Daniel Silva - The English Assassin

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Amazon.com Review
The English Assassin brings back Gabriel Allon, the appealingly melancholy art restorer with a double life as an Israeli secret agent, first introduced in 2000's The Kill Artist. Gabriel is sent to Zurich under a pseudonym to restore a Raphael belonging to a prominent Swiss banker and art collector, Augustus Rolfe, but upon arriving he finds Rolfe lying in a pool of blood. When Gabriel tries to leave Zurich, the Swiss police capture him immediately-and moreover, they know his real identity. He's released through some diplomatic string-pulling, but he soon discovers that Rolfe had requested a meeting with Israeli intelligence, for reasons unknown, just before his death.
Rolfe's daughter, Anna, is a world-class violinist attempting to rebuild her career after an accident that nearly destroyed one of her hands. But her physical scars are nothing compared to those on her psyche, left by her mother's suicide when Anna was a teenager. Temperamental and mistrustful, she nevertheless believes Gabriel's story, and reveals that Rolfe owned a secret collection of priceless French Impressionist paintings, apparently stolen by his murderers.
As Gabriel begins to put together the pieces of the puzzle, he faces two adversaries: a powerful group of men who would do anything to bury the past forever, and a hired killer who's planning a spectacular murder. Like The Kill Artist, The English Assassin balances fascinating characters, authentic-sounding historical detail, and plenty of glamorous international intrigue on the edge of a knife-keen plot. – Barrie Trinkle
From Publishers Weekly
Switzerland 's shameful behavior in WWII provides the backdrop for this superbly crafted thriller that puts Silva at the forefront of his generation of foreign intrigue specialists. Here, the former CNN correspondent also appears to have settled on a main character to propel his promising line Gabriel Allon, the art restorer and Israeli hit man who starred in last year's acclaimed The Kill Artist. Just a few pages into this sequel, Allon finds himself the apparent victim of a double cross. When he arrives to restore a Raphael owned by reclusive Swiss banker Augustus Rolfe, Allon not only discovers the banker dead but finds himself the number one suspect. The charge doesn't stick, however, and when he is released from custody, he vows to find out who tried to frame him. His first stop is Rolfe's daughter, Anna, one of the world's top violinists and a woman haunted by her family's heritage of wartime greed and cruelty. Allon catches the attention of Switzerland 's secretive power structure, which intends to stymie any further investigation into Rolfe's murder and the theft of his suspiciously acquired art collection. The so-called Council of R�tli contracts with a shadowy hit man, known only as the Englishman, to eliminate Allon and anyone else who threatens to expose Switzerland 's past. The action unfolds in tightly focused scenes played out across a spectrum of European capitals and more pastoral settings. As a historical framework, the secrets of the Bahnhofstrasse are well-trod territory, yet Silva's sophisticated treatment polished prose, an edgy mood, convincing research gives his plot a crisp, almost urgent quality. Agent, Esther Newberg of ICM. 100,000 first printing; $100,000 national advertising campaign.

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From there it was northwest to Davos; then up to Reichenau; then west, into the heart of Inner Switzerland. In the Grimselpass it began to snow. Gabriel eased off the throttle so Lavon could keep pace in his clunky Volkswagen van.

Peterson grew more restless as they drove farther north. He gave Gabriel directions as though he were leading him to a buried body. When he asked for the handcuffs to be removed, Gabriel refused.

“You’re lovers?” Peterson asked.

“Oded? He’s cute, but I’m afraid he’s not my type.”

“I meant Anna Rolfe.”

“I know what you meant. I thought a touch of humor might help to defuse the situation. Otherwise, I might be tempted to strike you very hard in the face.”

“Of course you’re lovers. Why else would you be involved in this affair? She’s had many lovers. I’m certain you won’t be the last. If you’d like to see her file, I’d be happy to show it to you-as a professional courtesy, of course.”

“Do you do anything for principle, Gerhardt, or do you do things only for money? For example, why do you work for the Council of Rütli? Do you do it only for the money, or do you do it because you believe in what they’re doing?”

“Both.”

“Oh, really. Which principle compels you to work for Otto Gessler?”

“I work for Otto Gessler because I’m sick of watching my country being dragged through the mud by a bunch of damned foreigners over something that happened before I was born.”

“Your country turned looted Nazi gold into hard currency. It turned the dental gold and wedding rings of the Jewish people into hard currency. Thousands of terrified Jews placed their life savings in your banks on the way to the death chambers of Auschwitz and Sobibor, and then those same banks kept the money instead of handing it over to their rightful heirs.”

“What does this have to do with me? Sixty years! This happened sixty years ago! Why can’t we move on from this? Why must you turn my country into an international pariah over the actions of a few greedy bankers six decades ago?”

“Because you have to admit wrongdoing. And then you have to make amends.”

