Daniel Silva - The English Assassin

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Amazon.com Review
The English Assassin brings back Gabriel Allon, the appealingly melancholy art restorer with a double life as an Israeli secret agent, first introduced in 2000's The Kill Artist. Gabriel is sent to Zurich under a pseudonym to restore a Raphael belonging to a prominent Swiss banker and art collector, Augustus Rolfe, but upon arriving he finds Rolfe lying in a pool of blood. When Gabriel tries to leave Zurich, the Swiss police capture him immediately-and moreover, they know his real identity. He's released through some diplomatic string-pulling, but he soon discovers that Rolfe had requested a meeting with Israeli intelligence, for reasons unknown, just before his death.
Rolfe's daughter, Anna, is a world-class violinist attempting to rebuild her career after an accident that nearly destroyed one of her hands. But her physical scars are nothing compared to those on her psyche, left by her mother's suicide when Anna was a teenager. Temperamental and mistrustful, she nevertheless believes Gabriel's story, and reveals that Rolfe owned a secret collection of priceless French Impressionist paintings, apparently stolen by his murderers.
As Gabriel begins to put together the pieces of the puzzle, he faces two adversaries: a powerful group of men who would do anything to bury the past forever, and a hired killer who's planning a spectacular murder. Like The Kill Artist, The English Assassin balances fascinating characters, authentic-sounding historical detail, and plenty of glamorous international intrigue on the edge of a knife-keen plot. – Barrie Trinkle
From Publishers Weekly
Switzerland 's shameful behavior in WWII provides the backdrop for this superbly crafted thriller that puts Silva at the forefront of his generation of foreign intrigue specialists. Here, the former CNN correspondent also appears to have settled on a main character to propel his promising line Gabriel Allon, the art restorer and Israeli hit man who starred in last year's acclaimed The Kill Artist. Just a few pages into this sequel, Allon finds himself the apparent victim of a double cross. When he arrives to restore a Raphael owned by reclusive Swiss banker Augustus Rolfe, Allon not only discovers the banker dead but finds himself the number one suspect. The charge doesn't stick, however, and when he is released from custody, he vows to find out who tried to frame him. His first stop is Rolfe's daughter, Anna, one of the world's top violinists and a woman haunted by her family's heritage of wartime greed and cruelty. Allon catches the attention of Switzerland 's secretive power structure, which intends to stymie any further investigation into Rolfe's murder and the theft of his suspiciously acquired art collection. The so-called Council of R�tli contracts with a shadowy hit man, known only as the Englishman, to eliminate Allon and anyone else who threatens to expose Switzerland 's past. The action unfolds in tightly focused scenes played out across a spectrum of European capitals and more pastoral settings. As a historical framework, the secrets of the Bahnhofstrasse are well-trod territory, yet Silva's sophisticated treatment polished prose, an edgy mood, convincing research gives his plot a crisp, almost urgent quality. Agent, Esther Newberg of ICM. 100,000 first printing; $100,000 national advertising campaign.

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“What do you want me to do?”

“Talk to her.”

“Why me?”

“Apparently, she has something of an artistic temperament.”

“From what I’ve read, that’s an understatement.”

“You’re an artist. You speak her language. Perhaps she’ll trust you enough to tell you what she knows about her father’s affairs. If you come up empty, you can go back to your studio, and I’ll never darken your door again.”

“Promises, promises.”

“There’s no need to be hurtful, Gabriel.”

“Last time you came into my life, I nearly got myself killed.”

“True, but at least it wasn’t boring.”

“Peterson says I can’t come back to Switzerland. How am I supposed to talk to Anna Rolfe?”

“Apparently she refuses to live in Switzerland.” Shamron handed him a slip of paper. “This is her management company in London. Give her a few days to bury her father. So you’ll do it?”

“Not for you. I want to know who tried to pin Rolfe’s murder on me. Who shall I be when I talk to Anna Rolfe?”

“I always prefer the subtle approach, but I’ll leave it to your discretion. Play it as you see fit.”

Gabriel slipped the address into his pocket. A thin smile appeared briefly on Shamron’s face. He had learned long ago that professional victories, even small ones, were to be savored.

The car pulled to the curb beneath a British Airways sign. Gabriel climbed out, collected his things from the trunk, then looked into Shamron’s window.

Shamron said, “We didn’t discuss your fee.”

“Don’t worry. It will be substantial.”

“You’re on expense account as of now, but remember, throwing money around never solved a case.”

“I’ll consider that pearl of wisdom while I’m flying first class back to London tonight.”

Shamron grimaced. “Stay in touch. Usual channels and methods. Do you remember?”

“How could I ever forget?”

“It was quite an accomplishment, don’t you think?”

“What was that?”

“Finding a man thirty minutes after he leaves the scene of a murder. I wonder how Herr Peterson managed to do that. He must be very good.”

