Karin Slaughter - Kisscut

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Kisscut: краткое содержание, описание и аннотация

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"Engrossing…
[with] meticulous characterizations." – People
"Like the atmosphere of casual malevolence in Shirley Jackson's 'The Lottery' or the contagious suspicion that fuels Rod Serling's 'The Monsters Are Due on Maple Street,' creepiness spreads like kudzu in Slaughter's small-town setting." – Washington Post Book World
"Karin Slaughter deserves all the praise she gets for her razor-sharp plotting and forensic detail. But for me the hook is in her characters and relationships.
They are right on the mark." – Michael Connelly
"The undertone of violence is pervasive, even at quiet moments, amplifying Slaughter's equation of intimacy with menace and placing her squarely in the ranks of Cornwell and Reichs." – Publishers Weekly
"A fast-paced thriller for those not faint of heart." – Library Journal
"It's not easy to transcend a model like Patricia Cornwell, but Slaughter does so in a thriller whose breakneck plotting and not-for-the-squeamish forensics provide grim manifestations of a deeper evil her mystery trumpets without ever quite containing." – Kirkus Reviews
"With Blindsighted, Karin Slaughter left a great many thriller writers looking anxiously over their shoulders.
With Kisscut, she leaves most of them behind…
It succeeds brilliantly." – John Connolly
"A tension-filled narrative with plenty of plot twists… This is just the ticket for readers who like their crime fiction on the dark side." – Booklist
"Impossible to put down… Slaughter hits all the buttons, providing an original and well-plotted story that doesn't let up until the final sentence." – Orlando Sentinel
"Karin Slaughter is an impressive new landmark on the thriller map." – Val McDermid
"Slaughter delivers a noir thriller complete with a brooding atmosphere that veers into Southern gothic tradition… [She] gives us an understanding about victims that only a well-constructed hard-boiled novel can. This is a novel that has staying power, because she makes us care so much about the characters." – Florida Sun-Sentinel
"Though her forensics and investigative writing place her in a league with Patricia Cornwell and Kathy Reichs, Slaughter's tweaking of the human condition is key to making her a uniquely original voice in the world of mystery and suspense." – Mississippi Clarion Ledger
"Karin Slaughter is a fearless writer. She takes us to the deep, dark places other novelists don't dare to go. Kisscut will cement her reputation as one of the boldest thriller writers working today." – Tess Gerritsen
***
Amazon.com Review
When police chief Jeffrey Tolliver responds to a disturbance at a local skating rink, the last thing he expects is to have to shoot a 13-year-old girl who's holding a gun on a fellow student. Then Jenny Deaver's autopsy reveals two stunning facts: she did not bear the murdered newborn discovered in the rink's restroom, and she had recently been genitally mutilated. With his ex-wife, pediatrician Sara Linton, Jeffrey uncovers a child sex and pornography ring involving Jenny, her classmates, and their mothers-a horrific enterprise that culminated in the killing that Tolliver will never be able to forget. This taut, chilling thriller showcases Karin Slaughter's skill at plotting, pace, and narrative, and will linger in the reader's mind long after the stunning denouement. This is a terrific sequel to her debut, Blindsighted, with two protagonists whose complex relationship will no doubt be a featured subplot in her next offering.
From Publishers Weekly
Aptly named novelist Slaughter (Blindsighted) brings back her horribly scarred cast of Grant County, Ga., cops and coroners for more murder, mayhem and horrific sexual violence. Pathologist Sara Linton, who has been dating her ex-husband, police chief Jeffrey Tolliver, is witness to Tolliver's fatal shooting of a teenage girl when the girl threatens to shoot a 16-year-old boy in a standoff outside the local skating rink. A search of the rink turns up a dismembered fetus in a toilet; Sara's postmortem reveals the girl had a long history of abuse most gruesomely, her vagina is sewn shut. Working the case alongside Jeffrey is Det. Lena Adams, herself the victim of a recent abduction and rape, who is also trying, with difficulty, to come to terms with the death of her gay sister. Questioning Mark, the boy who was almost shot, Lena gradually uncovers a true horror show of pedophilia, incest and kiddie porn, an inverted world where parents rape their children before peddling them to strangers for money and blackmail. Slaughter adheres to the traditional mystery format, but turns up the shock factor tenfold, demonstrating that the deepest depravity can be business as usual in small towns as well as big cities. The undertone of violence is pervasive, even at quiet moments (" Lena was able to pull her hand away, but not before she felt Grace's thumb brush across the scar… The touch was tender, almost sexual, and Lena could see the charge Grace got out of it"), amplifying Slaughter's equation of intimacy with menace and placing her squarely in the ranks of Cornwell and Reichs. (Sept.) Forecast: Slaughter's much-praised first novel, Blindsighted, put her on the thriller map. Kisscut, a featured alternate selection of the Literary Guild, Doubleday Book Club, Mystery Guild and BOMC, could make her a bestseller. 10-city author tour.

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"Men are so weak," Jenny hissed, sighting the weapon. "You never do the right thing. You say you will, but you never do."

"Jenny…" Sara pleaded.

"I'll give you to five," Jenny told him. "One."

Jeffrey swallowed hard. His heart was pounding so loudly in his ears that he saw rather than heard the girl as she counted.

"Two."

"Jenny, please." Sara clasped her hands in front of her as if in prayer. They were dark, almost black with blood.

"Three."

Jeffrey took aim. She wouldn't do this. There was no way she would do this. She could not have been more than thirteen. Thirteen-year-old girls did not shoot people. This was suicide.

"Four."

Jeffrey watched the young woman's finger tighten on the trigger, watched the muscles along her forearm work in slow motion as she moved to tighten her finger.

