John le Carré - A Murder of Quality

'That was why you couldn't tell anyone? Because of Perkins?'

'In a way, yes. I mean they'd want to know all sorts of things. I did it for Tim, you see. The Governors wouldn't have liked that much… inordinate affection… It looks bad, doesn't it? But it wasn't that kind of affection, Smiley, not any more. You never heard him play the 'cello. He wasn't marvellous, but just sometimes he would play so beautifully, with a kind of studious simplicity, that was indescribably good. He was an awkward boy, and when he played well it was such a surprise. You should have heard him play.'

'You didn't want to drag him into it. If you told the police what you had seen it would ruin Tim too?'

Fielding nodded. 'In the whole of Carne, he was the one thing I loved.'

'Loved?' asked Smiley.

'For God's sake,' said Fielding in an exhausted voice, 'why not?'

'His parents wanted him to go to Sandhurst; I didn't, I'm afraid. I thought that if I could keep him here another Half or two I might be able to get him a music scholarship. That's why I made him Head of House: I wanted his parents to keep him on because he was doing so well.' Fielding paused. 'He was a rotten Head of House,' he added.

'And what exactly was in the writing-case,' Smiley asked, 'when you opened it that evening to look at Tim's exam paper?'

'A sheet of transparent plastic… it may have been one of those pack-away cape things—an old pair of gloves, and a pair of home-made galoshes.'

'Home-made?'

'Yes. Hacked from a pair of Wellington boots, I should think.'

'That's all?'

'No. There was a length of heavy cable, I presumed for demonstrating something in his science lessons. It seemed natural enough in winter to carry waterproofs about. Then, after the murder, I realized how he had done it.'

'Did you know,' he asked Smiley, ' why he had done it?'

Fielding seemed to hesitate: 'Rode's a guinea-pig,' he began, 'the first man we've had from a grammar school. Most of us are old Carnians ourselves, in fact. Focused when we start. Rode wasn't, and Carne thrilled him. The very name Carne means quality, and Rode loved quality. His wife wasn't like that. She had her standards and they were different, but just as good. I used to watch Rode in the Abbey sometimes on Sunday mornings. Tutors sit at the end of pews, right by the aisle, you know. I used to watch his face as the choir processed past him in white and scarlet, and the Master in his doctor's robes and the Governors and Guardians behind him. Rode was drunk—drunk with the pride of Carne. We're heady wine for the grammar school men, you know. It must have hurt him terribly that Stella wouldn't share any of that. You could see it did. The night they came to dinner with me, the night she died, they argued. I never told anyone, but they did. The Master had preached a sermon at Compline that evening: "Hold fast to that which is good." Rode talked about it at dinner; he couldn't take much drink, you know, he wasn't used to it. He was full of this sermon and of the eloquence of the Master. She never came to the Abbey—she went to that drab tabernacle by the station. He went on and on about the beauty of the Abbey service, the dignity, the reverence. She kept quiet till he'd finished, then laughed, and said: "Poor old Stan. You'll always be Stan to me." I've never seen anyone so angry as he was then. He went quite pale.'

Fielding swept his white hair from his eyes and went on, with something like the old panache: 'I've watched her, too, at meals. Not just here, but at dinner parties elsewhere, when we've both been invited. I've watched her do the simplest things—like eating an apple. She'd peel it in one piece, round and round till the whole peel fell off. Then she'd cut the apple and dice the quarters, getting it all ready before she ate it. She might have been a miner's wife preparing it for her husband. She must have seen how people do things here, but it never occurred to her that she ought to copy them. I admire that. So do you, I expect. But Carne doesn't—and Rode didn't; above all, Rode didn't. He'd watch her, and I think he grew to hate her for not conforming. He came to see her as the bar to his success, the one factor which would deprive him of a great career. Once he'd reached that conclusion, what could he do? He couldn't divorce her—that would do him more harm than remaining married to her. Rode knew what Carne would think of divorce; we're a Church foundation, remember. So he killed her. He plotted a squalid murder, and with his little scientist's mind he gave them all the clues they wanted. Fabricated clues. Clues that would point to a murderer who didn't exist. But something went wrong; Tim Perkins got sixty-one per cent. He'd got an impossible mark—he must have cheated. He'd had the opportunity—he'd had the papers in the case. Rode put his little mind to it and decided what had happened: Tim had opened the case and he'd seen the cape and the boots and the gloves. And the cable. So Rode killed him too.'

With surprising energy, Fielding got up and gave himself more brandy. His face was flushed, almost exultant.

Smiley stood up. 'When did you say you'll be coming to London? Thursday, wasn't it?'

'Yes. I had arranged to lunch with my crammer man at one of those dreadful clubs in Pall Mall. I always go into the wrong one, don't you? But I'm afraid there's not much point in my seeing him now, is there, if all this is going to come out? Not even a crammer's will take me then.'

Smiley hesitated.

'Come and dine with me that evening. Spend the night if you want. I'll ask one or two other people. We'll have a party. You'll feel better by then. We can talk a bit. I might be able to help you… for Adrian's sake.'

'Thank you. I should like to. Interview apart, I've got some odds and ends to clear up in London, anyway.'

'Good. Quarter to eight. Bywater Street, Chelsea, number 9A.' Fielding wrote it down in his diary. His hand was quite steady.

'Black tie?' asked Fielding, his pen poised, and some imp made Smiley reply:

'I usually do, but it doesn't matter.' There was a moment's silence.

'I suppose,' Fielding began tentatively, 'that all this will come out in the trial, about Tim and me? I'll be ruined if it does, you know, ruined.'

'I don't see how they can prevent it.'

'I feel much better now, anyway,' said Fielding; 'much.'

With a cursory good-bye, Smiley left him alone. He walked quickly back to the police station, reasonably confident that Terence Fielding was the most accomplished liar he had met for a long time.

He knocked on Rigby's door and walked straight in.

'I'm awfully afraid you'll have to arrest Stanley Rode,' he began, and recounted his interview with Fielding.

'I shall have to tell the Chief,' said Rigby doubtfully. 'Would you like to repeat all that in front of him? If we're going to pull in a Carne master, I think the Chief had better know first. He's just come back. Hang on a minute.' He picked up the telephone on his desk and asked for the Chief Constable. A few minutes later they were walking in silence down a carpeted corridor. On either wall hung photographs of rugby and cricket teams, some yellow and faded from the Indian sun, others done in a sepia tint much favoured by Carne photographers in the early part of the century. At intervals along the corridor stood empty buckets of brilliant red, with FIRE printed carefully in white on the outside. At the far end of the corridor was a dark oak door. Rigby knocked and waited. There was silence. He knocked again and was answered with a cry of 'Come!'

Two very large spaniels watched them come in. Behind the spaniels, at an enormous desk, Brigadier Havelock, O.B.E., Chief Constable of Carne, sat like a water rat on a raft.