Karin Slaughter - Skin Privilege

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Skin Privilege: краткое содержание, описание и аннотация

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It's no simple case of murder. Lena Adams has spent her life struggling to escape her past. She has only unhappy memories of Reece, the small town which nearly destroyed her. She's made a new life for herself as a police detective in Heartsdale, a hundred miles away – but nothing could prepare her for the violence which explodes when she is forced to return. A vicious murder leaves a young woman incinerated beyond recognition. And Lena is the only suspect. When Heartsdale police chief Jeffrey Tolliver, Lena's boss, receives word that his detective has been arrested, he has no choice but to go to Lena's aid – taking with him his wife, medical examiner Sara Linton. But soon after their arrival, a second victim is found. The town closes ranks. And both Jeffrey and Sara find themselves entangled in a horrifying underground world of bigotry and rage – a violent world which shocks even them. A world which puts their own lives in jeopardy. Only Jeffrey and Sara can free Lena from the web of lies, betrayal and brutality that has trapped her. But can they discover the truth before the killer strikes again?
***
'No one does American small-town evil more chillingly… Slaughter tells a dark story that grips and doesn't let go' The Times
'This is without doubt an accomplished, compelling and complex tale, with page-turning power aplenty' Daily Express
'Beautifully paced, appropriately grisly, and terrifyingly plausible' Time Out
'Slaughter knows exactly when to ratchet up the menace, and when to loiter on the more personal and emotional aspects of the victims. Thoroughly gripping, yet thoroughly gruesome stuff' Daily Mirror
'An explosive thriller with plenty of twists – this is criminally spectacular!' OK!
'A great read… This is crime fiction at its finest' Michael Connelly 'Slaughter's plotting is relentless, piling on surprises and twists… A good read that should come with a psychological health warning' Guardian
'Another brilliantly chilling tale from Slaughter' beat A fast-paced and unsettling story… A compelling and fluid read' Daily Telegraph
'Structured and paced brilliantly; the tension is unceasing throughout. Slaughter's shock tactics don't allow the reader to relax for a single moment' The Times
'Slaughter deftly turns all assumptions on their head. Her ability to make you buy into one reality then another, means that the surprises – and the violent scenes – keep coming' Time Out
'Don't read this alone. Don't read this after dark. But do read it' Daily Mirror
'A salutary reminder that Slaughter is one of the most riveting writers in the field today' Sunday Express
'Confirms her at the summit of the school of writers specialising in forensic medicine and terror… Slaughter's characters talk in believable dialogue. She's excellent at portraying the undertones and claustrophobia of communities where everyone knows everyone else's business, and even better at creating an atmosphere of lurking evil' The Times
'With Blindsighted, Karin Slaughter left a great many mystery writers looking anxiously over their shoulders. With Kisscut, she leaves most of them behind' John Connolly
'Slaughter's narrative is superb, a game of show and tell that constantly exhilarates as the next unexpected piece of the jigsaw fits into place' Birmingham Post
'Gripping, gruesome and definitely not for the faint-hearted' Woman Home
'Karin Slaughter is a fearless writer. She takes us to the deep, dark places other novelists don't dare to go. Kisscut will cement her reputation as one of the boldest thriller writers working today' Tess Gerritsen
'Unsparing, exciting, genuinely alarming… excellent handling of densely woven plot, rich in interactions, well characterised and as subtle as it is shrewd' Literary Review
'This gripping debut novel, filled with unremittingly graphic forensic details, is likely to have Patricia Cornwell and Kathy Reichs glancing nervously in their rearview mirrors because rookie Karin Slaughter is off the starting grid as quickly as Michael Schumacher and is closing on them fast' Irish Independent
'Brutal and chilling' Daily Mirror 'Energetic, suspenseful writing from Slaughter, who spares no detail in this bloody account of violent sexual crime but also brings compassion and righteous anger to it' Manchester Evening News
'It's not easy to transcend a model like Patricia Cornwell, but Slaughter does so in a thriller whose breakneck plotting and not-for-the-squeamish forensics provide grim manifestations of a deeper evil her mystery trumpets without ever quite containing' Kirkus Reviews
'A tension-filled narrative with plenty of plot twists… This is just the ticket for readers who like their crime fiction on the dark side' Booklist
'Wildly readable… [Slaughter] has been compared to Thomas Harris and Patricia Cornwell, and for once the hype is justified… deftly crafted, damnably suspenseful and, in the end, deadly serious. Slaughter's plotting is brilliant, her suspense relentless' Washington Post
'Slaughter has created a ferociously taut and terrifying story which is, at the same time, compassionate and real. I defy anyone to read it in more than three sittings' Denise Mina
'Wildly readable… hits the bull's eye' New York Post 'Taut, mean, nasty and bloody well written. She conveys a sense of time and place with clarity and definite menace – the finely tuned juxtaposition of sleepy Southern town and urgent, gut-wrenching terror' Stella Duffy
'Taut and tight and tinged with terror' Houston Chronicle 'A story that roars its way through the final pages, Slaughter's thriller is scary, shocking and perfectly suspenseful' BookPage.com
'The undertone of violence is pervasive, even at quiet moments, amplifying Slaughter's equation of intimacy with menace and placing her squarely in the ranks of Cornwell and Reichs' Publishers Weekly
'Slaughter's gift for building multi-layered tension while deconstructing damaged personalities gives this thriller a nerve-wracking finish' USA Today
'A page turner… has more twists than a Slinky Factory' People
'A debut novel that blows your socks off. Karin Slaughter has immediately jumped to the front of the line of first-rate thriller writers…' Rocky Mountain News

