Robin Cook - Blindsight

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Blindsight: краткое содержание, описание и аннотация

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From Publishers Weekly
Cook's lack of ability as a stylist generally has been masked by his talent for fashioning a solid medical drama-often ripped from current headlines-that keeps readers turning pages. Unfortuately, that's not the case in his 12th novel (after Vital Signs), which has a plot so ludicrous that the weak characters and silly dialogue are all too obvious. Most offensive in the latter category are the stilted, out-of-kilter exchanges between a pair of Mafia hitmen who run about New York City "whacking" (murdering) people with increasing frequency. Meanwhile, Dr. Laurie Montgomery, a forensic pathologist in the NYC Medical Examiner's office, finds a pattern of unrelated cocaine overdose deaths among career-oriented people never known to have used drugs. Despite the obvious evidence that she's onto something, her boss couldn't care less, while the homicide detective she becomes involved with is more concerned about the mob killings, and, like her boss, cannot understand why she is outraged by the behavior of two corrupt, thieving uniformed cops in her department. As luck would have it, there's also another man in Laurie's life, a self-centered ophthalmologist whose patients just happen to include the mob boss behind both the cocaine deaths and the murder spree. Readers who plow through this amateurish effort will guess the ending long before any of the characters has a clue.
From Kirkus Reviews
An ironically revealing title for ophthalmologist Cook's fuzziest novel in years-an awesomely inept medical/crime thriller about a forensic pathologist up against the mob. As the story opens, the mind of one Duncan Andrews is ``racing like a runaway train,'' his lethargy having ``evaporated like a drip of water falling onto a sizzling skillet.'' Hours and several more clich‚s later, the ``Wall Street whiz kid'' is dead of a cocaine overdose and lying on the autopsy table of generic Cook heroine (young, spunky, pretty doc) Laurie Montgomery, an N.Y.C. medical examiner. Days and several more dead yuppies later, Laurie is convinced that someone is flooding the upscale market with bad cocaine. Of course, no one will listen to her-not her boss, who wants to chill this political hot potato; not silver-tongued, gold- plated ophthalmologist Jordan Scheffield, who's wooing her with limos and swank dinners; not cop Lou Soldano (``a bit like Colombo''), to whom Laurie explains the exact difference between ophthalmologists, optometrists, and opticians and who wants to woo her with his sedan and spaghetti but can't match Jordan's glitz and anyway is busy worrying about the mob-related corpses stacking up next to the yuppies in Laurie's morgue. For meanwhile, in scenes stiff with clich‚, two mobsters are blowing away a seemingly random group of citizens on orders from mob kingpin Paul Cerino, who, Laurie learns, is one of Jordan 's patients-and who deals coke. Laurie sleuths; the mobsters lock her in a coffin; Laurie sobs; the mobsters let her out; Laurie remembers the flammable properties of ethylene, handily within reach, and blows up the mobsters. Finally, Laurie dumps Jordan for Lou, and she and the cop talk about the motives behind the whole ``horrid affair''-which owe more than a little to Coma. A slack and ragged retread, with Cook parodying himself in a tale that's about as stylish and suspenseful as an eye-chart.

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Lou walked out of the building, embarrassed to an extent that he had come. It had been a worthless encounter that had only annoyed him. He couldn’t stand pompous silver-spoon-fed fools like Jordan Scheffield. If he got into trouble with Paul Cerino, it was his own fault. He was so full of his own self-importance that he couldn’t see the danger.

Half an hour later Lou arrived at his office at police headquarters. For a moment he stood on the threshold, surveying the mess within. His digs were a far cry from Jordan Scheffield’s posh surroundings. The furniture was the usual gray metal, city issue with the burns from innumerable cigarettes left on the edges and with stains from spilled coffee. The floor was dried and cracked linoleum. The walls had been painted years previously in a pale green that had blistered from a water leak from the floor above. Papers and reports were stacked on every horizontal surface, since the file cabinets were full.

Lou had never thought much about his office, but today it seemed oppressively dingy. It was irrational, he knew, but he got mad at the smug doctor all over again.

Just then Harvey Lawson, another detective lieutenant on the force, interrupted Lou’s thoughts. “Hey, Lou,” Harvey called, “you know that broad you were talking about yesterday? The one from the medical examiner’s office?”

“Yeah?”

“I just heard she called Internal Affairs. Made some beef about two uniformed guys stealing from an overdose scene. What do you think of that?”

Tony and Angelo were back in Angelo’s Town Car. They were parked across the street from the Greenblatt Pavilion of Manhattan General Hospital. The Greenblatt Pavilion was the fancy part of the hospital where pampered, wealthy patients could order from special menus that included amenities such as wine, provided their doctors permitted such treats as part of their diet.

It was 2:48 in the afternoon and Tony and Angelo were exhausted. They’d hoped to sleep after their busy night, but Paul Cerino had other plans for them.

“What time did Doc Travino say we should pull this off?” Tony asked.

