Karin Slaughter - Skin Privilege

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It's no simple case of murder. Lena Adams has spent her life struggling to escape her past. She has only unhappy memories of Reece, the small town which nearly destroyed her. She's made a new life for herself as a police detective in Heartsdale, a hundred miles away – but nothing could prepare her for the violence which explodes when she is forced to return. A vicious murder leaves a young woman incinerated beyond recognition. And Lena is the only suspect. When Heartsdale police chief Jeffrey Tolliver, Lena's boss, receives word that his detective has been arrested, he has no choice but to go to Lena's aid – taking with him his wife, medical examiner Sara Linton. But soon after their arrival, a second victim is found. The town closes ranks. And both Jeffrey and Sara find themselves entangled in a horrifying underground world of bigotry and rage – a violent world which shocks even them. A world which puts their own lives in jeopardy. Only Jeffrey and Sara can free Lena from the web of lies, betrayal and brutality that has trapped her. But can they discover the truth before the killer strikes again?
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'No one does American small-town evil more chillingly… Slaughter tells a dark story that grips and doesn't let go' The Times
'This is without doubt an accomplished, compelling and complex tale, with page-turning power aplenty' Daily Express
'Beautifully paced, appropriately grisly, and terrifyingly plausible' Time Out
'Slaughter knows exactly when to ratchet up the menace, and when to loiter on the more personal and emotional aspects of the victims. Thoroughly gripping, yet thoroughly gruesome stuff' Daily Mirror
'An explosive thriller with plenty of twists – this is criminally spectacular!' OK!
'A great read… This is crime fiction at its finest' Michael Connelly 'Slaughter's plotting is relentless, piling on surprises and twists… A good read that should come with a psychological health warning' Guardian
'Another brilliantly chilling tale from Slaughter' beat A fast-paced and unsettling story… A compelling and fluid read' Daily Telegraph
'Structured and paced brilliantly; the tension is unceasing throughout. Slaughter's shock tactics don't allow the reader to relax for a single moment' The Times
'Slaughter deftly turns all assumptions on their head. Her ability to make you buy into one reality then another, means that the surprises – and the violent scenes – keep coming' Time Out
'Don't read this alone. Don't read this after dark. But do read it' Daily Mirror
'A salutary reminder that Slaughter is one of the most riveting writers in the field today' Sunday Express
'Confirms her at the summit of the school of writers specialising in forensic medicine and terror… Slaughter's characters talk in believable dialogue. She's excellent at portraying the undertones and claustrophobia of communities where everyone knows everyone else's business, and even better at creating an atmosphere of lurking evil' The Times
'With Blindsighted, Karin Slaughter left a great many mystery writers looking anxiously over their shoulders. With Kisscut, she leaves most of them behind' John Connolly
'Slaughter's narrative is superb, a game of show and tell that constantly exhilarates as the next unexpected piece of the jigsaw fits into place' Birmingham Post
'Gripping, gruesome and definitely not for the faint-hearted' Woman Home
'Karin Slaughter is a fearless writer. She takes us to the deep, dark places other novelists don't dare to go. Kisscut will cement her reputation as one of the boldest thriller writers working today' Tess Gerritsen
'Unsparing, exciting, genuinely alarming… excellent handling of densely woven plot, rich in interactions, well characterised and as subtle as it is shrewd' Literary Review
'This gripping debut novel, filled with unremittingly graphic forensic details, is likely to have Patricia Cornwell and Kathy Reichs glancing nervously in their rearview mirrors because rookie Karin Slaughter is off the starting grid as quickly as Michael Schumacher and is closing on them fast' Irish Independent
'Brutal and chilling' Daily Mirror 'Energetic, suspenseful writing from Slaughter, who spares no detail in this bloody account of violent sexual crime but also brings compassion and righteous anger to it' Manchester Evening News
'It's not easy to transcend a model like Patricia Cornwell, but Slaughter does so in a thriller whose breakneck plotting and not-for-the-squeamish forensics provide grim manifestations of a deeper evil her mystery trumpets without ever quite containing' Kirkus Reviews
'A tension-filled narrative with plenty of plot twists… This is just the ticket for readers who like their crime fiction on the dark side' Booklist
'Wildly readable… [Slaughter] has been compared to Thomas Harris and Patricia Cornwell, and for once the hype is justified… deftly crafted, damnably suspenseful and, in the end, deadly serious. Slaughter's plotting is brilliant, her suspense relentless' Washington Post
'Slaughter has created a ferociously taut and terrifying story which is, at the same time, compassionate and real. I defy anyone to read it in more than three sittings' Denise Mina
'Wildly readable… hits the bull's eye' New York Post 'Taut, mean, nasty and bloody well written. She conveys a sense of time and place with clarity and definite menace – the finely tuned juxtaposition of sleepy Southern town and urgent, gut-wrenching terror' Stella Duffy
'Taut and tight and tinged with terror' Houston Chronicle 'A story that roars its way through the final pages, Slaughter's thriller is scary, shocking and perfectly suspenseful' BookPage.com
'The undertone of violence is pervasive, even at quiet moments, amplifying Slaughter's equation of intimacy with menace and placing her squarely in the ranks of Cornwell and Reichs' Publishers Weekly
'Slaughter's gift for building multi-layered tension while deconstructing damaged personalities gives this thriller a nerve-wracking finish' USA Today
'A page turner… has more twists than a Slinky Factory' People
'A debut novel that blows your socks off. Karin Slaughter has immediately jumped to the front of the line of first-rate thriller writers…' Rocky Mountain News

