Neil Olson - The Icon

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The Icon: краткое содержание, описание и аннотация

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From Publishers Weekly
Literary agent Olson (of the Donadio Olson Literary Agency) moves to the other side of the desk with this gripping, intelligent first novel of art thievery, treachery and revenge. It's 1944, and a group of Greek partisans are hiding from the Germans near the village of Katarini. Their leader has put into play a scheme involving a German officer who wants to trade a cache of weapons that will be used to fight the Communists after the war for a painted icon known as the Holy Mother of Katarini. The plan goes awry, and the ancient Byzantine icon disappears, only to resurface 56 years later on the wall of a private chapel in the New York City home of a Swiss banker named Kessler. After Kessler dies, various parties-the Greek Orthodox Church, the Metropolitan Museum of Art, an elderly Greek gangster and other mysterious characters-vie to acquire the icon, which is said to posses paranormal powers. Kessler's granddaughter Ana and young Matthew Spear, an assistant curator at the Met, are swept up in the tangled plots to buy or steal the icon. The story twists back and forth between wartime Greece and the present day as the history of the icon and the men who lust for it is gradually revealed. Only the violent and inevitable end brings understanding and a measure of peace to those under the icon's spell.
From Booklist
In this debut thriller, the fast-paced action moves between a Greek village during World War II and the contemporary art scene in New York. There is also-no doubt with the popularity of The Da Vinci Code in mind-a patina of religious wonder shrouding the story. Two elderly friends/rivals, who fought both Communists and Nazis in Greece, are related by blood, broken dreams, and their quest to track down a religious icon, a Byzantine panel of the Virgin Mary reputed to have mystical healing powers. The grandson of one and the godson of another, Matthew Spear, is an art historian at the Met, and when the icon surfaces after the death of a collector, Matthew finds himself caught up in its deadly wake. Although both plot strands are nicely developed, it sometimes takes so long to get back to the World War II story that readers may forget who's who. Yet the evolution of the characters holds our attention, the action is gripping, and the quest for the ever-illusive icon provides just the right gossamer string to tie it all together.

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He had never yet been able to face the figure. Having tried the first time it appeared to him, years before, and been met with an empty doorway, he’d decided the time was not right. Since then, he had been content simply to sense the presence near him. More content, he suspected, than he would have been with the actual laying on of sight, for there would be a reason for it when that time came, and his craven heart feared the reason. But this was wrong, he must steel himself; he could not escape his fate, only face it bravely and with an open heart. He had never been brave about anything in his life; now was the time. She was forgiveness. His fingers hovered over the chair controls.

She was forgiveness. Like his mother, who had protected him from his father. A dark study, rain-soaked gusts outside the window, the man in his familiar suit, his familiar smell, tobacco and shaving cream, taller than God, the smile of a fiend, the heavy hand falling over and over again. He hated his father, a mortal sin; he was damned. Fresh tears rushed to his blind eyes. He shook his head. No, she would understand, she was forgiveness. He hesitated.

What if he were completely mistaken? If what he felt was simply Diana standing there, unwilling to enter his sanctum, waiting for him to finish his prayers to false gods? What if his doubting intellect had been right the whole time? Father, Son, and Holy Spirit, Mother Mercy, all spinning away from him into the void, a fantasy, no salvation. Mother, wife, and betrayed son all spinning away, no reunion, no forgiveness. The hand fell again and again. All his life he’d feared punishment for his wrongs. Here, at the end, he feared judgment far less than its absence. If the end was the absolute end? He could not accept it.

Enough. His vision swam. The rain had increased to a roar. Enough, be a man, look. His numb fingertips manipulated the controls and the chair made a quarter turn toward the archway.

Intense, cramping pain in his chest and down his arm collapsed his mental processes for a moment. He either could not see or could not understand what he was seeing, and the small part of his consciousness that was neither afraid nor in pain was able to look on this condition with curiosity. Then something in his head popped and the pain diffused, though his heart still felt like a clenched fist, and his vision was too silky to make out anything. The figure had remained in the doorway, but he had not been able to really see it before his eyes failed. No, be true, he had seen it for a moment. A man, not a woman. Neither his father nor his son, but a young man, lean and bearded, face half discolored, the eyes wide with fear or rapture. Not anger; Kessler did not think it was anger. A man, not a woman. The Son, not the Mother, dear God help him, the heavier judge. He felt his useless torso slumping forward as the figure approached. The stilled terror within him leaped up once more, then was transformed in an instant into something else, a new emotion, hard to encompass. Sadness, perhaps, broad and profound, but that too was transitory, for sadness melted into wonder, wonder into understanding, then all was light.

