Tess Gerritsen - Vanish

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Vanish: краткое содержание, описание и аннотация

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"exciting and mesmerizing crime thriller"
Boston Homicide Detective Jane Rizzoli is about to give birth but she still performs her job by testifying against a man she arrested. The man goes berserk and Jane gets off the witness stand, restrains and cuffs him. Her water breaks and she goes to the hospital where her doctor sends her to Diagnostic Imaging for an ultra sound. In another part of the hospital, a Jane Doe kills a security guard and ends up in Diagnostic Imaging where she keeps Jane and five other people hostage.
The Feds take over the operation citing national security reasons and before the hostage situation ends the woman and her accomplice is dead. The Feds confiscate the notes and all evidence related to the two dead people. The last thing that the woman says to Jane is "Mila knows". The woman is traced back to a house where five women were murdered, four of whom w were kept against their will in a white slavery ring. Even though Jane just gave birth she is determined to find Mila and expose the people running the ring who erase all traces of their existence when things get too hot.
The Jane Doe was found in the morgue by Medical Examiner Maura Isles. The woman was declared dead when she was fished out of the ocean but revived when she warmed up. She is determined to make her story known to the American people even though people highly placed in law enforcement and government won't be stopped until she is dead. Jane is determined to find out her motivation because during the takedown of the hostages, actions were taken that didn't make sense.
Tess Gerritsen writes another exciting and mesmerizing crime thriller that is frightening because it is based on fact. VANISH is the type of novel that is written only rarely, one that appeals to reads who like plenty of action and realistic characters in their novels material. The love between Jane and her husband Gabriel, an FBI agent is so strong that it adds heart and soul to a work that would otherwise have too much tension for the plot to sustain.

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All the women in this video are now dead.

Once again, the screen went blank.

“Here,” Mila said softly. She pressed STOP, then PLAY.

It was the same bed, the same room, but with different sheets this time: a floral pattern with mismatched pillowcases. An older man walked into view, balding with wire-rimmed glasses, dressed in a white button-down shirt and a red tie. He pulled off the tie and tossed it on the chair, then unbuttoned his shirt to reveal a pale belly, sagging with middle-age spread. Though he stood facing the camera, he did not seem aware of its presence, and he peeled off his shirt with an utter lack of self-consciousness, revealing to the camera an unflattering slouch. Suddenly he straightened, his attention swinging to something the camera could not yet see. It was a girl. Her cries preceded her, shrill protests in what sounded like Russian. She did not want to come into the room. Her sobs were cut off by a sharp slap, and a woman’s stern command. Then the girl stumbled into view as though shoved, and she sprawled on the floor at the man’s feet. The door slammed shut, followed by the clack of footsteps moving away.

The man looked down at the girl. Already an erection bulged in his gray trousers. “Get up,” he said.

The girl did not move.

Again: “Get up.” He gave her a nudge with his foot.

At last the girl raised her head. Slowly, as though exhausted just by the pull of gravity, she struggled to her feet, blond hair disheveled.

Against her will, Jane was drawn closer to the TV. She was too appalled to look away, even as her rage mounted. The girl was not yet even a teenager. She was wearing a pink cropped blouse and a short denim skirt that exposed painfully thin legs. Her cheek still bore the angry red imprint of the woman’s slap. Fading bruises on her bare arms told of other blows, other cruelties. Though the man towered over her, this frail girl now faced him with quiet defiance.

“Take off the blouse.”

The girl just looked at him.

“What, are you stupid? Don’t you understand English?”

The girl’s spine snapped straight, and her chin jutted up. Yes, she does understand. And she’s telling you to fuck off, asshole.

The man stepped toward her, grabbed her blouse with both hands, and ripped it open, releasing a hail of loose buttons. The girl sucked in a startled breath and slapped him, sending his glasses flying. They clattered onto the floor. For a few seconds the man just stared at her in surprise. Then a look of such fury contorted his face that Jane flinched away from the TV, knowing what would happen next.

The blow landed on the girl’s jaw, the impact so powerful that it seemed to lift her right off her feet. She slammed to the floor. He grabbed her around the waist, dragged her toward the bed, and threw her down on the mattress. With a few sharp tugs, he pulled off her skirt, then unbuckled his trousers.

