Robin Cook - Blindsight

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Blindsight: краткое содержание, описание и аннотация

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From Publishers Weekly
Cook's lack of ability as a stylist generally has been masked by his talent for fashioning a solid medical drama-often ripped from current headlines-that keeps readers turning pages. Unfortuately, that's not the case in his 12th novel (after Vital Signs), which has a plot so ludicrous that the weak characters and silly dialogue are all too obvious. Most offensive in the latter category are the stilted, out-of-kilter exchanges between a pair of Mafia hitmen who run about New York City "whacking" (murdering) people with increasing frequency. Meanwhile, Dr. Laurie Montgomery, a forensic pathologist in the NYC Medical Examiner's office, finds a pattern of unrelated cocaine overdose deaths among career-oriented people never known to have used drugs. Despite the obvious evidence that she's onto something, her boss couldn't care less, while the homicide detective she becomes involved with is more concerned about the mob killings, and, like her boss, cannot understand why she is outraged by the behavior of two corrupt, thieving uniformed cops in her department. As luck would have it, there's also another man in Laurie's life, a self-centered ophthalmologist whose patients just happen to include the mob boss behind both the cocaine deaths and the murder spree. Readers who plow through this amateurish effort will guess the ending long before any of the characters has a clue.
From Kirkus Reviews
An ironically revealing title for ophthalmologist Cook's fuzziest novel in years-an awesomely inept medical/crime thriller about a forensic pathologist up against the mob. As the story opens, the mind of one Duncan Andrews is ``racing like a runaway train,'' his lethargy having ``evaporated like a drip of water falling onto a sizzling skillet.'' Hours and several more clich‚s later, the ``Wall Street whiz kid'' is dead of a cocaine overdose and lying on the autopsy table of generic Cook heroine (young, spunky, pretty doc) Laurie Montgomery, an N.Y.C. medical examiner. Days and several more dead yuppies later, Laurie is convinced that someone is flooding the upscale market with bad cocaine. Of course, no one will listen to her-not her boss, who wants to chill this political hot potato; not silver-tongued, gold- plated ophthalmologist Jordan Scheffield, who's wooing her with limos and swank dinners; not cop Lou Soldano (``a bit like Colombo''), to whom Laurie explains the exact difference between ophthalmologists, optometrists, and opticians and who wants to woo her with his sedan and spaghetti but can't match Jordan's glitz and anyway is busy worrying about the mob-related corpses stacking up next to the yuppies in Laurie's morgue. For meanwhile, in scenes stiff with clich‚, two mobsters are blowing away a seemingly random group of citizens on orders from mob kingpin Paul Cerino, who, Laurie learns, is one of Jordan 's patients-and who deals coke. Laurie sleuths; the mobsters lock her in a coffin; Laurie sobs; the mobsters let her out; Laurie remembers the flammable properties of ethylene, handily within reach, and blows up the mobsters. Finally, Laurie dumps Jordan for Lou, and she and the cop talk about the motives behind the whole ``horrid affair''-which owe more than a little to Coma. A slack and ragged retread, with Cook parodying himself in a tale that's about as stylish and suspenseful as an eye-chart.

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Outside, Laurie found her street deserted, but First Avenue had traffic. In five minutes she was in the back of a taxi with an Afghani freedom fighter for a driver. Fifteen minutes later she got out of the cab at 970 Fifth. An NYPD car and a city ambulance were pulled up on the sidewalk. Both vehicles had their emergency lights blinking impatiently.

Inside, Laurie flashed her medical examiner’s badge and was directed to Penthouse B.

“You the medical examiner?” a uniformed policeman asked with obvious amazement when Laurie entered the apartment and again showed her badge. His name tag read “Ron Moore.” He was a muscular, heavyset fellow in his late thirties.

Laurie nodded, feeling little tolerance or reserve for what was coming.

“Hell,” Ron said, “you don’t look like any of the medical examiners I’ve ever seen.”

“Nonetheless I am,” Laurie said without humor.

“Hey, Pete!” Moore yelled. “Get a load of what just walked in. A medical examiner who looks more like a Playboy Bunny!”

Another uniformed but younger-appearing policeman poked his head from around a doorway. His eyebrows went up when he saw Laurie. “Well, I’ll be damned,” he said.

He had a handful of correspondence in both hands.

“Who is in charge here?” Laurie questioned.

“I am, honey,” Ron said.

“My name is Dr. Montgomery,” Laurie said. “Not honey.”

“Sure, Doc,” Ron answered.

“Who can give me a tour of the scene?” Laurie asked.

“Might as well be me,” Ron said. “This here’s the living room, obviously. Notice the drug paraphernalia on the coffee table. The victim apparently injected himself there, then went into the kitchen. That’s where the body is. You get to the kitchen through the den.”

Laurie took a quick look around the apartment. It was tiny but beautifully decorated. From her spot in the foyer, she could see the living room and part of the den. In the living room two large windows with a southern exposure afforded an extraordinary view. But more than the view, Laurie was interested in the clutter on the floor. It appeared that the room had been ransacked.