“Money? Yes? You want money? You criticize the Swiss for our supposed greed, but all you want from us is money, as if a few dollars will help right all the wrongs of the past.”

“It’s not your money. It helped to turn this landlocked little amusement park of a country into one of the richest in the world, but it’s not your money.”

In the heat of the argument, Gabriel had been driving too fast, and Lavon had fallen several hundred yards behind. Gabriel slowed down so Lavon could close the gap. He was angry with himself. The last thing he wanted now was to debate the morality of Swiss history with Gerhardt Peterson.

“There’s one more thing I need to know before we talk to Gessler.”

“You want to know how I knew about your connection to the Hamidi assassination.”

“Yes.”

“A few years ago-eight or nine, I can’t remember exactly-a Palestinian with a questionable past wished to acquire a residence visa that would allow him to live temporarily in Geneva. In exchange for the visa, and a guarantee from us that his presence in Switzerland would not be revealed to the State of Israel, this Palestinian offered to tell us the name of the Israeli who killed Hamidi.”

“What was the Palestinian’s name?” Gabriel asked, though he didn’t need to wait for Peterson’s answer. He knew. He supposed he’d known it all along.

“His name was Tariq al-Hourani. He’s the one who placed the bomb under your wife’s car in Vienna, yes? He’s the one who destroyed your family.”

FIVE miles from Otto Gessler’s villa, at the edge of a dense pine forest, Gabriel pulled to the side of the road and got out. It was late afternoon, light fading fast, temperature somewhere around twenty degrees. A mountain peak loomed above them, wearing a beard of cloud. Which was it? The Eiger? The Jungfrau? The Mönch? He didn’t really care. He simply wanted to get this over with and get out of this country and never set foot in it again. As he stalked around the car, through six inches of wet snow, an image appeared in his mind: Tariq telling Peterson about the bombing in Vienna. It was all he could do not to pull Peterson from the car and beat him senseless. At that moment, he wasn’t sure who he hated more-Tariq or Peterson.

Gabriel unlocked the handcuffs and made Peterson crawl over the shifter to get behind the wheel. Oded got out and joined Eli Lavon in the van. Gabriel took Peterson’s spot in the front passenger seat and, with a jab of the Beretta to the ribs, spurred him into motion.

Darkness descended over the valley. Peterson drove with both hands on the wheel, and Gabriel kept the Beretta in plain sight. Two miles from Gessler’s villa, Lavon slowed and pulled to the side of the road. Gabriel twisted round and looked through the rear window as the headlights died. They were alone now.

“Tell me one more time,” Gabriel said, breaking the silence.

“We’ve gone over this a dozen times,” Peterson objected.

“I don’t care. I want to hear you say it one more time.”

“Your name is Herr Meyer.”

“What do I do?”

“You work with me-in the Division of Analysis and Protection.”

“Why are you bringing me to the villa?”

“Because you have important information about the activities of the meddlesome Jew named Gabriel Allon. I wanted Herr Gessler to hear this news directly from the source.”

“And what am I going to do if you deviate from the script in any way?”

“I’m not going to say it again.”

“Say it!”

“Fuck you.”

Gabriel wagged the Beretta at him before slipping it into the waistband of his trousers. “I’ll put a bullet in your brain. And the guard’s. That’s what I’ll do.”

“I’m sure you will,” Peterson said. “It’s the one thing I know you’re good at.”

A mile farther on was an unmarked private road. Peterson downshifted and took the turn expertly at considerable speed, the centrifugal force pressing Gabriel against the door. For an instant he feared Peterson was up to something, but then they slowed and glided along the narrow road, trees sweeping past Gabriel’s window.

At the end of the road was a gate of iron and stone that looked as though it could withstand an assault by an armored personnel carrier. As they approached, a security man stepped into the lights and waved his arms for them to stop. He wore a bulky blue coat that failed to conceal the fact that he was well armed. There was snow in his cap.

Peterson lowered his window. “My name is Gerhardt Peterson. I’m here to see Herr Gessler. I’m afraid it’s an emergency.”

“Gerhardt Peterson?”

“Yes, that’s right.”

“And who is that man?”

“He’s a colleague of mine. His name is Herr Meyer. I can vouch for him.”

The guard murmured a few inaudible words into the mouthpiece. A moment later the gate opened, and he stepped out of their path and waved them through.

Peterson drove at a jogging pace. Gabriel looked out his window: arc lights in the trees, another blue-coated guard, this one being yanked through the forest by an Alsatian on a lead. My God, he thought. The place looks like the Führerbunker. Add some razor wire and a minefield, and the picture would be complete.

Ahead of them, the trees broke and the lights of the villa appeared, softened by a bridal veil of the drifting snow. Another guard stepped into their path. This one made no attempt to hide the compact submachine gun hanging from his shoulder. Once again Peterson lowered the window, and the guard put his big face inside the car.

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