Daniel Silva - The Kill Artist

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Amazon.com Review
Fans of Daniel Silva's well-received earlier novels, especially The Marching Season, will welcome his newest novel of espionage, revenge, and Middle Eastern politics. Gabriel Allon is an art restorer who's persuaded out of retirement by Ari Shamron, the crafty Israeli spymaster bent on a deadly mission: killing a Palestinian agent named Tariq before he can carry out his plan to assassinate an old comrade-in-arms, the treacherous peacemaker Yasir Arafat.
Tariq's role in the murder of Gabriel's wife and son draws both Gabriel and Sarah Halevy, the beautiful French model whose affair with Gabriel led to the assassination of his family. Still in love with Gabriel, Sarah allows herself to be set up with a cover and infiltrated into Tariq's inner circle. But before Gabriel can rescue her and fulfill his mission, Tariq turns the tables to get his old adversary as well as Arafat in his own sights. A particularly resonant scene in which Tariq and Arafat confront each other and discuss their former friendship, as well as the change in tactics that has brought Tariq to the ultimate betrayal, reveals Silva's deep comprehension of Palestinian rivalries. He puts a clever little fillip on the ending that adds to the brio of this strongly paced thriller. Silva creates complex, fascinating characters in Gabe, Ari, and Tariq, and more than fulfills the promise of his earlier books.
From Publishers Weekly
The tragedy of the Palestinian-Israeli conflict and despair of its resolution provide the backdrop for Silva's (The Unlikely Spy) heart-stopping, complex yarn of international terrorism and intrigue. Israeli master spy Ari Shamron sets an intricate plot in motion to lure deadly Palestinian assassin Tariq al-Hourani into his net. Art restorer Gabriel Allon, a former Israeli agent whose family was killed by Tariq, is lured back into the fray by Shamron and teamed with Jacqueline Delacroix, a French supermodel/Israeli secret agent whose grandparents died in the Holocaust. Gabriel sets up in London to monitor Yusef, Tariq's fellow terrorist and confidant. Jacqueline is assigned to seduce him in hopes of intercepting Tariq, who is devising a plan to kill Israel's prime minister during peace talks with Arafat in New YorkDand he has similar plans for Gabriel. The tortuous plot leading the various parties to the showdown in Manhattan is a thrilling roller-coaster ride, keeping readers guessing until the mind-bending conclusion. Sensitive to both sides of the conflict, the narrative manages to walk a political tightrope while examining the motivations of Palestinians and Israelis alike. The duplicity and secret financial juggling to keep government hands clean is personified in publishing mogul Benjamin Stone, who backs the Israeli efforts. He is just one of many larger-than-life characters (both real and invented) thrown into the mixDArafat himself has a tense encounter with Tariq that underscores the volatility of terrorist loyalty. An array of global locales adds to the complexity and authenticity of the dizzying, cinematic plot. (Dec.) Forecast: The popular success of Silva's first two novels and the timeliness of this one suggest escalating sales. Random is backing the title with major ad/promo, including a six-city author tour.

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“No change, really. She’s as fit as can be expected.”

Avery used a magnetic card to pass through a secure door. On the other side was another hall, terra-cotta tiling instead of carpet. Avery discussed her medication as they walked. He had increased the dosage of one drug, reduced another, taken her off a third altogether. There was a new drug, an experimental, that was showing some promising results in patients suffering from a similar combination of acute post-traumatic stress syndrome and psychotic depression.

“If you think it will help.”

“We’ll never know unless we try.”

Clinical psychiatry, Gabriel thought, was rather like intelligence work.

The terra-cotta hall ended in a small room. It was filled with gardening tools-pruning sheers, hand shovels, trowels-and bags of flower seed and fertilizer. At the other end of the cutting room was a pair of double doors with circular portholes.

“She’s in her usual place. She’s expecting you. Please don’t keep her long. I should think a half hour would be appropriate. I’ll come for you when it’s time.”

A solarium, oppressively hot and moist. Leah in the corner, seated in a straight-backed garden chair of wrought iron, young potted roses at her feet. She wore white. The white rollneck sweater Gabriel had given her for her last birthday. The white trousers he had bought for her during a summer holiday in Crete. Gabriel tried to remember the year but couldn’t. There seemed to be only Leah before Vienna and Leah after Vienna. She sat with a schoolgirl’s primness, looking away across the expanse of the lawn. Her hair had been cut institutionally short. Her feet were bare.

She turned her head as Gabriel stepped forward. For the first time he could see the swath of scarring on the right side of her face. As always it made him feel violently cold. Then he saw her hands, or what was left of her hands. The hard white scar tissue reminded him of the exposed canvas of a damaged painting. He wished he could simply mix a bit of pigment on his palette and put her back to normal.

