Karin Slaughter - Kisscut

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Kisscut: краткое содержание, описание и аннотация

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"Engrossing…
[with] meticulous characterizations." – People
"Like the atmosphere of casual malevolence in Shirley Jackson's 'The Lottery' or the contagious suspicion that fuels Rod Serling's 'The Monsters Are Due on Maple Street,' creepiness spreads like kudzu in Slaughter's small-town setting." – Washington Post Book World
"Karin Slaughter deserves all the praise she gets for her razor-sharp plotting and forensic detail. But for me the hook is in her characters and relationships.
They are right on the mark." – Michael Connelly
"The undertone of violence is pervasive, even at quiet moments, amplifying Slaughter's equation of intimacy with menace and placing her squarely in the ranks of Cornwell and Reichs." – Publishers Weekly
"A fast-paced thriller for those not faint of heart." – Library Journal
"It's not easy to transcend a model like Patricia Cornwell, but Slaughter does so in a thriller whose breakneck plotting and not-for-the-squeamish forensics provide grim manifestations of a deeper evil her mystery trumpets without ever quite containing." – Kirkus Reviews
"With Blindsighted, Karin Slaughter left a great many thriller writers looking anxiously over their shoulders.
With Kisscut, she leaves most of them behind…
It succeeds brilliantly." – John Connolly
"A tension-filled narrative with plenty of plot twists… This is just the ticket for readers who like their crime fiction on the dark side." – Booklist
"Impossible to put down… Slaughter hits all the buttons, providing an original and well-plotted story that doesn't let up until the final sentence." – Orlando Sentinel
"Karin Slaughter is an impressive new landmark on the thriller map." – Val McDermid
"Slaughter delivers a noir thriller complete with a brooding atmosphere that veers into Southern gothic tradition… [She] gives us an understanding about victims that only a well-constructed hard-boiled novel can. This is a novel that has staying power, because she makes us care so much about the characters." – Florida Sun-Sentinel
"Though her forensics and investigative writing place her in a league with Patricia Cornwell and Kathy Reichs, Slaughter's tweaking of the human condition is key to making her a uniquely original voice in the world of mystery and suspense." – Mississippi Clarion Ledger
"Karin Slaughter is a fearless writer. She takes us to the deep, dark places other novelists don't dare to go. Kisscut will cement her reputation as one of the boldest thriller writers working today." – Tess Gerritsen
***
Amazon.com Review
When police chief Jeffrey Tolliver responds to a disturbance at a local skating rink, the last thing he expects is to have to shoot a 13-year-old girl who's holding a gun on a fellow student. Then Jenny Deaver's autopsy reveals two stunning facts: she did not bear the murdered newborn discovered in the rink's restroom, and she had recently been genitally mutilated. With his ex-wife, pediatrician Sara Linton, Jeffrey uncovers a child sex and pornography ring involving Jenny, her classmates, and their mothers-a horrific enterprise that culminated in the killing that Tolliver will never be able to forget. This taut, chilling thriller showcases Karin Slaughter's skill at plotting, pace, and narrative, and will linger in the reader's mind long after the stunning denouement. This is a terrific sequel to her debut, Blindsighted, with two protagonists whose complex relationship will no doubt be a featured subplot in her next offering.
From Publishers Weekly
Aptly named novelist Slaughter (Blindsighted) brings back her horribly scarred cast of Grant County, Ga., cops and coroners for more murder, mayhem and horrific sexual violence. Pathologist Sara Linton, who has been dating her ex-husband, police chief Jeffrey Tolliver, is witness to Tolliver's fatal shooting of a teenage girl when the girl threatens to shoot a 16-year-old boy in a standoff outside the local skating rink. A search of the rink turns up a dismembered fetus in a toilet; Sara's postmortem reveals the girl had a long history of abuse most gruesomely, her vagina is sewn shut. Working the case alongside Jeffrey is Det. Lena Adams, herself the victim of a recent abduction and rape, who is also trying, with difficulty, to come to terms with the death of her gay sister. Questioning Mark, the boy who was almost shot, Lena gradually uncovers a true horror show of pedophilia, incest and kiddie porn, an inverted world where parents rape their children before peddling them to strangers for money and blackmail. Slaughter adheres to the traditional mystery format, but turns up the shock factor tenfold, demonstrating that the deepest depravity can be business as usual in small towns as well as big cities. The undertone of violence is pervasive, even at quiet moments (" Lena was able to pull her hand away, but not before she felt Grace's thumb brush across the scar… The touch was tender, almost sexual, and Lena could see the charge Grace got out of it"), amplifying Slaughter's equation of intimacy with menace and placing her squarely in the ranks of Cornwell and Reichs. (Sept.) Forecast: Slaughter's much-praised first novel, Blindsighted, put her on the thriller map. Kisscut, a featured alternate selection of the Literary Guild, Doubleday Book Club, Mystery Guild and BOMC, could make her a bestseller. 10-city author tour.