“Three o’clock,” Angelo said. “Supposedly that’s the time there’s most confusion in the hospital. That’s when the day shift of nurses are getting ready to leave and the evening shift is just coming on.”

“If that’s what the doc says, it’s good enough for me.”

“I don’t like it,” Angelo said. “I still think it’s too risky.” He surveyed the vicinity with wary eyes. There was a lot of activity and plenty of cops. In the ten minutes they’d been parked there, Angelo had spotted three squad cars cruising by.

“Think of it as a challenge,” Tony suggested. “And think about all the money we’re getting.”

“I like working at night better,” Angelo said. “And I don’t need any challenges at this point of my life. Besides, I should be sleeping right this minute. I shouldn’t be working when I’m so tired. I might make a mistake.”

“Lighten up,” Tony said. “This should be fun.”

But Angelo wouldn’t let it go. “I got a bad feeling about this job,” he said. “Maybe we should just go home and sleep. We got another big night ahead of us tonight.”

“Why don’t you wait here and I’ll go in by myself. I’ll still split the money with you.”

Angelo bit his lip. It was tempting to send the kid into the hospital alone, but if anything went wrong he knew Cerino would be furious. And even under the best circumstances, if Tony went in by himself, there was a good chance things would go awry. Reluctantly, Angelo came to the conclusion that he really didn’t have a choice.

“Thanks for the offer,” Angelo said, scanning the neighborhood once more, “but I think we should do this together.” It was then that Angelo turned to Tony and saw, to his horror, that Tony had his gun out. He was checking the magazine.

“For Chrissake!” Angelo shouted. “Put your goddamn gun away. What if someone was to walk by the car and see you monkeying around with that thing? There’s cops all over this place.”

“All right already,” Tony exclaimed. He clicked the magazine back into his gun and slipped the gun into its holster. “You are in one hell of a bad mood. I looked around before I took my piece out. What do you think I am, a moron? There’s nobody anywhere near this car.”

Angelo closed his eyes and tried to calm himself. His headache was getting worse. His nerves were frayed. He hated being so tired.

“It’s getting close to three,” Tony said.

“All right,” Angelo said. “You remember the plan of what we’re going to do when we get inside the hospital?”

“I remember what we’re supposed to do,” Tony repeated. “No problem.”

“All right,” Angelo said again. “Let’s do it.”

They got out of the car. Angelo gave one more glance around the immediate area. Satisfied, he led Tony across the street and into the lobby of bustling Manhattan General Hospital.

Their first stop was the hospitality shop, where Angelo purchased two bunches of cut flowers. Handing one to Tony, Angelo carried the other. Taking the flowers back to the entrance area, they waited in line for information.

“Mary O’Connor,” Angelo said politely once it was his turn.

“Five zero seven,” the desk attendant told him after consulting her computer screen.

Joining the crowd at the elevators, Tony leaned toward Angelo and whispered: “So far so good.”

Angelo glowered at Tony again, but said nothing. Nurses just coming on duty had them surrounded. It was no time for a reprimand. At the fifth floor Angelo and Tony got off the elevator along with three nurses.

Angelo waited to see which way the nurses went, then chose the opposite direction. He immediately saw that room 507 was the other way, but he walked until the nurses had reached the busy nurses’ station before retracing his steps.

Angelo behaved as if he knew exactly where he was going. He sauntered past the nurses’ station without so much as a glance in its direction.

Once beyond the nurses’ station, it was easy to find 507. Slowing down, Angelo glanced inside. Satisfied that no staff was in the room, he stepped over the threshold and looked at the woman in the bed. She was watching a TV mounted on a mechanical arm attached to the bed frame.

The woman had an eyepatch over one eye. Her unprotected eye switched its attention from the TV to Angelo. She gave him a questioning look.

“Good afternoon, Mrs. O’Connor,” Angelo said affably. “You have a visitor.”

Angelo waved for Tony to come into the room.

“Who are you?” Mrs. O’Connor asked.

Tony came smiling into the room with his bouquet of flowers out in front of him. Mrs. O’Connor’s eyes went from Angelo to Tony. She smiled.

“I think you must have the wrong room,” she said. “Maybe the wrong O’Connor.”

“Oh?” Angelo questioned. “Aren’t you the O’Connor who’s scheduled for surgery later today?”

“Yes,” Mrs. O’Connor said, “but I don’t know either of you. Do I?”

“I can’t imagine you do,” Angelo said. He stepped back to the door and looked up and down the hall. The nurses’ station was still a flurry of activity. No one was coming the other way. “I think it’s time for Mrs. O’Connor’s treatment.”

Tony’s smile broadened. He laid his flowers on the night table.

“What treatment?” Mrs. O’Connor asked.

“Relaxation therapy,” Tony said. “Let me take your pillow.”

“Did Dr. Scheffield order this?” Although she was suspicious, Mrs. O’Connor did not resist as Tony pulled the pillow from beneath her head. She wasn’t accustomed to second-guessing her physicians.

“Not exactly,” Tony said.

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