 's daughter Amanda, then his ex-wife, and is now going after Quincy 's remaining daughter, Kimberly. Kate Burton's ingenious narration pits sweet women and tough cops against stone cold psychopathic killer. Burton keeps up the heat as she seamlessly switches from romance to murder and back again, taunting the listener with every twist of the plot while Gardner dares you to guess the killer's identity and motives before Conner and Quincy do.
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Gardner brings back the quirky team of FBI supervisory special agent Pierce Quincy and Portland private eye Rainie Conner in a fiendishly well choreographed dance of death. The reader knows from the outset (a seduction scene ending in vehicular homicide) that someone has set out to systematically murder FBI profiler Quincy's loved ones. The question is not why, since Quincy has tracked down many killers, but who. Specifically, who would have the resources of time, money, and psychological acumen to devise and carry out such a sadistic campaign? After the first death, Quincy calls upon Conner to investigate; the plot moves to the clock of the killer's agenda. The weak points of Gardner 's writing are his dialogue and characterization: Conner's overly snappy banter and her hardbitten personality are both overdone. But Gardner knows procedure, FBI behavioral science, and the details of such newly minted crimes as identity theft. Not deep but harrowing. Connie Fletcher

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Rainie still couldn't believe it. "Identity theft… Doesn't the Bureau have specialists in this area?"

"The Bureau has specialists in every area," Quincy told her, but didn't sound encouraged. He set down his coffee cup, and Rainie was shocked to see that his hands were shaking.

"They took over my house, Rainie," he said quietly.

"This afternoon fellow agents set up cameras on my daughter's grave. It's ironic. I'm an expert. In fact, I'm an expert in precisely these kinds of cases, and as of seven oh-five this morning, no one cares about my opinion anymore. As of seven oh-five this morning, I became a victim, and I have never hated anything more."

"They're idiots, Quince. I've told you that before. If FBI agents were so smart, they wouldn't still be running around in such god-awful suits after the rest of the world has gone business casual. What kind of man starts his day by tying a noose around his neck anyway?"

Quincy glanced down at his burgundy tie, todays choice offering tiny navy blue and dark green geometric patterns and looking suspiciously close to the tie he wore the day before that and the day before that.

"I can't stand this," he said baldly. "Someone is taking over my life. I don't even know why."

"Sure you do. You're the good guy. By definition, all the bad guys hate you."

"Agents Rodman and Montgomery are working on the phone calls. They're staking out my house, and trying to trace ads placed in various prison newsletters, as if that will amount to anything. They're also working on tracking the Audi. I don't know what that has to do with anything, unless it's simply one more way for the UNSUB to thumb his nose at me – I'm still stuck in basic investigative strategies while he's shopping for luxury automobiles. He may have a point."

Quincy sighed. He dragged a hand through his hair. "Today, I amused myself by pulling all my old case files and building a database of anyone I've ever ticked off. The bad news is that there's a lot of them. The good news is that an amazing number of them are either in jail or dead."

"That's what I like about you, Quincy. Your ability to network."

He nodded absently. "I'm eighty percent sure I'm a target, Rainie. I have no idea whose. I can't even be sure why. Revenge is the obvious answer. Why not? But for whatever reason, someone has started weaving a very complex web, and no matter what I do, I think I'm already stuck right smack in the middle of it."

"You have friends, Quincy," she said quietly. "We'll help you. I'll help you."

"Will you?" He looked her in the eye. "Rainie," he said softly, "tell me what you learned about Mandy. Tell me what we both already know in our gut."

Rainie looked away. She finished her coffee. She set the empty paper cup on the picnic table, then spun it between her hands. She didn't want to answer his request, and they both knew it. She also understood, however, that she couldn't soft-pedal the news. One more thing she and Quincy had in common – they preferred their bad news direct. Get it out. Get it over. Get it done.

"You're right," she said shortly, "somethings rotten in Denmark."

"It was murder?"