“Was this a robbery?” Laurie asked.

“Nah,” Ron said. “We did this. Part of our usual thorough investigation, if you know what I mean.”

“I’m not sure I do,” Laurie said.

“We’re always exhaustive in our search,” Ron said.

“For what?” Laurie demanded.

“For proper identification,” Ron said.

“You didn’t notice all these diplomas here on the foyer walls?” Laurie questioned while making a sweeping gesture. “The name seems to be rather obvious.”

“Guess we didn’t see them,” Ron said.

“Where’s the body?” Laurie asked.

“I told you,” Ron said. “It’s in the kitchen.” He pointed toward the den.

Laurie walked ahead, avoiding the debris on the floor, and stepped into the den. All the drawers to the desk were open. The contents looked as if they’d been roughly gone through.

“I suppose you were looking for identification in here as well?” she said.

“That’s right, Doc,” Ron said.

Passing through the den, Laurie walked to the threshold of the kitchen. There she stopped. The kitchen was as messy as the other rooms. The entire refrigerator was emptied, including its shelves. Laurie also noticed some clothing scattered across the floor. The refrigerator’s door was slightly ajar. “Don’t tell me you were looking for identification in here as well?” she asked sarcastically.

“Hell, no!” Ron said. “The victim did this himself.”

“Where’s the body?” Laurie asked.

“In the refrigerator,” Ron said.

Laurie stepped to the refrigerator and opened the door. Ron wasn’t kidding. Stuart Morgan was wedged into the refrigerator compartment. He was almost naked, clothed only in Jockey shorts, a money belt, and socks. His face was bone white. His right arm was raised, his hand balled into a tight fist.

“I can’t understand why he wanted to climb into the refrigerator,” Ron said. “Weirdest thing I’ve seen since I joined the force.”

“It’s called hyperpyrexia,” Laurie said, staring at Stuart Morgan. “Cocaine can make people’s temperature go sky high. The users get a little crazy. They’d do anything to get their temperature down. But this is the first one I’ve seen in a refrigerator.”

“If you’ll release the body we can let the ambulance boys take Stuart away,” Ron said. “We’re pretty much done otherwise.”

“Did you touch the body?” Laurie asked suddenly.

“What are you talking about?” Ron said nervously.

“Just what I said. Did you or Pete touch the body?”

“Well…” Ron said. He didn’t seem inclined to answer.

“It’s a simple question.”

“We had to find out if he were dead,” Ron said. “But that was pretty easy since he was cold as one of those cucumbers on the floor.”

“So you merely reached in and felt for a pulse?” Laurie suggested.

“That’s right,” Ron said.

“Which pulse?” Laurie asked.

“The wrist,” Ron said.

“The right wrist?” Laurie asked.

“Hey, you’re getting too specific,” Ron said. “I can’t remember which wrist.”

“Let me tell you something,” Laurie said as she removed the lens cap from her camera and started taking pictures of the body in the refrigerator. “See that right arm in the air?”

“Yeah,” Ron said.

“It’s staying up in the air because of rigor mortis,” Laurie said. Her camera flashed as she took a photo.

“I’ve heard of that,” Ron said.

“But rigor mortis develops after the arm has been flaccid for a while,” Laurie said. “Does that suggest something to you about this body?” Laurie took another photo from a different angle.

“I don’t know what you’re talking about,” Ron said.

“It suggests that the body was moved after death,” Laurie said. “Like perhaps out of the refrigerator and then back. And it had to be several hours after death because it takes about two hours for rigor mortis to set in.”

“Well, isn’t that interesting,” Ron said. “Maybe Pete should hear about this.” Ron went to the door to the den and yelled for Pete to come into the kitchen. When he did, Ron explained what Laurie had told him.

“Maybe this guy’s girlfriend pulled him out,” Pete suggested.

“This overdose was found by the deceased’s girlfriend?” Laurie asked. The torture drug abusers put their loved ones through was horrible.

“That’s right,” Pete said. “The girlfriend called 911. So maybe she pulled him out.”

“And then stuffed him back in?” Laurie questioned with skepticism. “Hardly likely.”

“What do you think happened?” Ron asked.

For a moment Laurie stared at the two policemen, wondering what approach she should take.

“I don’t know what to think,” she said finally. She pulled on her rubber gloves. “But for now I want to examine the body, release it to the hospital people, and go home.”

Laurie reached in and touched Stuart Morgan’s body. It was hard, due to the rigor mortis, and cold. As she examined him, it was obvious that his other limbs were in unnatural positions as well as the right arm. She noticed an IV site in the antecubital fossa of the left arm. Except for the refrigerator, the case certainly seemed uncannily similar to the Duncan Andrews, Robert Evans, and Marion Overstreet overdoses.

Straightening up, Laurie turned to Ron. “Would you mind helping me lift the body out of the refrigerator?” she asked.

“Pete, you help her,” Ron said.

Pete made an expression of annoyance but accepted the rubber gloves from Laurie and put them on. Together they lifted Stuart Morgan from the refrigerator and laid him out on the floor.

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