Tess Gerritsen - The Mephisto Club

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Evil exists. Evil walks the streets. And evil has spawned a diabolical new disciple in this white-knuckle thriller from New York Times bestselling author Tess Gerritsen.
PECCAVI
The Latin is scrawled in blood at the scene of a young woman's brutal murder: I HAVE SINNED. It's a chilling Christmas greeting for Boston medical examiner Maura Isles and Detective Jane Rizzoli, who swiftly link the victim to controversial celebrity psychiatrist Joyce O'Donnell – Jane's professional nemesis and member of a sinister cabal called the Mephisto Club.
On tony Beacon Hill, the club's acolytes devote themselves to the analysis of evil: Can it be explained by science? Does it have a physical presence? Do demons walk the earth? Drawing on a wealth of dark historical data and mysterious religious symbolism, the Mephisto scholars aim to prove a startling theory: that Satan himself exists among us. With the grisly appearance of a corpse on their doorstep, it's clear that someone – or something – is indeed prowling the city. Soon, the members of the club begin to fear the very subject of their study. Could this maniacal killer be one of their own – or have they inadvertently summoned an evil entity from the darkness?
Delving deep into the most baffling and unusual case of their careers, Maura and Jane embark on a terrifying journey to the very heart of evil, where they encounter a malevolent foe more dangerous than any they have ever faced… one whose work is only just beginning.
***
In this brisk, deftly plotted thriller from bestseller Gerritsen (Vanish), Boston medical examiner Maura Isles and police detective Jane Rizzoli look into the murder of 28-year-old Lori-Ann Tucker, whose body is found Christmas morning in her apartment amid an unholy mess of severed limbs, black candles and satanic symbols rendered in blood. "Peccavi," reads one word scrawled across Tucker's wall-Latin for "I have sinned." Isles and Rizzoli must sort sinner from innocent among suspects who can be found on several continents and include a group of sophisticates-scholars, an anthropologist, a psychiatrist-who are either cult members or crusaders against evil straight from the pages of Revelation. Other murders follow, all gruesome, all involving apocalyptic messages. On occasion, the action shifts to Europe, to a young woman running from a man she's convinced is descended from a race of fallen angels. Gerritsen has a knack for stretching believability just short of the breaking point-and for amassing details that produce an atmosphere in which the most terrible possibilities can and, indeed, should occur.

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She shivered and turned away, strangely intimidated by the stare of a man almost certainly long dead. The room had other curiosities, other treasures to examine. She saw chairs upholstered in striped silk, a Chinese vase that gleamed with the patina of centuries, a rosewood butler’s table that held a cigar box and a crystal decanter of brandy. The carpet she stood on bore a well-worn path down its center, evidence of its age and the countless shoes that had trod across it, but the relatively untouched perimeter revealed the unmistakable quality of thick wool and the craftsmanship of the weaver. She looked down at her feet, at a tapestry of intricate vines twining across burgundy to frame a unicorn reclining beneath a bower of trees. Suddenly she felt guilty that she was standing on such a masterpiece. She stepped off it, onto the wood floor, and closer to the hearth.

Once again, she was facing the portrait over the mantelpiece. Once again, her gaze lifted to the priest’s piercing eyes, eyes that seemed to stare straight back at her.

“It’s been in my family for generations. It’s amazing, isn’t it, how vivid the colors still are? Even after four centuries.”

Maura turned to face the man who had just stepped into the room. He had entered so quietly, it was as though he had simply materialized behind her, and she was too taken by surprise to know quite what to say. He was dressed in a dark turtleneck, which made his silver hair all the more striking. Yet his face looked no older than fifty. Had they merely passed each other on the street, she would have stared at him because his features were so arresting and so hauntingly familiar. She saw a high forehead, an aristocratic bearing. His dark eyes caught the flicker of firelight, so that they seemed lit from within. He had referred to the portrait as an heirloom, and she saw at once the familial resemblance between the portrait and the living man. The eyes were the same.

He held out his hand. “Hello, Dr. Isles. I’m Anthony Sansone.” His gaze was focused with such intensity on her face that she wondered if they had met before.

No. I certainly would have remembered a man this attractive.

“I’m glad to finally make your acquaintance,” he said, shaking her hand. “After everything I’ve heard about you.”

“From whom?”

“Dr. O’Donnell.”

Maura felt her hand go cold in his grasp, and she pulled away. “I can’t imagine why I’d be a subject of conversation.”

