John le Carr� - Tinker Tailor Soldier Spy

'Pretty well.'

'Which means that Merlin won't do either. Merlin would do if he were my source, wouldn't he? What would happen if bloody Bill here pottered along to Control and said he'd hooked a big fish and wanted to play him alone? "That's very nifty of you, Bill boy," Control would say. "You do it just the way you want, Bill boy, 'course you do. Have some filthy tea." He'd be giving me a medal by now instead of sending you snooping round the corridors. We used to be rather a classy bunch. Why are we so vulgar these days?'

'He thinks Percy's on the make,' Smiley said.

'So he is. So am I. I want to be head boy. Did you know that? Time I made something of myself, George. Half a painter, half a spy, time I was all something. Since when was ambition a sin in our beastly outfit?'

'Who runs him, Bill?'

'Percy? Karla does, who else? Lower-class bloke with upper-class sources, must be a bounder. Percy's sold out to Karla, it's the only explanation.' He had developed the art, long ago, of deliberately misunderstanding. 'Percy's our house mole,' he said.

'I meant who runs Merlin? Who is Merlin? What's going on?'

Leaving the bookcase Haydon took himself on a tour of Smiley's drawings. 'This is a Callot, isn't it?' - unhooking a small gilt frame and holding it to the light - 'It's nice.' He tilted his spectacles to make them magnify. Smiley was certain he had looked at it a dozen times before. 'It's very nice. Doesn't anyone think my nose should be out of joint? I am supposed to be in charge of the Russian target, you know. Given it my best years, set up networks, talent-spotters, all mod cons. You chaps on the fifth floor have forgotten what it's like to run an operation where it takes you three days to post a letter and you don't even get an answer for your trouble.'

Smiley, dutifully: Yes, I have forgotten. Yes, I sympathise. No, Ann is nowhere in my thoughts. We are colleagues after all and men of the world, we are here to talk about Merlin and Control.

'Along comes this upstart Percy, damn Caledonian street-merchant, no shadow of class, shoving a whole wagonload of Russian goodies. Bloody annoying, don't you think?'

'Very.'

'Trouble is, my networks aren't very good. Much easier to spy on Percy than -' He broke off, tired of his own thesis. His attention had settled on a tiny van Mieris head in chalk. 'And I fancy this very much,' he said.

'Ann gave it me.'

'Amends?'

'Probably.'

'Must have been quite a sin. How long have you had it?'

Even now, Smiley remembered noticing how silent it was in the street. Tuesday? Wednesday? And he remembered thinking, 'No, Bill. For you I have so far received no consolation prize at all. As of this evening you don't even rate a pair of bedroom slippers.' Thinking but not saying.

'Is Control dead yet?' Haydon asked.

'Just busy.'

'What does he do all day? He's like a hermit with the clap, scratching around all on his own in that cave up there. All those bloody files he reads, what's he about for God's sake? Sentimental tour of his unlovely past, I'll bet. He looks sick as a cat. I suppose that's Merlin's fault too, is it?'

Again Smiley said nothing.

'Why doesn't he eat with the cooks? Why doesn't he join us instead of grubbing around for truffles up there? What's he after?'

'I didn't know he was after anything,' said Smiley.

'Ah, stop flirting around. Of course he is. I've got a source up there, one of the mothers, didn't you know? Tells me indiscretions for chocolate. Control's been toiling through personal dossiers of old Circus folk heroes, sniffing out the dirt, who was pink, who was a queen. Half of them are under the earth already. Making a study of all our failures: can you imagine? And for why? Because we've got a success on our hands. He's mad, George. He's got the big itch: senile paranoia, take my word for it. Ann ever tell you about wicked Uncle Fry? Thought the servants were bugging the roses to find out where he'd hidden his money. Get away from him, George. Death's a bore. Cut the cord, move down a few floors. Join the proles.'

Ann had still not returned so they sauntered side by side down the King's Road looking for a cab while Bill enunciated his latest vision of politics, and Smiley said 'Yes, Bill,' 'No, Bill,' and wondered how he was going to break it to Control. He forgot now which particular vision it was. The year before, Bill had been a great hawk. He had wanted to run down conventional forces in Europe and replace them outright with nuclear weapons. He was about the only person left in Whitehall who believed in Britain's independent deterrent. This year, if Smiley remembered rightly, Bill was an aggressive English pacifist and wanted the Sweden solution but without the Swedes.

No cab came, it was a beautiful night, and like old friends they went on walking, side by side.

'By the by, if you ever want to sell that Mieris, let me know, will you? I'll give you a bloody decent price for it.'

Thinking Bill was making another bad joke, Smiley rounded on him, at last prepared to be angry. Haydon was not even conscious of his interest. He was gazing down the street, his long arm raised at an approaching cab.

'Oh Christ, look at them,' he shouted irritably. 'Full of bloody Jews going to Quag's.'

'Bill's backside must look like a damn gridiron,' Control muttered next day. 'The years he's spent sitting on the fence.' For a moment he stared at Smiley in an unfocused way, as if looking through him to some different, less fleshly prospect; then ducked his eyes and seemed to go on reading. 'I'm glad he's not my cousin,' he said.

The following Monday, the mothers had surprising news for Smiley. Control had flown to Belfast for discussions with the army. Later, checking the travel imprests, Smiley nailed the lie. No one in the Circus had flown to Belfast that month but there was a charge for a first-class return to Vienna and the issuing authority was given as G. Smiley.

Haydon, also looking for Control, was cross: 'So now what's the pitch? Dragging Ireland into the net, creating an organisational diversion, I suppose. Jesus, your man's a bore!'

The light in the van went out but Smiley continued to gaze at its garish roof. How do they live? he wondered. What do they do for water, money? He tried to fathom the logistics of a troglodyte life in Sussex Gardens: water, drains, light. Ann would work them out all right; so would Bill.

Facts. What were the facts?

Facts were that one balmy pre-Witchcraft summer evening I returned unexpectedly from Berlin to find Bill Haydon stretched on the drawing-room floor of my house in Bywater Street and Ann playing Liszt on the gramophone. Ann was sitting across the room from him in her dressing gown, wearing no make-up. There was no scene, everyone behaved with painful naturalness. According to Bill he had dropped by on his way from the airport, having just flown in from Washington; Ann had been in bed but insisted on getting up to receive him. We agreed it was a pity we hadn't shared a car from Heathrow. Bill left, I asked 'What did he want?' And Ann said 'A shoulder to cry on'. Bill was having girl trouble, wanted to pour out his heart, she said.

'There's Felicity in Washington who wants a baby and Jan in London who's having one.'

'Bill's?'

'God knows. I'm sure Bill doesn't.'

Next morning, without even wishing to, Smiley established that Bill had been back in London two days, not one. Following the episode Bill showed an uncharacteristic deference towards Smiley and Smiley reciprocated with acts of courtesy which normally belong to a newer friendship. In due course Smiley noticed that the secret was out, and he was still mystified by the speed with which that had happened. He supposed Bill had boasted to someone, perhaps Bland. If the word was correct, Ann had broken three of her own rules. Bill was Circus and he was Set - her word for family and ramifications. On either count he would be out of bounds. Thirdly, she had received him at Bywater Street, an agreed violation of territorial decencies.