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He told the deputy, 'I'd really like to see her.'

'That explosion was deliberately set.' Cook's tone was a warning.

Jeffrey heard Sara shift behind him. 'That so?' he asked.

'Yep.'

He couldn't help himself. 'You think my detective started it?'

'Like I said-'

'Talk to Jake.'

'Right,' Cook said, crumbs dropping onto his uniform as he chewed the cracker. Out of nowhere, he announced, 'I worked with Calvin Adams.'

Jeffrey guessed he meant Lena 's father.

'Good man, Cal,' Cook continued. 'Took two in the head on a traffic stop. Liked to killed me when it happened.'

Jeffrey didn't respond, but he knew all too well the feeling of losing a fellow cop. It was a loss that haunted you every day of your life – harder, maybe, than losing a family member or a spouse.

Cook was still leaning back in his chair, fingers laced over his belly. 'You took me for the sheriff, huh?'

'Sorry?' Jeffrey asked. His mind had been wandering. 'Yeah,' he answered, realizing what the man had said. 'My mistake.'

'I've been wearing this uniform going on forty years,' Cook proudly stated. 'Finally threw my hat into the ring for the sheriff's job. Lost it to Jake.' Jeffrey knew that the sheriff's office was an elected position. He said a silent prayer of thanks that he didn't have to campaign every two years to keep his job. It was a good position if you could get it. The sheriff's pension and benefits were some of the best in law enforcement.

Cook said, 'Jake Valentine,' with a chuckle. 'Sounds like some kind of soap opera star. Boy ain't been off his mama's tit more than three years.'

Jeffrey wasn't in the mood to gossip about the sheriff. He wanted to know more about the explosion, whether it was deliberately set, who else was hurt, and what in the hell Lena had to do with any of it. He knew Cook wasn't about to offer up answers on a silver platter, so he asked, 'Do you know Hank Norton?'

'Sure I do. No-good piece of shit is what he is.'

Jeffrey realized that he was relieved to hear the man talking about Lena 's uncle in the present tense. He asked, 'Has Hank been in trouble?'

'Caught somebody passing meth at his place three weeks ago. We closed it down, but Norton was so wasted I doubt he even noticed.'

'I thought he was sober now.'

'I thought my wife was a virgin when I married her.' Cook blanched, remembering Sara. 'Sorry, ma'am.' He leaned his elbow on the desk, directed his words toward Jeffrey. 'Lookit, Norton's been a junkie from the word go. Must've started when he was around sixteen, seventeen. You don't stay away from that kind of thing for very long.'

'Speed, right?'

'So the story goes.'

The elevator dinged, and Jeffrey heard the metallic whir of the doors sliding open. Two sets of footsteps echoed up the hall. The pair was having an animated conversation in hushed tones. As they drew closer, Jeffrey saw that one of them was a nurse. The other had to be Sheriff Jake Valentine.

