Neil Olson - The Icon

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The Icon: краткое содержание, описание и аннотация

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From Publishers Weekly
Literary agent Olson (of the Donadio Olson Literary Agency) moves to the other side of the desk with this gripping, intelligent first novel of art thievery, treachery and revenge. It's 1944, and a group of Greek partisans are hiding from the Germans near the village of Katarini. Their leader has put into play a scheme involving a German officer who wants to trade a cache of weapons that will be used to fight the Communists after the war for a painted icon known as the Holy Mother of Katarini. The plan goes awry, and the ancient Byzantine icon disappears, only to resurface 56 years later on the wall of a private chapel in the New York City home of a Swiss banker named Kessler. After Kessler dies, various parties-the Greek Orthodox Church, the Metropolitan Museum of Art, an elderly Greek gangster and other mysterious characters-vie to acquire the icon, which is said to posses paranormal powers. Kessler's granddaughter Ana and young Matthew Spear, an assistant curator at the Met, are swept up in the tangled plots to buy or steal the icon. The story twists back and forth between wartime Greece and the present day as the history of the icon and the men who lust for it is gradually revealed. Only the violent and inevitable end brings understanding and a measure of peace to those under the icon's spell.
From Booklist
In this debut thriller, the fast-paced action moves between a Greek village during World War II and the contemporary art scene in New York. There is also-no doubt with the popularity of The Da Vinci Code in mind-a patina of religious wonder shrouding the story. Two elderly friends/rivals, who fought both Communists and Nazis in Greece, are related by blood, broken dreams, and their quest to track down a religious icon, a Byzantine panel of the Virgin Mary reputed to have mystical healing powers. The grandson of one and the godson of another, Matthew Spear, is an art historian at the Met, and when the icon surfaces after the death of a collector, Matthew finds himself caught up in its deadly wake. Although both plot strands are nicely developed, it sometimes takes so long to get back to the World War II story that readers may forget who's who. Yet the evolution of the characters holds our attention, the action is gripping, and the quest for the ever-illusive icon provides just the right gossamer string to tie it all together.

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In the backseat, feet set widely to brace himself against the endless turns, Fotis reviewed his documents. Three passports, Greek, Turkish, American. He had not traveled under a false passport in many years and probably did not need to now. He could have been out of the country hours ago on a commercial flight from Athens or Salonika, instead of getting carsick in these wretched hills. Yet there was too great a chance of being picked up by impatient American investigators in New York, or by their counterparts here. The fake ID might get him through, but his face was on file with every security bureau on both sides of the water, and if he was caught with a bad passport, his troubles would increase immeasurably. The Greeks especially would welcome a reason to prosecute him. Fotis sighed, then shook his head at the image of such an unlikely security net waiting to catch this tired old thief. The Greeks were too sloppy, and the Americans far too preoccupied with larger threats. Nevertheless, his caution had saved him more than once, and he did not see abandoning it this late in life.

The sun was low, and he regretted the delay, which would force Taki to navigate the winding road into the Kozani valley in twilight. Fotis would take a small plane from the airstrip outside Kozani, to Montenegro, or direct to Brindisi in Italy, whichever Taki’s friend Captain Herakles thought best. Then a commercial flight from Rome, on some unlikely airline, under the guise of a Turkish businessman. That should do the trick. It was about getting to Rome. He would have to trust the brave Captain Herakles, who probably had never been more than a sergeant. Herakles, how sweet. These poor fellows, in their forties or fifties now, with their secret codes and brotherhoods and their heroic noms de guerre, they longed for the old days. The days when their brig-andage might have had a patriotic justification, fighting Turkish overlords or the German occupation or even the communists. Instead they had the black market, smuggling goods and people, bribing officials, stockpiling weapons-for what? The closest to war they had come was Cyprus, when the idiot colonels had utterly failed to act. How Fotis could have fallen in with that group he no longer understood, and it had cost him his home-land. Andreas had been wiser than he on that matter.

He was drawn out of his reverie by the Mercury’s steady acceleration, dangerous in these turns, and he noted Taki’s tense hands on the wheel, his eyes shifting constantly to the rearview mirror.

“What?” Fotis demanded, twisting about in his seat.

“Motorcycle. Coming up quick.”