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'I just can't…' Sara thought about Jimmy Powell the last time she had seen him alive. His eyes had lit up when Sara entered his hospital room. He'd always had such a crush on her. She was as close as he would ever come to having a girlfriend. He would never steal a kiss from a girl after school or make out in the back of his father's car. He would never have a wife or a child. His mother would never have grandchildren. For the rest of her life, Beckey Powell would have nothing but lost milestones to remind her of her dead son. Other children would go to school. Other families would take holidays together. Beckey would only have an empty calendar, days without Jimmy stretching before her like a bottomless pit.

Cathy's tone softened. 'What did you tell the social worker?'

'That I would need to talk to Jeffrey.'

'You call her back right now and tell them you want that baby.'

'Mama, I don't know.'

'I do,' Cathy interrupted. 'I'm hanging up the phone so you can call her.' She paused. 'Call me right back, okay? I want to hear all about my first grandbaby.'

The line went dead, but Sara didn't make the call. Now that she had time alone, she found herself incapable of putting together any logical thoughts. Her mind kept jumping from Jimmy Powell, to Jeffrey, to the baby that was waiting for them. She sat motionless, staring at the street until her BMW pulled up in front of the house.

Jeffrey waved at her through the windshield, giving a half-smile. He had told her there was something he needed to tell her, something important. This wasn't just her decision. Maybe he was having second thoughts, too.

Sara put the phone down on the steps and walked toward the car.

He opened the door, saying, 'Man, I'm sick of driving.' He saw her face, asked, 'What's wrong?'

'The adoption agency called.'

He closed the distance between them, scooping her up into his arms. 'A baby!' he yelled. 'Oh, God, Sara.' He spun her around. 'I can't believe it. I can't believe-' He was laughing, trying to catch his breath. 'Is it a girl or a boy?'

'A boy.'

'Ha!' he said, spinning her around again.

Sara laughed, too, caught up in his excitement. 'You'll make me dizzy.'

He put her down, cupped her face in his hands. 'I've got a boy!' He kissed her. 'This is it, Sara. This is the beginning of our lives.' He kissed her again, deeper this time. 'God, I love you.'

She could see tears in his eyes, the absolute joy he felt at the news. Suddenly, all of her doubts fell away, meaningless distractions. She wanted a child with this man, wanted nothing more in her life than to raise their baby together.

He asked, 'Can we pick him up tonight? Right now?'

'Tomorrow,' she said, laughing at his eagerness. 'We have to meet at the agency and start the foster care procedures.'

'Paperwork,' he groaned, but he was still smiling. 'Oh, God, Sara. I love you so much.'

She put her hand to his cheek. 'I know.'

He laughed again, almost a whoop. 'What do we do now?'

'They said they already sent the forms,' she told him. 'Check the mailbox. I'll get the phone.'