The young nurse seemed to be hanging on the sheriff's every word as he described an elaborate scuffle he'd had with a drunk driver. Cook had been right about Valentine. The man looked about eighteen if he was a day. He was so tall and lanky that the gunbelt around his waist was pulled to the last hole, the end flopping out of the buckle like a tongue. A smattering of facial hair over his upper lip seemed to imply a mustache and the wet spot on the crown of his head suggested a cowlick he'd tried to tame before coming to the hospital. He was at least two inches taller than Jeffrey, but the stoop in his shoulders and the turtle-like bend in his neck blew the advantage. Jeffrey imagined that his mother had spent every day of his young life telling the boy to mind his posture.

'Jake!' the nurse shrieked, punching him on the arm.

Cook made a groaning noise, indicating he'd heard the drunk driver story the sheriff was telling one too many times. He said, 'Jake, that chief's here to see you.'

Valentine seemed surprised to find Jeffrey standing in front of the nurses' station. Jeffrey wondered at the act. Even if Cook hadn't made the phone call, the hallway wasn't that dark.

'Jake Valentine,' the sheriff offered, shooting out his hand.

'Tolliver.' Jeffrey returned the gesture. Despite Valentine's slight appearance, the young man gave him a firm handshake. 'This is my wife, Dr. Sara Linton.'

Sara shook the man's hand and managed a forced smile.

The nurse went behind the counter and Valentine's demeanor changed to solemn as if a switch had been flipped. He told Jeffrey and Sara, 'Sorry to be meeting y'all under these circumstances.'

'Can you tell us what happened?'

Valentine indicated his deputy. I figured Don here filled you in.'

'Thought I'd leave you the pleasure,' Cook returned, giving Jeffrey a wink.

'Darla,' Valentine said, meaning the nurse, 'mind if we step into your office?'

'Suit yourself,' she answered, thumbing through a patient's chart. 'Lemme know if y'all need anything.'

'Actually,' Jeffrey said, 'I'd really like to know how my detective is doing. Lena Adams?'

'She's fine,' the nurse replied. 'Just got some smoke in her chest. Give her a few days and she'll be good as new.'

'Good,' Valentine said, as if he'd been the one to ask the question. 'Up this way.' He stepped back, indicating that Jeffrey and Sara should precede him.

Sara offered, 'I can stay here if-'

'That's okay,' Jeffrey interrupted. Considering how quiet Sara was being, he wasn't crazy about leaving her alone right now.

He let Sara take the lead up the hallway, trying not to be too obvious about checking the names of the patients on each door they passed.

Valentine spoke in a harsh whisper as they walked. 'We found her at the high school last night. I live across the street. I could see the flames from my living room.'

Jeffrey slowed his pace, wanting the younger man to catch up instead of nipping at his heels like a puppy.

Valentine continued, 'We think it was a Cadillac Escalade. No plates or registration on it, so we're having trouble tracking it down. Parked right in the middle of the football field. Fire chief says there's obvious signs of an accelerant, probably gasoline.'

'Wait a minute.' Jeffrey stopped him, trying for clarity. He'd been told that there was an explosion and that Lena had been hurt. Jeffrey had assumed this had taken place in a building. 'The Cadillac was torched? That's what exploded?'

'Right.' Valentine nodded. Still keeping his voice low, he explained, 'The car was sitting smack-dab on the fifty-yard line. I've never seen anything burn so hot in my life. They're gonna have a devil of a time getting an ID on the body. Fred Bart, that's our coroner, says the heat was so intense it shattered the teeth.'

Sara had stopped a few feet away. 'There was a body in the Escalade?'

'Yes, ma'am, in the backseat,' the sheriff confirmed.

Sara pressed her lips together, looked at the floor. She didn't seem surprised or even shocked by the news. Jeffrey knew what she was thinking. It had finally happened. Through stubbornness or blatant disregard, Lena 's actions had finally led to someone's death.

Valentine misinterpreted her silence for confusion. 'I'm not telling this right, am I? I'm sorry, I just assumed Don-'

Jeffrey told him, 'Don said he'd let you explain.'

'Right.' Valentine nodded again, but in a way that gave the impression that he didn't quite believe what Jeffrey was telling him. 'Let's just go in here,' he said, indicating a closed door.

Jeffrey turned around, sure the man was joking. They were standing in front of a linen closet.

'Give us some privacy,' the sheriff offered, though as far as Jeffrey could tell, no one was around.

Sara crossed her arms over her chest. She looked at the closet with obvious trepidation.

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