"I don't know that," she countered immediately, her voice firm. "What's the number one rule of investigating – no jumping to conclusions. At the moment, we have no physical evidence that suggests murder."

"On the other hand…" he said for her.

"On the other hand, something's up with Mary Olsen."

"Really?" Quincy seemed genuinely surprised. He frowned, rubbed his temples, and she could tell he'd gone straight to self-doubt about his impression of sweet little Mrs. Doctor Olsen because he already appeared dazed.

"I spoke with her this morning, Quince, and Mary recanted everything. Mandy looked like she was drinking Diet Coke all night, but maybe she was spiking it with rum. You might have gotten the impression from Mary that Mandy had a boyfriend, but Mary now says that wasn't the case at all. Furthermore, Mandy had been known to drink and drive before, so it probably was as simple as that."

"Mandy spiked her own Coke at a friend's house, then made it all the way to the middle of nowhere before suddenly being so drunk that she crashed?"

"I didn't say Mary had a good story, I just said she had a new story."

"Why? She was my daughter's best friend. "Why? "

Rainie could hear the deeper question behind those words. Why was this happening, to Mandy, to him? Why would someone hurt his daughter? Why wouldn't the world stay controlled and rational, the way all behavioral scientists wanted it to be?

"I think Mary's a lonely little princess," Rainie answered softly. "I think for the right kind of attention, she could be manipulated very easily."

"The UNSUB got to her? Made her change her story?"

"Or the UNSUB got to her and had her make up the story in the first place. We don't really know that someone hurt Mandy. We do know that Mary said things at the funeral, however, that made you think someone hurt Mandy."

"I'm being played," Quincy filled in slowly. "Harassing phone calls, illegal automobile purchases, rumors about my daughter…" He sat up a little straighten "Shit, I'm being played like a fucking violin!"

Rainie blinked. "Since when did you take up swearing:?"

"Yesterday. I'm finding it highly addictive. Like nicotine.

"You're smoking, too?"

"No, but I haven't lost my deep and abiding love for metaphors."

"I'm serious, Quince, you're letting yourself fall apart."

"And apparently, you haven't lost your deep and abiding love for understatement."

"Quincy – "

"What's wrong, Rainie?" he quizzed with that new edge in his voice. "Can't stand for me to be so human?"

She was up from the picnic table before she knew what she was doing, her hands fisted at her side and her heart hammering in her chest. "What is that supposed to mean?"

"It means… it means I'm tired," Quincy said more quietly, his voice already conciliatory. "It means I'm under pressure. It means probably, that I'm looking for a fight. But you're not the person for me to fight with. So let's not do this now. Let's forget I said anything, and simply not do this now."

"Too late."

"You looking for a fight, too, Rainie?"

She knew she shouldn't say it. She knew he was right and they were both stressed and now was not the time. Six long months without even one damn phone call. She brought up her chin and said, "Maybe."

Quincy got up from the picnic table. He dusted off his hands. He stared at her, and his gaze appeared a lot more composed than she felt. He'd always been so good at remaining in control.

"You want to know where we went wrong?" he said crisply. "You want to know why it started out seeming so right, and then the world ended, not with a bang, but a whimper? I can tell you why, Rainie. It ended because you have no faith. Because one year later, the new, improved Lorraine Conner still doesn't believe. Not in me. And most certainly not in yourself."

"1 don't have faith?" she countered. " I don't have faith? This from the man whose only way of coming to terms with his daughter's death is to turn it into murder."

Quincy recoiled sharply. "Strike one to the woman in blue jeans," he murmured, his expression growing hidden, growing hard.

Rainie wouldn't back down, though, couldn't back down. She'd only learned one way to deal with life, and that was to fight. "No hiding behind your wry observations, Quincy. You want me to see you as human? Then act human. For God's sake, we're not even having a real argument yet, because you're still too busy lecturing me!"

"I'm simply saying you have no faith – " "Stop psychoanalyzing me! Be less therapist, more man – "

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