The old man heard the engine now-a deep, shifting growl-and just caught sight of a vehicle disappearing into the car’s blind spot. Then the road uncurled into a rare straightaway and they were suddenly there, right outside Fotis’ window, two helmeted figures pressed together on a large motorbike, the one in back pointing something.

The doors of the Mercury were steel-plated, thanks to Taki’s diligence. Bulletproof glass was harder to come by, and tinted glass only drew attention, so they were quite exposed. Instinct said to dive away from the window, but even across the seat he could be seen. Instead, Fotis moved the opposite way, sliding half into the footwell and pressing himself against the door, fedora knocked astray.

Both rear windows exploded together, the shot passing straight through, and the car lurched wildly as Taki ducked behind the wheel. A rain of glass fell on Fotis’ hat and coat. Large caliber,.45 maybe. Motorcycle. Was it November 17, a political assassination? It fit their style precisely, but they were a long way from Athens.

The motorcycle roared ahead to avoid getting squeezed in a turn, and Fotis could see no more, but imagined the passenger twisting about on the seat, trying to get off another shot. He heard Taki fumbling with the glove box, swearing under his breath. Wind whipped through the car. Fotis was calm. Later, if he lived, he would be frightened, but he was calm now.

“Taki,” he tried to shout, his lungs compressed by his contorted position. “Pull over, make them come back at us.” His nephew would have a clear shot from a stationary position then, and the steel door for cover. If the idiot could get the damn glove box open.

The wind swept his words away, and Taki accelerated. Trying to run them down, which would not work. Fotis struggled to get back up in the seat, while the muffled ring of shots sounded ahead of them. One, two, three. There was the punching crack of safety glass as the windshield turned white, and Taki’s head snapped back, spraying the roof with blood.

Fotis grabbed the headrest before him as the car decelerated rapidly, and used the sudden shift in momentum to launch himself between the front seats. He could see nothing, but pulled the wheel right, away from the hundred-foot drop to boulders and the rusted remains of carelessly piloted vehicles, and toward the upward slope of the hill. The lesser of two evils. A slight uphill grade slowed the car’s motion further before it left the road, banging hard into a shallow culvert and coming up immediately against the slope. Loose dirt and rocks rattled down over the hood and roof. The engine died.

Fotis found himself looking up at the blood-spattered roof, his torso crammed beneath the dashboard, feet sprawled across the passenger seat, with no memory of how he had arrived there. The left side of his face stung, and there was a ringing in his ear, as if he had been slapped hard. He could not feel his left arm. The right one seemed to be working. His feet moved, but there was pain somewhere in his legs, or-God forbid it-his hip. None of it mattered greatly, as he was sure to be shot where he lay. He could make out Taki’s still form draped over the steering wheel, could smell blood and the sharp stink of frightened men.

Strangely, nothing happened at once. It was a full minute before he heard a car engine, and dared to hope that a passerby might have run off the assassins. Generally, these fellows were not well paid enough to make it worth killing bystanders. Then he remembered the Peugeot. Voices approached, loud and nervous. Fotis felt their anxiety in his fingertips. Despite the late hour, another car might come by at any moment. It had been unsporting of him not to go over the cliff, to make their job harder like this. They half-circled the Mercury as if it might bite them, unable to get at the passenger door because of the slope, unable to see through the splintered windows. On impulse, Fotis reached up and popped the glove compartment. The nine-millimeter tumbled out and struck him in the head. He cursed, but gripped the pistol firmly and felt the annoying adrenal rush of returning hope. He had been ready to give it all up a few moments before. What was wrong with that? Why must he fight so hard to keep hold of this miserable, threadbare life? It was not a question for the moment. Without his left hand free, he could not make sure that the first round was chambered, so he would have to go on faith.

Someone pulled at the driver’s door, finally wrenching it open a few feet. Fotis could not see clearly, but could sense whoever it was checking on Taki, noting the upside-down form in the passenger seat.

“Dead?” a voice asked from several meters away.

“Very close,” returned a younger voice, halfway inside the car. Tight, barely controlled, had never seen a head wound before, no doubt. “Now what the hell are we going to tell them?”

“What about the other one?”

“I can’t see, he’s on the floor. There’s blood everywhere. Holy Mother, what a mess.”

“Pull the driver out.” The older voice was close at hand now.

“He’s wedged in pretty tight.”

“Get out of the way, I’ll do it. Go in the back, and over the seat.”

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