Though the blow had temporarily stunned her, the girl was not finished fighting back. All at once she seemed to spring back to life, screaming, fists beating against him. He trapped her wrists and climbed on top of her, pinning her to the mattress. In his haste to maneuver himself between her thighs, he lost his grip on her right hand. She clawed at his face, and her nails scraped skin. He jerked back and touched his cheek where she had scratched him. Stared, disbelieving, at his fingers. At the blood she had drawn.

“You cunt. You little cunt.

He slammed his fist into her temple. The thud made Jane flinch. Nausea soured her throat.

“I paid for you, goddammit!”

The girl shoved at his chest, but she was weaker now. Her left eye was swelling, and blood trickled from her lip, yet she continued to fight. Her struggles only seemed to excite him. Too feeble to resist, she could not stop the inevitable. As he thrust into her, she gave a scream.

“Shut up.”

She did not stop screaming.

“Shut up!” He hit her again. And again. Finally he clapped his hand over her mouth to stifle her cries as he repeatedly rammed into her. He did not seem to notice that she finally stopped screaming, or that she had fallen perfectly still. The only noise now was the rhythmic creak of the bed, and the animal grunts from his throat. He gave a final moan and his back arched in a spasm of release. Then, with a sigh, he collapsed onto the girl.

For a moment he lay breathing heavily, his body flaccid with exhaustion. Slowly, he seemed to register that something was not right. He looked down at her.

She was motionless.

He gave her a shake. “Hey.” He patted her cheek, and a note of worry slipped into his voice. “Wake up. Goddammit, you wake up.

The girl did not move.

He rolled off the bed and stood staring down at her for a moment. He pressed his fingers to her neck to check her pulse. Every muscle in his body seemed to go taut. Backing away from the bed, his breathing accelerated in panic.

“Oh, Jesus,” he whispered.

He glanced around, as though the solution to his dilemma lay somewhere in the room. Frantic now, he snatched up his clothes and began to dress, hands shaking as he fumbled with buckles and buttons. He dropped to his knees to retrieve his glasses, which had slid under the bed, and slipped them on. One last time, he looked at the girl and confirmed his worst fears.

Shaking his head, he backed away, out of the camera’s range. A door squealed open, swung shut, and footsteps hurried away. An eternity passed, the camera still focused on the bed with its lifeless occupant.

Different footsteps approached, and there was a knock on the door, a voice calling out in Russian. Jane recognized the woman who stepped into the room. It was the house mother, who had died while tied to a kitchen chair.

I know what happens to you. What they will do to your hands. I know you will die screaming.

The woman moved to the bed and gave the girl a shake. Barked out a command. The girl did not respond. The woman stepped back, her hand covering her mouth. Then, abruptly, she turned and stared directly at the camera.

She knows it’s there. She knows it is filming.

At once she moved straight toward it, and there was the sound of the closet door swinging open. Then the screen went blank.

Mila turned off the VCR.

Jane could not speak. She sank onto the couch and sat in numb silence. Regina was silent as well, as though aware that this was not the time to fuss. That at this moment, her mother was too shaken to attend to her. Gabriel, she thought. I need you here. She glanced at the telephone and realized that he had left his cell phone on the table, and she had no way to reach him in his car.

“He is an important man,” Mila said.

Jane turned to look at her. “What?”

“Joe says the man must be high in your government.” Mila pointed to the TV.

“Joe saw this tape?”

Mila nodded. “He gave me a copy when I left. So we would all have one, in case…” She stopped. “In case we never see each other again,” she said softly.

“Where does it come from? Where did you get this video?”

“The Mother keeps it in her room. We didn’t know. We only wanted the money.”

This is the reason for the massacre, thought Jane; this is why the women in that house were killed. Because they knew what happened in that room. And this videotape is the proof.

“Who is he?” Mila asked.

Jane stared at the blank TV. “I don’t know. But I know someone who might.” She crossed to the telephone.

Mila stared at her in alarm. “No police!”

“I’m not calling the police. I’m going to ask a friend to come here. A reporter. He knows people in Washington. He’s lived there. He’ll know who that man is.” She flipped through the phone book until she found the listing for Peter Lukas. His address was in Milton, just south of Boston. As she dialed, she could feel Mila watching her, clearly not ready to trust her. If I make one false move, Jane thought, this girl will run. I have to be careful not to scare her.

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