Neil Olson - The Icon

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The Icon: краткое содержание, описание и аннотация

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From Publishers Weekly
Literary agent Olson (of the Donadio Olson Literary Agency) moves to the other side of the desk with this gripping, intelligent first novel of art thievery, treachery and revenge. It's 1944, and a group of Greek partisans are hiding from the Germans near the village of Katarini. Their leader has put into play a scheme involving a German officer who wants to trade a cache of weapons that will be used to fight the Communists after the war for a painted icon known as the Holy Mother of Katarini. The plan goes awry, and the ancient Byzantine icon disappears, only to resurface 56 years later on the wall of a private chapel in the New York City home of a Swiss banker named Kessler. After Kessler dies, various parties-the Greek Orthodox Church, the Metropolitan Museum of Art, an elderly Greek gangster and other mysterious characters-vie to acquire the icon, which is said to posses paranormal powers. Kessler's granddaughter Ana and young Matthew Spear, an assistant curator at the Met, are swept up in the tangled plots to buy or steal the icon. The story twists back and forth between wartime Greece and the present day as the history of the icon and the men who lust for it is gradually revealed. Only the violent and inevitable end brings understanding and a measure of peace to those under the icon's spell.
From Booklist
In this debut thriller, the fast-paced action moves between a Greek village during World War II and the contemporary art scene in New York. There is also-no doubt with the popularity of The Da Vinci Code in mind-a patina of religious wonder shrouding the story. Two elderly friends/rivals, who fought both Communists and Nazis in Greece, are related by blood, broken dreams, and their quest to track down a religious icon, a Byzantine panel of the Virgin Mary reputed to have mystical healing powers. The grandson of one and the godson of another, Matthew Spear, is an art historian at the Met, and when the icon surfaces after the death of a collector, Matthew finds himself caught up in its deadly wake. Although both plot strands are nicely developed, it sometimes takes so long to get back to the World War II story that readers may forget who's who. Yet the evolution of the characters holds our attention, the action is gripping, and the quest for the ever-illusive icon provides just the right gossamer string to tie it all together.

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Back in the corridor, Father John stood by the stairs, and Matthew was tempted to try that way, but the study beckoned more insistently. He turned the knob and the heavy door opened. It was too dark to see much. Unsure where a light switch might be, Matthew shuffled toward the lamp on the big desk. His foot struck something soft and giving at the same moment a voice spoke, an old man’s voice, but not the one he was expecting.

“Stand still, my boy,” his grandfather said. Light instantly filled the room from a lamp near the far door, and there Andreas stood, raincoat, gloves, hat, piercing stare. Tall and still. “Watch your feet.”

Matthew looked down. The object he had kicked was a man. Nicholas, one of Fotis’ Russians, lay pale and seemingly lifeless at his feet. The eyes were closed, the mouth grimaced, and as Matthew’s vision continued to adjust, he could see that the oriental carpet was stained in a great, dark patch. A tangy, almost sweet odor hit his nose, and he stepped back instinctively, colliding with Father John.

“Merciful God,” the priest whispered, then began a scattered prayer in Greek.

“Do not touch anything,” Andreas instructed. Matthew ignored him and crouched down over Nicholas, steeling himself, feeling the cool neck, the lips. Was that breath he felt?

“I think he’s alive.”

The Russian’s right hand was clutched upon the side of his stomach, completely encased in blood, and holding a soaked-through handkerchief against where his wound must be. Andreas was suddenly standing over Matthew, pulling a fresh handkerchief from his own coat and beginning to wrap it about his hand.

“Give it to me,” said Matthew, possessive of the wounded man, determined to do one useful thing this day. Andreas handed him the handkerchief without debate.

“Yes, like that. You must hold it hard against the wound. I will try to find you a towel. Is it just the two of you?”

Matthew waited a fruitless moment for Ioannes to speak, then did so himself.

“There’s a guy in the warehouse. Jimmy, I think his name is. He has a gun.”

“I will call for an ambulance. Both of you stay here.”

The old man vanished so swiftly and silently that it was as if he had never been there.

“I hope they will not harm each other,” said the priest, kneeling now.

“Is your man dangerous?” Matthew tried not to look at his hand, to ignore the warm wetness beginning to cover it. The smell of blood was making him dizzy.

“He would like you to think so, but it is your Papou who is the dangerous one.”

“You know him?”