2

Andreas clutched the narrow armrests and prayed for the earth to leap up and catch him. The plane seemed to have dropped out from underneath, sucking his internal organs along with it and leaving the empty shell of his body floating in the ether. Yet when he opened his eyes he found himself intact, still squeezed into the cramped coach seat, the aisle to his right, the fat, constantly shifting businessman to his left. A world of trouble awaited, and he could have used the disconnected hours above the Atlantic to compose his mind, but he had found concentration impossible. It had been years since he’d flown, and he was distressed to learn how fully age had caught up with him. His ears rang, his neck ached, his legs were cold. He could no longer filter distractions. No matter. He would not truly know the situation until he was on the ground, and anyway, he often functioned better on instinct.

The plane dipped again, and Jamaica Bay loomed up below. Twenty seconds later they touched down at JFK. The businessman smiled at Andreas.

“Welcome to Gomorrah.”

His suitcase was the first out of the chute-an omen, surely. He retrieved it from the carousel and went to look for Matthew at the arrival area, eyes casually searching every face for potential mischief. Old habits. He had long ago ceased to be worth anyone’s troubling over.

“Father?”

He turned, despite his caution; the voice was so clearly directed at him. Three meters distant, a young man, square-faced, powerful. The cheap dress jacket fit awkwardly, and Andreas sensed more than saw a concealed weapon.

“Andreas Spyridis,” the younger man said, more uncertainly.

Would it be now? How many moments like this had there been in the last fifty years, when he had to wonder if some old debt had caught up with him? His body tensed but his mind was calm, ready for whatever would happen.

“I am Spyridis.”

“Mr. Dragoumis sends me to meet you.”

Andreas uncoiled partway. He doubted that Fotis would have him shot at the airport.

“What’s your name?”

It was always the last question they expected, these couriers. It was important to surprise them, and to show no surprise on your own part. He had not told Dragoumis he was coming, but that was no matter. Fotis simply knew things.

“Nicholas. I work for Mr. Dragoumis, he waits for you now.” Serviceable English. Neither man was speaking his native tongue, though Andreas could not quite catch the other’s inflection. Not Greek, but a language he knew. “I am to bring you directly. For dinner.”

“I’m supposed to meet someone.”

“Mr. Dragoumis has telephoned your grandson. He will also be there.”

Russian, almost certainly.

“I see. Well, it seems everything is arranged.”

Nicholas nodded eagerly.

“Follow me please.”

A huge jet roared overhead as they made their way across the parking lot to a big blue sedan; American, of course. Nicholas held open the right rear door, but Andreas hesitated.

“I would prefer to ride in front.”

The Russian scowled. The request clearly offended his sense of professionalism, but he closed the rear door firmly and opened the passenger side. Andreas removed his gray fedora and slid carefully into the deep, comfortable leather seat. Queens always depressed him. The thick tangle of highways, warehouses, and tenements; cars rotting into the broken pavement. Only the season improved the ride, with the dirty slush or poisonous smog of previous visits replaced by clean air and banks of yellow forsythia, pressing through chain-link fences up and down the blocks of brick row houses.

“You live around here?” Andreas asked.

“Further out. Little Odessa, they call it.”

“You like this country?”

Nicholas shrugged. “Better than where I come from.”

“How long have you been here?”

“Two years.”

“You learned English before you came?”

“A little. Mostly here.”

“You speak Greek?”

“Not so good.” He swung onto Astoria Boulevard. “Not really. No.”

“Mr. Dragoumis likes it better if you don’t speak Greek, yes?”

Nicholas conceded a brief smile.

They turned onto Twenty-first Street, then a quick left and the car pulled up before a white clapboard house. The place was unremarkable, but for the profusion of rosebushes in the narrow strip of soil in front. The house appeared small, though in fact it ran quite deeply back from the street. A warehouse bracketed the building on one side, a semi-famous restaurant on the other. Fotis owned both. Andreas had been here before. He examined the roses, not even in bud yet, then followed Nicholas up the concrete steps into the house. A barrel-chested man came out of the parlor and met them in the narrow hall, crowding Andreas against the wall. The younger men exchanged a few words in their native tongue, then the new man led Andreas down the dim corridor. Black beard, black eyes, full of suppressed violence. There would be no pleasant conversation with this one. A soft knock at the door, a word, and they were in the study, Fotis’ inner sanctum. The man himself, gray as a ghost and sporting a huge white mustache, stood to greet them, covering the plush oriental carpet in great strides. The effort cost him, Andreas could see at once.

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