He kissed her forehead, smelled her hair for the familiar traces of lavender and lemon, but instead there was only the oppressive moisture of the solarium and the stench of plants in an enclosed space. Avery had left a second chair, which Gabriel pulled a few inches closer. Leah flinched as the wrought-iron legs scraped over the floor. He murmured an apology and sat down. Leah looked away.

It was always like this. It wasn’t Leah sitting next to him, only a monument to Leah. A gravestone. He used to try to talk to her, but now he was content to just sit in her presence. He followed her gaze across the misty landscape and wondered what she was looking at. There were days, according to Avery, when she just sat and relived it over and over again in excruciatingly vivid detail, unable, or unwilling, to make it stop. Gabriel couldn’t imagine her suffering. He had been permitted to carry on with some semblance of his life, but Leah had been stripped of everything-her child, her body, her sanity. Everything but her memory. Gabriel feared that her grip on life, however tenuous, was somehow linked to his continued fidelity. If he allowed himself to fall in love with someone else, Leah would die.

After forty-five minutes he stood and pulled on his jacket; then he crouched at her feet with his hands resting on her knees. She looked over his head for a few seconds before lowering her eyes and meeting his gaze. “I have to go,” he said. Leah made no movement.

He was about to stand when suddenly she reached out and touched the side of his face. Gabriel tried not to recoil at the sensation of the scar tissue sliding along the skin at the corner of his eye. She smiled sadly and lowered her hand. She placed it in her lap, covered it with the other, resumed the frozen pose Gabriel had found her in.

He stood and walked away. Avery was waiting for him outside. He walked Gabriel to his car. Gabriel sat behind the wheel for a long time before starting the engine, thinking about her hand on his face. So unlike Leah, touching him like that. What did she see there? The strain of the operation? Or the shadow of Jacqueline Delacroix?

TWENTY-EIGHT

Lisbon

Tariq appeared in the doorway of the fado house. Once again he was dressed like a dockworker. Ghostly pale, hand trembling as he lit his cigarette. He crossed the room and sat down next to Kemel. “What brings you back to Lisbon?”

“It turns out we have a rather serious bottleneck in our Iberian distribution chain. I may be forced to spend a great deal of time in Lisbon over the next few days.”

“That’s all?”

“And this.” Kemel laid a large color photograph on the table. “Meet Dominique Bonard.”

Tariq picked up the photograph, studied it carefully. “Come with me,” he said calmly. “I want to show you something that I think you’ll find interesting.”

* * *

Tariq’s flat was high in the Alfama. Two rooms, sagging wooden floors, a tiny veranda overlooking a quiet courtyard. He fixed tea Arab style, strong and sweet, and they sat near the open door of the veranda, rain smacking on the stones of the courtyard.

Tariq said, “Do you remember how we found Allon in Vienna?”

“It was a long time ago. You’ll have to refresh my memory.”

“My brother was in bed when he was killed. He had a girl with him-a German student, a radical. She wrote a letter to my parents a few weeks after Mahmoud was killed and told them how it happened. She said she would never forget the face of the assassin as long as she lived. My father took the letter to the PLO security officer in the camp. The security officer turned it over to PLO intelligence.”

“This all sounds vaguely familiar,” Kemel said.

“After Abu Jihad was murdered in Tunis, PLO security conducted an investigation. They worked from a simple prem-ise. The killer seemed to know the villa well, inside and out. Therefore he must have spent time around the villa conducting surveillance and planning the attack.”

“A brilliant piece of detective work,” Kemel said sarcastically. “If PLO security had been doing their job right to begin with, Abu Jihad would still be alive.”

Tariq went into the bedroom, returned a moment later holding a large manila envelope. “They began reviewing all the videotape from the surveillance cameras and found several shots of a small, dark-haired man.” Tariq opened the envelope and handed Kemel several grainy prints. “Over the years PLO intelligence had kept track of the German girl. They showed her these photographs. She said it was the same man who had killed Mahmoud. No doubt about it. So we started looking for him.”

“And you found him in Vienna?”

“That’s right.”

Kemel held out the photographs to Tariq. “What does this have to do with Dominique Bonard?”

“It goes back to the investigation of the Tunis affair. PLO security wanted to find out where the assassin had stayed in Tunis while he was planning the attack. They knew from past experience that Israeli agents tend to pose as Europeans during jobs like this. They assumed that a man posing as a European had probably stayed in a hotel. They started calling on their spies and informants. They showed the photographs of the assassin to a concierge at one of the beachfront hotels. The concierge said the man had stayed in the hotel with his French girlfriend. PLO security went back to the tapes and began looking for a girl. They found one and showed her to the concierge.”

“Same girl?”

“Same girl.”

Then Tariq reached into the envelope and removed one more surveillance photograph: this one of a beautiful dark-haired girl. He handed it to Kemel, who compared it with the photograph of the woman in London.

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