"Five!" she screamed, the veins in her neck standing out. She ordered, "Shoot me, goddamn it!" as she braced herself for the Beretta's recoil. He saw her arm tense and her wrist lock. Time moved so slowly that he could see her muscles engaging along her forearm as her finger tightened on the trigger.

She gave him one last chance, yelling, "Shoot me!"

And he did.

Chapter Three

At twenty-eight weeks old, Jenny Weaver's child might have been viable outside the womb had its mother not tried to flush it down the toilet. The fetus was well-developed and well-nourished. The brain stem was intact and, with medical intervention, the lungs would have matured over time. The hands would have learned to grasp, the feet to flex, the eyes to blink. Eventually, the mouth would have learned to speak of something other than the horrors it spoke of to Sara now. The lungs had taken breath, the mouth gasped for life. And then it had been killed.

For the past three-and-a-half hours, Sara had tried to reassemble the baby from the parts Jenny Weaver had left in the bathroom and in the red book bag they found in the trash by the video game room. Using tiny sutures instead of the usual baseball stitches, Sara had sewn the paper-thin flesh back together into the semblance of a child. Her hands shook, and Sara had redone some of the knots because her fingers were not nimble enough on the first try.

Still, it was not enough. Working on the child, tying the tiny sutures, was like pulling a thread on a sweater. For every area repaired, there was another that could not be concealed. There was no disguising the trauma the child had been through. In the end, Sara had finally accepted that her self-appointed task was an exercise in futility. The baby would go to the grave looking much the way she had looked the last time her mother had seen her.

Sara took a deep breath, reviewing her report again before signing off on her findings. She had not waited for Jeffrey or Frank to begin the autopsy. There had been no witnesses to the cutting and dissecting and reassembling Sara had performed. She had excluded them on purpose, because she did not think she could do this job while other people watched.

A large window separated Sara's office from the outer morgue, and she sat back in her chair, staring at the black body bag resting on the autopsy table. Her mind wandered, and she saw an alternative to the death she had been assessing. Sara saw a life of laughing and crying and loving and being loved, and then she saw the truth: Jenny's baby would never have these things. Jenny herself had barely had these things.

Since an ectopic pregnancy several years ago, Sara had been unable to have children. This had been hard news to bear at the time, but over the years the loss had dulled itself with other things, and Sara had learned to stop wanting what she knew she would never have. Yet there was something about the unwanted child on the table, the child whose own mother had taken her life, that stirred up these emotions in Sara again.

Sara's job was taking care of children. She held them in her arms, cradled them, and cooed at them the way she would never be able to with her own child. Sitting in the morgue, staring at the black bag, that longing to carry a baby came back with startling clarity, and with it came an emptiness that made her chest feel hollow.

There were footsteps on the stairs, and Sara sat up, wiping her eyes, trying to collect herself. She pushed her palms against the top of her desk and forced herself to stand as Jeffrey walked into the morgue. Sara was looking for her glasses, trying to compose herself, when she noticed that Jeffrey had not come directly into her office, as he normally did. Through the glass, she could see that he had stopped in front of the black bag. If he saw Sara, Jeffrey did not acknowledge her. Instead, he leaned over the table, his hands behind his back. Sara wondered what he was thinking, wondered if he was considering the life the baby could have had. Wondered, too, if Jeffrey was considering the fact that Sara could never give him children.

Sara cleared her throat as she walked into the room, holding the autopsy report to her chest. She slid the chart onto the edge of the table and stood across from Jeffrey, the baby between them. The bag was too large for the baby and it gaped open around the body like a blanket because Sara had not had the emotional strength to zip the child into more darkness and place her on a shelf in the freezer.

There was nothing she could think to say, so Sara was quiet. She tucked her hand into the pocket of her lab coat, surprised to find her glasses there. She was putting them on when Jeffrey finally spoke.

"So," he said, his voice gravelly and low as if he had not used it much lately. "This is what happens when you try to flush a baby down the toilet."

She felt her heart stop at his callousness, and did not know how to respond to it. She slipped off her glasses and rubbed the lenses with the tail of her shirt to give herself something to do.

Jeffrey took a deep breath and let it go slowly. She leaned in closer, thinking she smelled alcohol, knowing this could not be the case because Jeffrey seldom drank more than the occasional beer while watching Saturday college football.

"Tiny feet," he mumbled, his eyes still on the body. "Are they always that small?"

Again, Sara did not answer. She looked at the feet, the ten toes, the wrinkled skin on the soles. These were the kind of feet a mother would kiss. These toes were the kind of toes a mother would count each day the way a gardener counts blooms on a rose bush.

Sara bit her lip, trying not to let herself go again. The emptiness in her chest was almost overwhelming, and she put her hand over her heart without thinking.

When Sara was finally able to look up, Jeffrey was staring at her. His eyes were bloodshot, tiny red lines shooting out from his irises. He seemed to be having trouble holding himself up. She did not know if this was from alcohol or grief.

"I thought you didn't drink," she said, aware there was an accusatory tone to her voice.

"I thought I didn't shoot children, either," he said, staring somewhere over her shoulder.

Sara wanted to help him, but she felt paralyzed by her own grief.

"Frank," Jeffrey said. "He gave me a shot of whiskey."

"Did it help?"

His eyes watered, and she watched him fighting this. His jaw worked and he gave a humorless smile.

"Jeffrey-"

He shook off her concern, asking, "Did you find anything?"

"No."

"I don't-" He stopped, looking down, but not at the child. His eyes were focused on the tiled floor. "I don't know how to behave," he finally said. "I don't know what I should be doing."

Something in his tone cut Sara deep down. To see him broken like this hurt her more than the pain she was experiencing herself. She walked around the table and put her hand on his shoulder, but he would not turn toward her.

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