Lee Child - The Hard Way

“He was a Recon Marine. He was in prison in Africa for five years. He’s used to discomfort.”

“I meant tactically. This part of town, he would have been afraid of getting busted for a drug dealer. Or a terrorist. South of Twenty-third Street they don’t like you to hang around at all anymore.”

“So where was he?”

Reacher looked left, looked right.

Then he looked up.

“You mentioned Patti Joseph’s place,” he said. “You called it an aerie.”

“So?”

“What’s an aerie?”

“It’s an eagle’s nest.”

“Exactly. From the Old French for lair . The point is that Patti is reasonably high up. Seven prewar floors, that’s a little above treetop height. An unobstructed view. A Recon Marine wants an unobstructed view. And he can’t guarantee that at street level. A panel truck could park right in front of him at the wrong moment.”

Lauren Pauling turned back to face the curb and spread her arms again, this time raised at an angle. She mimed the same karate chops with her hands. They bracketed the upper floors of the same five buildings.

“Where did he come from, the first time?” she asked.

“From south of me,” Reacher said. “From my right. I was facing a little north and east, at the end table. But he was coming back from Spring Street then. No way of knowing where he had started out from. I sat down, ordered coffee, and he was in the car before they even brought it to me.”

“But the second time, after Burke switched the bag, he must have been coming straight from the observation point, right?”

“He was almost at the car when I saw him.”

“Still moving?”

“Final two paces.”

“From what direction?”

Reacher moved up the sidewalk to where he had been after strolling around the corner from Bleecker. In his mind he put a green Jaguar beyond Pauling on the curb and pictured the guy’s last two fluid strides toward it. Then he lined up the apparent vector and checked the likely point of origin. Kept his eyes on it as he stepped back to Pauling.

“Actually very similar to the first time,” he said to her. “North and east through the traffic. From the south of where I was sitting.”

Pauling adjusted the position of her right arm. Brought her hand south and chopped the air a fraction to the left of the café’s most northerly table. That cut the view to just a slim section of the streetscape. Half of the building with the flower store in it, and most of the building with the café in it. Above the flower store were three stories of windows with vertical blinds behind them and printers and spider plants and stacks of paper on their sills. Fluorescent tubes on the ceilings.

“Office suites,” Pauling said.

Above the café were three stories of windows filled variously with faded drapes made of red Indian cloth, or macramé hangings, or suspended discs of stained glass. One had nothing at all. One was papered over with newsprint. One had a Che Guevara poster taped face-out on the inside of the glass.

“Apartments,” Pauling said.

Jammed between the flower store and the café was a blue recessed door. To its left was a dull silver box, with buttons and nameplates and a speaker grille. Reacher said, “A person who came out that door heading for the fireplug would have to cross north and east through the traffic, right?”

Pauling said, “We found him.”

THE SILVER BOXto the left of the blue door had six black call buttons in a vertical array. The top nameplate had Kublinski written very neatly in pale faded ink. The bottom had Super scrawled with a black marker pen. The middle four were blank.

“Low rent,” Pauling said. “Short leases. Transients. Except for Mr. or Ms. Kublinski. Judging by that handwriting style they’ve been here forever.”

“They probably moved to Florida fifty years ago,” Reacher said. “Or died. And nobody changed the tag.”

“Shall we try the super?”

“Use one of your business cards. Put your finger over the Ex- part. Make out like you’re still with the Bureau.”

“Think that’ll be necessary?”

“We need all the help we can get. This is a radical building. We’ve got Che Guevara watching over us. And macramé.”

Pauling put an elegant nail on the super’s call button and pressed. She was answered a long minute later by a distorted burst of sound from the speaker. It might have been the word yes , or who , or what . Or just a blast of static.

“Federal agents,” Pauling called. Which was remotely true. Both she and Reacher had once worked for Uncle Sam. She slipped a business card out of her purse. There was another burst of noise from the speaker.

“He’s coming,” Reacher said. He had seen plenty of buildings like this one, back in the day, when his job had been chasing AWOL soldiers. They liked cash rents and short leases. And in his experience building superintendents usually cooperated. They liked their free accommodations well enough not to jeopardize them. Better that someone else should go to jail, and they should stay where they were.

Unless the super was the bad guy, of course.

But this one seemed to have nothing to hide. The blue door opened inward and revealed a tall gaunt man in a stained wife-beater. He had a black knit cap on his head and a flat Slavic face like a length of two by-four.

“Yes?” he said. Strong Russian accent. Almost Da ?

Pauling waved her card long enough for some of the words to register.

“Tell us about your most recent tenant,” she said.

“Most recent?” the guy repeated. No hostility. He sounded like a fairly smart guy struggling with the nuance of a foreign language, that was all.

Reacher asked, “Did someone sign on within the last couple of weeks?”

“Number five,” the guy said. “One week ago. He responded to a newspaper advertisement I was asked to place by the management.”

“We need to see his apartment,” Pauling said.

“I’m not sure I should let you,” the guy said. “There are rules in America.”

“Homeland Security,” Reacher said. “The Patriot Act. There are no rules in America anymore.”

The guy just shrugged and turned his tall thin frame around in the narrow space. Headed for the stairs. Reacher and Pauling followed him in. Reacher could smell coffee coming through the walls from the café. There was no apartment number one or number two. Number four was the first door they came to, at the head of the stairs at the back of the building. Then number three was on the same floor, along a hallway at the front of the building. Which meant that number five was going to be directly above it, third floor, looking east across the street. Pauling glanced at Reacher, and Reacher nodded.

“The one with nothing in the window,” he said to her.

On the third floor they passed number six at the back of the building and walked forward toward number five. The smell of coffee had faded and been replaced by the universal hallway smell of boiled vegetables.

“Is he in?” Reacher asked.

The super shook his head. “I only ever saw him twice. He’s out now for sure. I was just all over the building fixing pipes.” He used a master key from a ring on his belt and unlocked the door. Pushed it open and stood back.

The apartment was what a real estate broker would have called an alcove studio. All one room, with a crooked L that was theoretically large enough for a bed if the bed was small. A kitchen corner and a tiny bathroom with an open door. But mostly what was on show was dust and floorboards.

Because the apartment was completely empty.

Except for a single upright dining chair. The chair was not old, but it was well used. It was the kind of thing you see for sale on the Bowery sidewalks where the bankrupt restaurant dealers hawk seized inventory. It was set in front of the window and turned slightly north and east. It was about twenty feet above and three feet behind the exact spot that Reacher had chosen for coffee, two nights running.