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Fine looked up, and he seemed hurt that they did not understand.

Jeffrey said, "Why did you stop? With Jenny, I mean. What stopped the sexual contact?"

"She rejected me," he told them, tears welling into his eyes. "She said she didn't want anything more to do with me." He sniffed loudly. "After the pictures… I don't know. It was as if Dottie was proving something to Jenny, my showing up that night."

"Proving you were all alike," Jeffrey provided, thinking this was just the kind of thing a woman like Dottie Weaver would do.

"That's not true," Fine insisted. "I loved Jenny. I cared about her deeply."

"That's why you tried to visit her after the church retreat?"

"She looked sick," Fine told them. "I didn't know what was wrong with her and Dottie wouldn't let me near her. I even posed for more of her pictures just to get into the house, just to see if Jenny was all right, but Grace kept her at the trailer when I was there."

Jeffrey clenched his teeth together knowing Fine had willingly gone to Dottie's so he could molest more children. The fact that Fine truly believed he loved Jenny Weaver was just as obvious as the fact that there was something seriously wrong with his mind.

Nick asked, "What about Grace Patterson? What was her involvement in this?"

Fine scowled at the name. "She was worse than Dottie. She was disgusting."

"How so?"

"The things she came up with," he said, his voice coarse. "May she rot in hell for her sins."

Jeffrey did not point out the obvious. "Dottie and Grace were together on this?"

He nodded. "Grace directed most of the photo shoots. Dottie took care of the business end of things." He waited a beat. "All the poses were Grace's idea. She liked to get in on them, touch some of the children. The more sadistic it could be the better."

"Dottie never did this, too?"

"She knew how to make the ones that looked real. The romantic ones. Dottie worked the softer stuff and Grace worked the hard core." He licked his lips nervously, as if by default the women were more guilty than he was. "They knew each other from way back."

"They told you this?"

"No," he said. "Jenny did. Jenny said that she and her mother moved around a lot. Wherever they went, Grace would visit them at least once a month."

Jeffrey asked, "What about Teddy Patterson?"

Fine shook his head. "He would have killed us all if he had known."

Nick showed his surprise. "He didn't know?"

"Of course not" Fine snapped. "We never did anything unless he was out of town on business. He drove a truck."

Nick sounded as skeptical as Jeffrey felt. "He never delivered any of the magazines?"

"Grace kept him out of it," Fine said. "He wasn't that kind of man."

"What kind of man is that?" Nick asked.

Fine stared at the Bible again. "A man like me, I guess. A man who would be with children."

"A man who would hurt children," Nick corrected.

"I didn't hurt her."

"You didn't?" Jeffrey asked, leaning across the table. "You wanna tell me how a thirteen-year-old girl gets a pelvic fracture?"

"There were other men she was with," Fine countered, yet he did not seem surprised by the information.

"Other men who weren't gentle like you?" Jeffrey goaded.

"It wasn't like that."

"Really?" Jeffrey said, incredulous. "How big are you, Dave? You want me to look up in Jenny's autopsy records how much smaller she is than you?"

