Robin Cook - Sphinx

Richard sagged under the weight of Erica’s argument. He was too tired to fight. “If you’re so intent on being useful, why did you choose such an obscure field? I mean, really, Erica, Egyptology! New Kingdom hieroglyphics!” Richard fell back on the bed, his feet still touching the floor.

“Egyptian antiquities generate a lot more action than you’d ever imagine,” said Erica. Walking over to the bureau, she picked up the envelope containing the photos Jeffrey John Rice had given to her. “I’ve been painfully learning that fact during the last two days. Take a look at these!” Erica tossed the envelope onto Richard’s chest.

Richard sat up with obvious effort and took out the photos. He looked at them rapidly, then replaced them. “Nice statue,” he said noncommittally, falling back onto the bed.

“Nice statue?” said Erica cynically. “That could be the finest ancient Egyptian statue ever found, and I’ve witnessed two murders, at least one of which I believe involved that statue, and you just say nice.”

Richard opened one eye and looked at Erica, who was defiantly leaning against the bureau. The tops of her breasts were visible through the eyelet embroidery of her robe. Without sitting up again, Richard took the photos back out of the envelope and looked at them more carefully. “All right,” he said at length. “A nice deadly statue. But what do you mean, two murders? You didn’t see another today, did you?” Richard pushed himself up to a half-sitting position. His eyes were only half-open.

“Not only did I see it, but the victim fell on top of me. It would be difficult to be any closer and not be involved.”

Richard stared at Erica for several minutes. “I think you better come back to Boston,” he said with as much authority as he could muster.

“I’m going to stay here,” said Erica flatly. “In fact, I think I’m going to do something about the antiquities black market. I think I can help. And I’d like to keep that Seti statue from being smuggled out of Egypt.”

Immersed in deep concentration, Erica was oblivious of the passage of time. Looking at her watch, she was surprised to see it was two-thirty in the morning. She had been sitting on her balcony at the small round table she’d dragged from inside. She’d also carried out the bedside-table lamp, which cast a bright puddle of light on the table, illuminating the photos of the Houston statue.

Richard was lying on the bed in a deep sleep, still fully clothed. Erica had insisted on trying to get him a separate room, but the hotel was full. So were the Sheraton, Shepheard’s, and the Meridien. While Erica was trying to call a hotel on Gezira island, his breathing became stertorous and she realized he had passed out. Erica relented. She had not wanted him to spend the night with her because she did not want to risk making love to him. But since he was already asleep, she decided he could find himself a room in the morning.

Too overwrought to sleep herself, she had decided to work on the hieroglyphics in the photos. She was particularly interested in the short inscription containing the two pharaonic cartouches. Hieroglyphics were always difficult, since there were no vowels and directives had to be interpreted correctly. But this inscription on the Seti statue seemed more obtuse than usual, as if the original designer wanted to encode his message. Erica wasn’t even positive in which direction the inscription should be read. No matter what she did, nothing made much sense. Why would the name of the boy king Tutankhamen be carved on the effigy of a mighty pharaoh?

The best interpretation of the phrase she could make was: “Eternal rest [or peace] given [or awarded] to his majesty, king of Upper and Lower Egypt, son of Amon-Re, beloved of Osiris, Pharaoh Seti I, who rules [or governs or resides] after [or behind or under] Tutankhamen.” As far as she could remember, that was reasonably close to what Dr. Lowery had said on the phone. But she wasn’t satisfied. It seemed too simple. Certainly Seti I ruled or lived after Tutankhamen by fifty years or so. But of all the pharaohs, why hadn’t they picked Thutmose IV or one of the other great empire-builders? Also, the final preposition bothered her. She rejected “under” because there was no dynastic connection between Seti I and Tutankhamen. There were no family ties whatsoever. In fact, before Seti’s time she was reasonably sure Tutankhamen’s names had been obliterated by the usurper general, Pharaoh Horemheb. She rejected “behind” because of the insignificance of Tutankhamen. That left “after.”

Erica read the phrase out loud. Again, it sounded too simple, and for that reason mysteriously complicated. But it excited her trying to pierce a human mind that had functioned three thousand years previously.

Looking back ino the room at Richard’s sleeping form, Erica realized more than ever the gulf that separated them. Richard would never comprehend her fascination with Egypt and the fact that such intellectual excitement was an important part of her identity.

She got up from the table and carried the lamp and the photos back into the room. As the light fell on Richard’s face, with his lips parted ever so slightly, he suddenly appeared very young, like a boy. Erica remembered the beginning of their relationship and she longed for that simpler time. She really did care for him, but it was hard to face reality: Richard was always going to be Richard. His medical career kept him from viewing himself with any kind of perspective, and Erica had to face the fact that he was not going to change.

She switched off the lamp and stretched out beside him. He groaned and turned over, putting his hand on Erica’s chest. Gently she replaced it at his side. She wanted to maintain her distance, and she did not want to be touched. She thought about Yvon, who she believed treated her as an intellectual equal and a woman at the same time. Looking at Richard in the dim light, Erica realized she was going to have to tell him about the Frenchman, and Richard would be hurt. She stared up at the dark ceiling, anticipating his jealous reaction. He’d say that all Erica wanted was to run off and find a lover. He would never understand the strength of her commitment to keep the second statue of Seti I from being spirited out of the country. “You’ll see,” she whispered to Richard in the darkness. “I’m going to find that statue.” Richard groaned in his sleep and turned away.

When Erica awoke the next morning, she thought she had again left the shower running, but she soon remembered Richard’s unexpected arrival and realized that he had turned on the water. Pushing a stray wisp of hair off her forehead, Erica let her head flop over on the pillow so she could see out the open balcony door. The noise of the steady traffic below blended with the sound of the shower and was as soothing as a distant waterfall. Her eyes restfully closed again while she recalled her resolves the night before. Then the sound of the shower stopped abruptly. Erica did not move. Presently Richard came padding into the room, vigorously drying his sandy hair. Carefully turning, yet pretending to be asleep, Erica looked out of half-open eyes and was surprised to see him stark naked. She watched as he finished with the towel, advanced to the open balcony door, and began studying the great pyramids and the guardian sphinx in the distance. He did have a handsome body. She looked at the graceful curve of the small of his back; she felt the suggestion of power in his well-defined legs. Erica closed her eyes, afraid that familiarity and the sexiness of Richard’s body would prove too much for her.

The next thing Erica knew she was being gently shaken awake. Opening her eyes, she looked directly into the faraway blue of Richard’s. He was smiling impishly, dressed in jeans and a fitted navy-blue knit shirt. His hair was combed as much as the natural curls would allow.