“Only a little, a long time ago. He will not remember me.”

Matthew looked around. The easel where the icon had sat twenty hours before was gone; the painting was nowhere to be seen. Some works had vanished from the walls as well. Which ones? Who else might have been hurt, killed? He should check the house, but he could not abandon his present task. Anyway, his grandfather would have done that already, unless he had just arrived. Or unless-

There was a noise in the kitchen and Jimmy appeared through the rear door, hands free of any weapon, Andreas a few steps behind. Both men seemed calm, if a bit flushed.

“Do we have everyone now?” Andreas asked.

“Where is Fotis?” Matthew shot back.

“Gone.”

“Gone where?”

“We will discuss it. Who are these men?”

“They’re from the church, in Greece. They say.”

“Mr. Spyridis,” said Ioannes evenly, “we must talk.”

“Yes?” Andreas eyed the priest keenly. “Perhaps, but this is not the time.”

“If not now, when?”

The wail of sirens filled the brief silence that followed. Far off, but getting closer.

“Maybe tomorrow.”

“You do not think the police will have need of you tomorrow?” The priest stood to face him. “I should think they would find your being here, alone, suspicious.”

Matthew awaited some convincing denial from his grandfather, but Andreas only stared.

“We shall see, Father. Perhaps they will look at the matter differently.”

Andreas placed a hand on Matthew’s shoulder and all of them became quiet as the sirens grew louder. Then Jimmy sidled up to the old man, desperation trumping embarrassment.

“Can I have my gun back?”

They were alone on the sidewalk. The ambulance had already pulled away, and police officers were going into and out of the house. Matthew did not know where the priest and Jimmy had gone, did not know what to say or not to say to the police when they questioned him. His grandfather stood beside him, staring down the empty avenue, deep in thought.

“I am sorry you had to see this,” the old man spoke quietly.

“You have never seen a wounded man, I think.”

“Papou, do you know what’s going on?”

“You ask me that? I had hoped that you might tell me.”

“The only thing I know is that nobody has been telling me the truth.”

“That is all?” Andreas gave him a hard look. “So you played no part in helping Fotis get the icon?”

“I’m not sure what part I played anymore. Fotis was supposed to be the middleman. He was assisting some people from the Greek church.”

“These men?”

“No, another priest, who represented the synod in Athens. Except now it seems he didn’t.”

“Who was the other priest?”

“This Father Tomas Zacharios.”

Andreas nodded. “I see.”

“You know who he is, don’t you?” Matthew struggled to keep a handle on his emotions, failed. “All of you know each other somehow, and I don’t know a goddamn thing. You’re messing with me the way you messed with my father.”

“Do not speak nonsense, and do not blame others for your own foolishness.”

The truth stung. He had been a complete ass, and it was time to face up to it.

“I have kept things from you,” Andreas continued. “I was trying to protect you, not hurt you. I would never try to hurt you. I do not know this Father Tomas, but I have heard of him. He is well educated and well liked, and has been a liaison between the Greek and American churches. He is also thought to be a swindler, blackmailer, and thief. Not to mention a friend of your godfather. He disappeared with a large amount of church funds within the last few days.”

“So it’s like Father John said, he and Fotis were in it together.” Of course, it could be another lie, but it made sense. There were no coincidences. Everything was connected.

“It seems likely.”

For no logical reason, Matthew’s mind veered away.

“Ana Kessler. Could she be in any danger?”

“I do not see why, her part in the matter is over. Do you have some reason for believing she might be in danger?”

“No, I just…No. I need to speak to her. I misled her. She never knew about Fotis’ involvement.”

“Tell me, why was he involved? Why was there a middleman at all?”

“He arranged it that way. The whole deal was his doing. He must have gone to Zacharios and had him contact the church, so there would be a gloss of truth to the thing. Where is Fotis now, Papou?”

“In Greece. Or on the way.”

“He went today?”

“Very early this morning. For Easter.”

“He never goes this early.”

“This year he decided to spend all of Holy Week. Phillip, his restaurant manager, just told me.”

“He told me a few days ago that he wasn’t leaving until Wednesday.”

“He changed his plans. Yesterday, Phillip said, right after you and your father visited with him.” The old man paused, awaiting some reaction. “Do you know why?”

Matthew tried to keep his body from shaking, his mind focused.

“No idea, but he did seem agitated. I think Dad’s being there made him nervous.”

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