Tess Gerritsen - The Mephisto Club

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Evil exists. Evil walks the streets. And evil has spawned a diabolical new disciple in this white-knuckle thriller from New York Times bestselling author Tess Gerritsen.
PECCAVI
The Latin is scrawled in blood at the scene of a young woman's brutal murder: I HAVE SINNED. It's a chilling Christmas greeting for Boston medical examiner Maura Isles and Detective Jane Rizzoli, who swiftly link the victim to controversial celebrity psychiatrist Joyce O'Donnell – Jane's professional nemesis and member of a sinister cabal called the Mephisto Club.
On tony Beacon Hill, the club's acolytes devote themselves to the analysis of evil: Can it be explained by science? Does it have a physical presence? Do demons walk the earth? Drawing on a wealth of dark historical data and mysterious religious symbolism, the Mephisto scholars aim to prove a startling theory: that Satan himself exists among us. With the grisly appearance of a corpse on their doorstep, it's clear that someone – or something – is indeed prowling the city. Soon, the members of the club begin to fear the very subject of their study. Could this maniacal killer be one of their own – or have they inadvertently summoned an evil entity from the darkness?
Delving deep into the most baffling and unusual case of their careers, Maura and Jane embark on a terrifying journey to the very heart of evil, where they encounter a malevolent foe more dangerous than any they have ever faced… one whose work is only just beginning.
***
In this brisk, deftly plotted thriller from bestseller Gerritsen (Vanish), Boston medical examiner Maura Isles and police detective Jane Rizzoli look into the murder of 28-year-old Lori-Ann Tucker, whose body is found Christmas morning in her apartment amid an unholy mess of severed limbs, black candles and satanic symbols rendered in blood. "Peccavi," reads one word scrawled across Tucker's wall-Latin for "I have sinned." Isles and Rizzoli must sort sinner from innocent among suspects who can be found on several continents and include a group of sophisticates-scholars, an anthropologist, a psychiatrist-who are either cult members or crusaders against evil straight from the pages of Revelation. Other murders follow, all gruesome, all involving apocalyptic messages. On occasion, the action shifts to Europe, to a young woman running from a man she's convinced is descended from a race of fallen angels. Gerritsen has a knack for stretching believability just short of the breaking point-and for amassing details that produce an atmosphere in which the most terrible possibilities can and, indeed, should occur.

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Jane entered the house first, the patrolman right behind her, his weapon drawn. He gave a quick double-take as they stepped into the parlor, as he surveyed the elegant furniture, the oil painting above the hearth. She knew exactly what he was thinking: This is a rich man’s house.

She slid open the hidden panel and gave the closet a quick glance just to confirm it was empty. Then they moved on, through the dining room, through the kitchen, and into a massive library. No time to ogle the floor-to-ceiling bookshelves. They were on a monster hunt.

They moved up the staircase, along a curved banister. Eyes gazed down at them from oil portraits. They passed beneath a brooding man, a doe-eyed woman, beneath two cherub-faced girls seated at a harpsichord. At the top of the stairs, they stared down a carpeted hall, past a series of doorways. Jane did not know the layout of this house or what to expect. Even with the patrolman backing her up, even with three other officers stationed right outside the house, her hands were sweating and her heart was pounding its way into her throat. Room by room they moved, sliding open closets, edging through doorways. Four bedrooms, three baths.

They reached a narrow stairway.

Jane halted, staring up at an attic door. Oh man, she thought. I don’t want to go up there.

She grasped the banister and ascended the first step. She heard it creak beneath her weight and knew that anyone upstairs would also hear it, and know she was coming. Behind her, she could hear the patrolman’s breathing accelerate.

He feels it, too. The malevolence.

She climbed up the creaking steps to the door. Her hand was slick against the knob. She glanced at her backup and saw him give a quick, tense nod.

She flung open the door and scrambled through, her flashlight beam sweeping an arc through the darkness, skittering across shadowy forms. She saw the gleam of reflected brass, saw hulking shapes poised to attack.

Then, behind her, the cop finally found the light switch and he flicked it on. Jane blinked in the sudden glare. In an instant, crouching attackers transformed to furniture and lamps and rolled-up carpets. Here was a treasure trove of stored antiques. Sansone was so damn rich, even his cast-off furniture was probably worth a fortune. She moved through the attic, her pulse slowing, her fears melting into relief. No monsters up here.

She holstered her gun and stood in the midst of all those treasures, feeling sheepish. The intruder alert must have been a false alarm. Then what gouged the wood in that windowsill?