She was halfway up the front walk when he yelled at her. 'Hey, foxy mama!'

Sara turned around, her face blushing red. 'Hush,' she warned him. 'The neighbors.'

'Call them all!' he yelled. 'We're gonna be parents!'

He opened the mailbox. There was a flash of light. Jeffrey flew up and back, his body twisting as the air cracked from the explosion.

Sara was running toward him before her mind processed what she had seen.

A bomb. Somebody had put a bomb in the mailbox.

'Jeffrey!' she gasped, falling down on her knees beside him. Chunks of metal were everywhere, mail flying all around them. She saw his open chest -bone, muscle, beating heart.

'Help!' she screamed. 'Somebody help me!'

He opened his mouth and blood pooled out. His right arm lay on the asphalt a few feet away, torn from his shoulder. She pressed her hands to the open wound, desperate to stop the bleeding. Blood poured between her fingers, soaked her hands.

'No,' she whispered. 'No.'

'You…' he said, his teeth chattering.

She pressed her lips to his, kissed him on his mouth, his face. 'Oh, my love… my love…'

'You…' he whispered, blindly reaching for her. She could see the pain in his eyes, knew that his life was slipping away.

'Don't leave me,' she pleaded, squeezing his hand. 'Oh, God, Jeffrey – please don't leave me.'

'You…'

'No,' she begged, willing him to hold on. 'Please! I love you. I love you.' Why had she always teased him, never telling him the words? 'Jeffrey, I love you.'

'Only

She kissed him again, tasting his blood in her mouth. This couldn't be happening. He could not leave her.

'Only…' he tried, blood gurgling in his throat. 'Only… ever…'

'Only ever what, baby? Only what?'

'You…' He gasped, choking. '… Only… ever… you…'

His body relaxed. The blood stopped spurting from his shoulder. Sara realized that their neighbors had come. They stood in a circle around her, not knowing what to do. She screamed, ordering them to go away. She didn't want them to see him like this, didn't want anyone to touch him. The ambulance came, then the police; his men, his friends. She railed against them all, begging them to leave. She lifted Jeffrey up, holding him in her arms, refusing to let them near. She held on to him like this, keening like a child, until her mother came and made Sara let them take him away.

ACKNOWLEDGMENTS

There are many people to thank for helping me with this novel. My agent, Victoria Sanders, has been there from the beginning. Susan Sandon, Kate Elton and Kate Miciak – as always – were invaluable. I would also like to single out Rina Gill; my champion, my Bossy Sheila, the best publicist and friend a gal could hope for. Richard Cable belongs in here somewhere: thank you so much for all you do. Claire Round, Adam Humphrey and Rob Waddington deserve special praise as well. It's so brilliant to work with people whose company you really enjoy. Dave Parrish and Simon Littlewood, you are both international superstars. Richard Ogle again did a great job on design. Georgina Hawtrey-Woore, thanks for keeping the wheels turning. Speaking of which – Gail Rebuck, you have my undying gratitude for putting together the most well-oiled machine in publishing. And speaking of well oiled… Simon Master, you are most certainly missed.

Sue Kurylowicz was the winner of the 'Get Slaughtered!' contest, granting her the dubious honor of having her name appear in this book. Sue, honey, you did ask to be bad…

On the medical side of things, David Harper, MD, was again a huge help. It's not many people who will keep listening when you begin a conversation with, 'So, I want to burn someone alive…' Family-wise, I want to thank my daddy for teaching me the important things early on, and to DA, as always, you are my heart.

I've written a little note for my readers that can be found at karinslaughter.com/letter. Please note that this letter contains major spoilers for this novel, so don't ruin it for youself and save it for after you've read the book.

About the author

Karin Slaughter grew up in a small south Georgia town and has been writing - фото 2

Karin Slaughter grew up in a small south Georgia town and has been writing since she was a child. She is the author of the Grant County series of international bestsellers Blindsighted, Kisscut, A Faint Cold Fear, Indelible, Faithless and Skin Privilege, and the bestselling thriller set in Atlanta, Triptych. She is also the editor of Like A Charm, a collaboration of British and American crime fiction writers. She lives in Atlanta.

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