6

NIDWALDEN , SWITZERLAND

WITHIN THE DIVISION of Analysis and Protection, Gerhardt Peterson was regarded as a man on the rise. Superiors handled him with care. Subordinates withered under his cold stare. His colleagues looked on in wonder and jealousy. How had the schoolteacher’s boy from Erstfeld risen to such heights? Look at him! Never a hair out of place! Never a loose tie! He wears power and success like his expensive aftershave. Peterson never made a move that wasn’t calculated to advance his career. His family life was as neat and orderly as his office. His sexual affairs were discreet and appropriate. Anyone foolish enough to stand in his way quickly discovered that Gerhardt Peterson was a man with powerful friends. Friends in Bern. Friends in the banks. He would be the chief soon-everyone agreed on that. Then a senior posting in the Federal Office for Police. Someday, perhaps, control of the entire Department of Justice and Police. Peterson did have friends in the banks. And they did do favors for him. The Swiss financial oligarchy had been like an invisible hand on his back, nudging him up each rung of the ladder of power. But it was not a one-way street. Peterson did favors for them, too, which is why he was behind the wheel of his Mercedes sedan, racing through the gloomy forest of the Kernwald.

At the base of the mountains, he came to a road marked PRIVATE. He followed the road until he came to an imposing black iron gate. Peterson knew the routine. As he slipped the Mercedes into park and lowered his window, a guard stepped out of a small hut. He had the smooth, precise walk of a man with a military background. Peterson could see the bulge of a weapon beneath his blue ski jacket.

Peterson poked his head out the window. “My name is Herr Köhler.”

“Are you here for the conference, Herr Köhler?”

“Actually, I’m the entertainment.”

“Follow the road to the house. Another man will meet you there.”

IT was a traditional Swiss chalet in conception but grotesque in its massive scale. Anchored to the side of the mountain, it stared out across the valley below with a look of deep satisfaction. Peterson was the last to arrive. The others were already there. They had come from Zurich and Zug, from Lucerne and Bern, and from Geneva and Basel. As was their custom, they had traveled separately and arrived at unevenly spaced intervals so as not to attract attention. They were all Swiss. Foreigners were not permitted. Foreigners were the reason the group existed.

As usual, the meeting would take place in the sprawling, glass-walled living room on the second level of the house. Had any of them bothered to stand in the windows, they would have been treated to a truly remarkable view: a carpet of wet lights on the valley floor, shrouded by a bridal veil of drifting snow. Instead, they huddled together in small groups, smoking, chatting quietly, sipping coffee or tea. Alcoholic beverages were never served at the house. The host, Herr Gessler, drank only tea and mineral water and was a vegetarian. He credited his strict diet for his remarkable longevity.

Despite the informal surroundings, Herr Gessler insisted on a boardroom approach to the meetings. The guests did not sit on the comfortable sofas and armchairs but at a long conference table. At precisely 6P.M., each man went to his assigned chair and stood behind it.

A moment later, a door opened and a man appeared. Thin and frail, with dark glasses and a gossamer layer of gray hair, he leaned on the arm of a young security man. When he had taken his seat at the head of the table, the others sat down too.

There was one empty chair, an unfortunate oversight. After a moment of embarrassed silence, the security guard lifted it by the back and carried it out.

IN the next room, Gerhardt Peterson stared directly into the lens of a video camera like a talk-show guest waiting to appear on a program by remote. It was always this way. Whenever Peterson had business before the Council, he spoke to them electronically from a distance. He had never seen Herr Gessler or any of the other men in the room-at least not in connection with the Council. Herr Gessler said the peculiar arrangement was for their protection-and, perhaps more important, his.

“Gerhardt, are you ready?”

It was the reedy voice of Herr Gessler, made even thinner by the tiny earpiece.

“Yes, I’m ready.”

“I hope we haven’t taken you away from any pressing state business, Gerhardt.”

“Not at all, Herr Gessler. Just an interdepartmental meeting on drug trafficking.”

“Such a waste of time, this silly war on narcotics.”

Gessler was infamous for his sudden digressions. Peterson folded his hands and bided his time.

“Personally, I’ve never seen the attraction of drugs, but then I’ve never seen the harm either. What someone puts in their body is none of my business. If they wish to destroy their life and their health with these chemicals, why should I care? Why should governments care? Why should governments spend untold resources combating a problem that is as old as human nature itself? After all, one could argue that Adam was the first substance abuser. God forbade young Adam the fruit, and he consumed it the first chance he got.”

“You make an interesting point, Herr Gessler.”

“Our detractors say that the drug trade has been very good to Switzerland. I’m afraid I would have to concur. I’m certain my own bank contains accounts of the so-called drug kingpins. But what is the harm? At least if the money is deposited in Switzerland it is put to good use. It is loaned to legitimate enterprises that produce goods and services and employment for millions of people.”

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