The cop’s radio suddenly came to life. “Graffam, what’s your status?”

“Looks like we’re all clear in here.”

“Rizzoli there?”

“Yeah, she’s right here.”

“We got a situation down here.”

Jane shot a questioning look at the cop.

“What’s going on?” he said into the radio.

“Dr. Isles wants her out here ASAP.”

“On our way.”

Jane gave a last glance around the attic, then headed back down the steps, back down the hallway, past bedrooms they had already searched, past the same portraits that had stared at them moments before. Once again her heart was drumming as she stepped out the front door, into a night awash with flashing lights. Two more cruisers had since arrived, and she halted, temporarily blinded by the kaleidoscopic glare.

“Jane, she ran.”

She focused on Maura, who stood backlit by the cruisers’ rack lights. “What?”

“Lily Saul. We were standing over there, on the sidewalk. And when we turned, she was gone.”

“Shit.” Jane scanned the street, her gaze sweeping across the shadowy forms of cops, across curious onlookers who’d spilled out of their houses into the cold to watch the excitement.

“It was only a few minutes ago,” said Maura. “She can’t have gone far.”

THIRTY-FIVE

Lily Saul darted down one side street, and then another, weaving ever deeper into the maze of an unfamiliar neighborhood. She did not know Boston, and she had no idea where she was going. She could hear the sirens of cruisers, circling like sharks. The flash of headlights sent her scrambling into an alley. There she crouched behind garbage cans as a patrol car slowly crept up the street. The instant it disappeared around the corner, she was back on her feet and moving in the other direction. She was going downhill now, slipping on cobblestones slick with ice, her backpack slapping against her shoulder blades. She was not dressed for this bitter weather, and already her feet stung from the cold, and her ungloved hands were numb. Her tennis shoes suddenly skated out from beneath her and she landed on her rump. The impact sent a spear of pain straight up her spine. She sat stunned for a few seconds, her skull ringing. When her vision finally cleared, she saw she was at the bottom of the hill. Across the street was a park, ringed with shrubs, bare trees casting their spindly gloom over ice-glazed snow. A glowing symbol caught her eye.

It was a sign for the subway station.

She’d just jump on a train and in minutes she could be on her way anywhere in the city. And she’d be warm.

She clambered to her feet, her tailbone aching from the fall, her scraped palms stinging. She limped across the street, took a few steps along the sidewalk, and halted.

A police cruiser had just rounded the corner.

She dashed into the park and ducked behind the bushes. There she waited, her heart banging in her throat, but the cruiser did not pass. Peering through the branches, she saw that it was parked and idling outside the subway station. Damn. Time to change plans.

She glanced around and spotted the glowing sign of yet another T station on the other side of the park. She rose to her feet and started across the common, moving beneath the shadow of trees. Ice crusted the snow, and every footstep gave a noisy crack as her shoe broke through the glaze into deep snow beneath. She struggled forward, almost losing a shoe, her lungs heaving now with the effort to make headway. Then, through the roar of her own breathing, she heard another sound behind her, a crunch, a creak. She stopped and turned, and felt her heart freeze.

The figure stood beneath a tree-faceless, featureless, a black form that seemed more shadow than substance. It’s him.

With a sob, Lily fled, stumbling through the snow, shoes smashing through the icy crust. Her own breathing, the slamming of her own heart, drowned out any sound of pursuit, but she knew he was right behind her. He’d always been right behind her, every minute, every breath, dogging her steps, whispering her doom. But not this close, never this close! She didn’t look back, didn’t want to see the creature of her nightmares moving in. She just plunged ahead, her shoe lost now, her sock soaked with frigid water.

Then, all at once, she stumbled out of a drift, onto the sidewalk. The T entrance was straight ahead. She went flying down the steps, almost expecting to hear the swoop of wings and feel the bite of claws in her back. Instead, she felt the warm breath of the subway tunnel on her face and saw commuters filing out toward the stairs.

No time to fool with money. Jump the turnstile!

She scrambled over it, and her wet sock slapped down onto the pavement. Two steps, and she skidded to a stop.

Jane Rizzoli was standing right in front of her.

Lily spun around, back toward the turnstile she’d just jumped. A cop stood barring her escape.

Frantically she gazed around the station, looking for the creature that had pursued her, but she saw only startled commuters staring back at her.

A handcuff closed over her wrist.

She sat in Jane Rizzoli’s parked car, too exhausted to think of trying to escape. The wet sock felt like a block of ice encasing her foot, and even with the heater running, she could not get warm, could not stop shaking.

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