“She had only good things to say about you. Believe me.”

“That’s a surprise.”

“Why?”

“Because I can’t say the same thing about her,” she said.

He gave a knowing nod. “She can be off-putting. Until you get the chance to know her. Value her insights.”

The door swung open so quietly, Maura did not hear it. Only the gentle clink of chinaware alerted her to the fact that the butler had stepped into the room, carrying a tray with cups and a coffeepot. He set them on an end table, regarded Sansone with a questioning look, then withdrew from the room. Not a single word had passed between them; the only communication had been that look, and the returning nod-all the vocabulary needed between two men who obviously knew each other well enough to dispense with unnecessary words.

Sansone gestured for her to sit down, and Maura sank into an empire armchair upholstered in striped silk.

“I apologize for confining you to the front parlor,” he said. “But Boston PD seems to have commandeered the other rooms while they conduct their interviews.” He poured coffee and handed her a cup. “I take it you’ve examined the victim?”

“I saw her.”

“What did you think?”

“You know I can’t comment.”

He leaned back in his chair, looking perfectly at ease against blue and gold brocade. “I’m not talking about the body itself,” he said. “I perfectly understand why you can’t discuss your medical findings. I was referring to the scene itself. The gestalt of the crime.”

“You should ask the lead investigator, Detective Rizzoli.”

“I’m more interested in your impressions.”

“I’m a physician. Not a detective.”

“But I’m guessing you have a special insight into what happened in my garden tonight.” He leaned forward, coal-dark eyes riveted on hers. “You saw the symbols drawn on my back door?”

“I can’t talk about-”

“Dr. Isles, you won’t be giving away anything. I saw the body. So did Dr. O’Donnell. When Jeremy found the woman, he came straight into the house to tell us.”

“And then you and O’Donnell tramped outside like tourists to have a look?”

“We’re the furthest thing from tourists.”

“Did you stop to think about the footprints you might have destroyed? The trace evidence you’ve contaminated?”

“We understood exactly what we were doing. We had to see the crime scene.”

“Had to?”

“This house isn’t just my residence. It’s also a meeting place for colleagues from around the world. The fact that violence has struck so close alarms us.”

“It would alarm anyone to find a dead body in their garden. But most people wouldn’t troop outside with their dinner guest to look at it.”

“We needed to know if it was merely an act of random violence.”

“As opposed to what?”

“A warning, meant specifically for us.” He set down his coffee cup and focused his attention so completely on her that she felt pinned to the silk-upholstered chair. “You did see the chalk symbols on the door? The eye. The three upside-down crosses?”

“Yes.”

“I understand there was another slaying, on Christmas Eve. Another woman. Another crime scene with reverse crosses drawn on the bedroom wall.”

She didn’t need to confirm it; this man had surely read the answer in her face. She could almost feel his gaze probing deep, and seeing too much.

“We might as well talk about it,” he said. “I already know the pertinent details.”

“How do you know? Who told you?”

“People I trust.”

She gave a disbelieving laugh. “Dr. O’Donnell being one of them?”

“Whether you like her or not, she is an authority in her field. Look at her body of work on serial murderers. She understands these creatures.”

“Some would say she identifies with them.”

“On some level, you’d have to. She’s willing to crawl inside their heads. Examine every crevice.”

The way Maura herself had felt examined by Sansone’s gaze only moments ago.

“It takes a monster to know one,” said Maura.

“You really believe that?”

“About Joyce O’Donnell, yes. I do believe that.”

He leaned even closer, and his voice dropped to an intimate murmur. “Could your dislike of Joyce be merely personal?”

“Personal?”

“Because she knows so much about you? About your family?”

Maura stared back, stunned into silence.

“She told us about Amalthea,” he said.

“She had no right to.”

“Your mother’s incarceration is a matter of public record. We all know what Amalthea did.”

“This is my private life-”

“Yes, and she’s one of your personal demons. I understand that.”

“Why the hell is this of any interest to you?”

“Because you’re of interest. You’ve looked evil in the eye. You’ve seen it in your own mother’s face. You know it’s there, in your bloodline. That’s what fascinates me, Dr. Isles-that you come from such violent stock, yet here you are, working on the side of the angels.”

“I work on the side of science and reason, Mr. Sansone. Angels aren’t involved.”

“All right, so you don’t believe in angels. But do you believe in their counterparts?”

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