Kathy Reichs: Devil Bones

The source of the odor.

I inched my light left to the saucepan. Three hemispheric objects took shape. I bent for a closer look.

One turtle carapace. Two halves of a coconut shell.

Straightening, I sidestepped right past the large cauldron to the smaller. It, too, was soil packed. On the soil surface lay three railroad spikes, an antler, and two strands of yellow beads. A knife had been thrust into the fill to the depth of its handle.

A chain wrapped the cauldron’s exterior, just below the rim. A machete leaned against its left side. A sheet of plywood was propped against its right.

I moved to the plywood and squatted. Symbols covered the surface, executed, I suspected, with black Magic Marker.

Next in the row was a cheap plaster statue. The woman wore a long white gown, red cape, and crown. One hand held a chalice, the other a sword. Beside her was a miniature castle or tower.

I tried to recall the Catholic icons of my youth. Some manifestation of the Virgin Mary? A saint? Though the visage was vaguely familiar, I couldn’t ID the lady.

Shoulder to shoulder with the statue stood a carved wooden effigy with two faces pointing in opposite directions. Roughly twelve inches tall, the humanoid figure had long, slender limbs, a potbelly, and a penis upright and locked.

Definitely not the Virgin, I thought.

Last in line were two dolls in layer-cake ruffled gingham dresses, one yellow, one blue. Both dolls were female and black. Both wore bracelets, hoop earrings, and medallions on neck chains. Blue sported a crown. Yellow had a kerchief covering her hair.

And a miniature sword piercing her chest.

I’d seen enough.

The skull was not plastic. Human remains were present. The chicken hadn’t been dead long.

Perhaps the rituals performed at the altar were harmless. Perhaps not. To be certain, proper recovery protocol had to be followed. Lights. Cameras. Chain-of-custody documentation to ensure possession could be proved every step of the way.

I headed to the stairs. Two treads up I heard a noise and raised my eyes. A face was peering down through the opening.

It was not a face I wanted to see.

ERSKINE “SKINNY” SLIDELL IS A DETECTIVE WITH THE CHARLOTTE-Mecklenburg PD Felony Investigative Bureau/Homicide Unit. The murder table.

I’ve worked with Slidell over the years. My opinion? The guy’s got the personality of a blocked nostril. But good instincts.

Slidell’s Brylcreemed head was turtling over the tunnel’s opening.

“Doc.” Slidell greeted me in his usual indolent way.

“Detective.”

“Tell me I can go home, knock back a Pabst, and root for my boys on SmackDown.”

“Not tonight.”

Slidell sighed in annoyance, then withdrew from sight.

Climbing upward, I recalled the last time our paths had crossed.

August. The detective was entering the Mecklenburg County Courthouse. I’d just testified and was heading out.

Slidell isn’t what you’d call a fast thinker on his feet. Or on the stand. Actually, that’s an understatement. Sharp defense attorneys make hamburger of Skinny. His nervousness had been apparent that morning, his eyes circled with dark rings suggesting a lot of tossing and turning.

Emerging from the ladder well, I noted that Slidell looked marginally better today. The same could not be said of his jacket. Green polyester with orange top stitching, the thing was garish, even in the subterranean gloom.

“Officer here says we got us a witch doctor.” Slidell lifted his chin in Gleason’s direction.

I described what I’d seen in the subcellar.

Slidell checked his watch. “How ’bout we toss this thing in the morning?”

“Got a date tonight, Skinny?”

Behind me, Gleason made a muffled sound in his throat.

“Like I said. Six-pack and Superstars.”

“Should have set your TiVo.”

Slidell looked at me as though I’d suggested he program the next shuttle mission.

“It’s like a VCR,” I explained, yanking off a glove.

“I’m surprised this hasn’t drawn attention.” Slidell was looking at the opening by my feet. He was referring to the media.

“Let’s keep it that way,” I said. “Use your cell phone to call CSS.”

I pulled off the torn glove. The heel of my thumb was red, swollen, and itchy as hell.

“Tell them we’ll need a generator and portable lights.” Both gloves went into my kit. “And something that can lift a cauldron of dirt.”

Head wagging, Slidell began punching his mobile.

Four hours later, I was pouring myself into my Mazda. Greenleaf was bathed in moonlight. I was bathed in sweat.

Emerging from the house, Slidell had spotted a woman shooting with a small digital camera through a kitchen window. After dispatching her, he’d chain-smoked two Camels, mumbled something about deeds and tax records, and gunned off in his Taurus.

The CSS techs had left in their truck. They’d deliver the dolls, statues, beads, tools, and other artifacts to the crime lab.

The morgue van had also come and gone. Joe Hawkins, the MCME death investigator on call that night, was transporting the skulls and chicken to the ME facility. Ditto the cauldrons. Though Larabee would be less than enthused about the mess, I preferred sifting the fill under controlled conditions.

As anticipated, the large cauldron had posed the greatest difficulty. Weighing approximately the same as the Statue of Liberty, its removal had required winching, a lot of muscle, and a lexicon of colorful words.

I pulled out and drove up Greenleaf. Ahead, Frazier Park was a black cutout in the urban landscape. A jungle gym rose from the shadows, a silvery cubist sculpture poised over the dark, serpentine smile of the Irwin Creek gulley.

Doubling back down Westbrook to Cedar, I skirted the edge of uptown and drove southeast toward my home turf, Myers Park. Built in the 1930s as Charlotte’s first streetcar burb, today the sector is overpriced, oversmug, and over-Republican. Though not particularly old, the hood is elegant and well-landscaped, Charlotte’s answer to Cleveland’s Shaker Heights and Miami’s Coral Gables. What the hell, we’re not Charleston.

Ten minutes after leaving Third Ward I was parked beside my patio. Locking the car, I headed into my townhouse.

Which requires some explanation.

I live on the grounds of Sharon Hall, a nineteenth-century manor-turned-condo-complex lying just off the Queens University campus. My little outbuilding is called the “Annex.” Annex to what? No one knows. The tiny two-story structure appears on none of the estate’s original plans. The hall is there. The coach house. The herb and formal gardens. No annex. Clearly an afterthought.

Speculation by friends, family, and guests ranges from smokehouse to hothouse to kiln. I am not fixated on identifying the original builder’s purpose. Barely twelve hundred square feet, the structure suits my needs. Bedroom and bath up. Kitchen, dining room, parlor, and study down. I took occupancy when my marriage to Pete imploded. A decade later, it still serves.

“Yo, Bird,” I called out to the empty kitchen.

No cat.

“Birdie, I’m home.”

The hum of the refrigerator. A series of soft bongs from Gran’s mantel clock.

I counted. Eleven.

My eyes snuck to the message indicator on my phone. Not a flicker.

Depositing my purse, I went straight to the shower.

As I exorcised cellar grime and odor with green tea body gel, rosemary mint shampoo, and water as hot as my skin could stand, my thoughts drifted to the perversely dark voice mail light, to the voice I was hoping to hear.

Bonjour, Tempe. I miss you. We should talk.

Pop-up image. Lanky build, sandy hair, Carolina blue eyes. Andrew Ryan, lieutenant-détective, Section des crimes contre la personne, Sûreté du Québec.