Fine cleared his throat, but he did not answer. He took the Bible off the table and held it to his chest. Jeffrey stared at the man, thinking there was something he was missing. He saw it then-the wedding ring on Dave's left hand. His mind flashed on the image he had seen earlier in the maga-zine: the hand firmly behind Jenny Weaver's head, pushing her down so that she gagged on him.

"You son of a bitch," Jeffrey said, lunging across the table. His knee caught the edge, but he didn't care as his hands wrapped around the Bible.

"Jeffrey," Nick yelled, halfheartedly trying to pull Jeffrey back.

Jeffrey let the anger take hold of him, saying, "You sick son of a bitch," as he ripped the Bible from the preacher's hands. Fine had been holding on so tightly that he fell back in his chair. "I saw the pictures, asshole. I saw what you did to her. I saw how you raped her."

Jeffrey stood, looking at him over the table. "You don't deserve this," he said, indicating the Book. "What you did to those kids… what you did to her…"

"It was just Jenny," Fine insisted, sitting up.

Jeffrey started to go around the table, then stopped himself, thinking Fine wasn't worth it.

Fine repeated, "It was just Jenny."

"You left your fucking wedding ring on in those pictures," Jeffrey told him, putting the Bible down. "I saw it in at least ten different pictures with ten different kids." He walked around the table, groaning at the pain in his knee. "You fucking idiot."

"You can't talk to me that way," Fine snapped.

Jeffrey grabbed his arm, yanking him up off the floor. "You'd better be glad I'm talking and not beating the shit out of you."

"This is police brutality," Fine said, brushing off his pants. "I want a lawyer."

Jeffrey said, "Buddy Conford wouldn't touch you with a ten-foot pole."

"I've got someone else," Dave said, tucking his shirt into his pants. "Someone from Atlanta."

Nick provided, "Someone who defends perverts like him all the time. Probably takes his fee in pictures."

Fine smiled, and for the first time, he appeared to be on the outside what he was on the inside. "Or little girls."

Jeffrey felt his shoulders tighten, and the animal desire to rip Fine's throat out was only quelled by the possibility that Fine knew more than he was saying.

"You're going to jail," Jeffrey told the preacher. "You know what they do to people like you in jail?"

"Right," Fine said. "I watch television. I know you're just talking crap."

"Crap?" Nick said. "You mean that bloody stuff you're gonna find in your underwear every morning?"

Fine had the gall to look smug. "I don't think I'm going to jail."

Nick asked, "What makes you think that?"

"I've got a bargaining chip," Fine said, smiling.

"What bargaining chip," Jeffrey shot back, trying not to sound eager. If Fine thought he had power here he would never tell them what he knew.

"Let's just wait for my lawyer to get here," Fine said, holding out his hands to be cuffed. "I don't have anything to say without my lawyer."

"Think about that in general lockup," Jeffrey said, pulling out his handcuffs.

"Goodness me," Nick breathed. "General lockup."

"What's that?" Fine asked, something close to panic in his voice.

Jeffrey tightened the cuffs on Fine's wrists. "Just jail."

"Funny thing about jail, though," Nick began. "Lots of fellas in there had someone just like you in their lives when they were growing up."

Fine turned around. "What does that mean?"

Jeffrey smiled, turning Fine toward the door. "Means while you're waiting for your fancy lawyer to drive here all the way from Atlanta, you'll have plenty of time to explain to your fellow inmates how it's all about love."

"Wait a minute." Fine stood where he was, even as Jeffrey tried to push him. "I'll have my own cell," he said as if he was certain this would happen.

"No you won't, you sick fuck," Jeffrey said, pushing him so hard that Nick had to catch him before he fell.

"It's the law," Fine insisted. "You can't put me in with other inmates."

"I can do whatever I want," Jeffrey told him.

"Wait a minute," Fine repeated, his voice shrill and panicked. "You can't do that."

"Why not?" Jeffrey asked, grabbing the preacher by the collar and forcing him out of the room.

"No," Fine said, reaching for the door but missing. His fingernails trailed across the wood as he grabbed for anything to hold on to.

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