Tess Gerritsen - The Mephisto Club

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Evil exists. Evil walks the streets. And evil has spawned a diabolical new disciple in this white-knuckle thriller from New York Times bestselling author Tess Gerritsen.
PECCAVI
The Latin is scrawled in blood at the scene of a young woman's brutal murder: I HAVE SINNED. It's a chilling Christmas greeting for Boston medical examiner Maura Isles and Detective Jane Rizzoli, who swiftly link the victim to controversial celebrity psychiatrist Joyce O'Donnell – Jane's professional nemesis and member of a sinister cabal called the Mephisto Club.
On tony Beacon Hill, the club's acolytes devote themselves to the analysis of evil: Can it be explained by science? Does it have a physical presence? Do demons walk the earth? Drawing on a wealth of dark historical data and mysterious religious symbolism, the Mephisto scholars aim to prove a startling theory: that Satan himself exists among us. With the grisly appearance of a corpse on their doorstep, it's clear that someone – or something – is indeed prowling the city. Soon, the members of the club begin to fear the very subject of their study. Could this maniacal killer be one of their own – or have they inadvertently summoned an evil entity from the darkness?
Delving deep into the most baffling and unusual case of their careers, Maura and Jane embark on a terrifying journey to the very heart of evil, where they encounter a malevolent foe more dangerous than any they have ever faced… one whose work is only just beginning.
***
In this brisk, deftly plotted thriller from bestseller Gerritsen (Vanish), Boston medical examiner Maura Isles and police detective Jane Rizzoli look into the murder of 28-year-old Lori-Ann Tucker, whose body is found Christmas morning in her apartment amid an unholy mess of severed limbs, black candles and satanic symbols rendered in blood. "Peccavi," reads one word scrawled across Tucker's wall-Latin for "I have sinned." Isles and Rizzoli must sort sinner from innocent among suspects who can be found on several continents and include a group of sophisticates-scholars, an anthropologist, a psychiatrist-who are either cult members or crusaders against evil straight from the pages of Revelation. Other murders follow, all gruesome, all involving apocalyptic messages. On occasion, the action shifts to Europe, to a young woman running from a man she's convinced is descended from a race of fallen angels. Gerritsen has a knack for stretching believability just short of the breaking point-and for amassing details that produce an atmosphere in which the most terrible possibilities can and, indeed, should occur.

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Young Paolo pulled off his loupe, and his dark hair stood up. Grinning at her with those earlike tufts of hair, he looked like one of the legendary Sienese werewolves, albeit a perfectly harmless and utterly charming one. Like his father, Paolo possessed not a single ounce of cruelty, and were it not for the fact that she would inevitably be forced to break his heart, Lily would happily have taken him as a lover.

“I think you will like this piece,” he said, and offered her his magnifier. “It is just the sort of thing you’re always interested in.”

She bent over the cornerstone and studied the manlike figure carved there. It was standing upright, with a skirt around its waist and decorative bracelets and anklets. But the head was not human. She slid the magnifier over her head and leaned in closer. As the details came alive through the lens, she felt a sudden chill. She saw jutting canine teeth and fingers tipped with claws. And horns.

She straightened, her throat dry, her voice oddly distant. “You said the collector is from Israel?”

Giorgio nodded and took off his loupe, revealing an older, plumper version of Paolo. The same dark eyes, but webbed with laugh lines. “This man is new to us. So we’re not sure of the provenance. Whether to trust him.”

“How did he happen to send us this piece?”

Giorgio shrugged. “It arrived in the crate today. That’s all I know.”

“He wants you to sell it for him?”

“He asked only for an appraisal. What do you think?”

She rubbed a finger across the patina. Felt the chill again, seeping from the stone to her flesh. “Where does he say it comes from?”

Giorgio reached for a bundle of papers. “He says he acquired it eight years ago, in Tehran. I think it must be smuggled.” He gave another shrug, a wink. “But what do we know, eh?”

“Persian,” she murmured. “This is Ahriman.”

“What is Ahriman?” asked Paolo.

“Not a what, a who. In ancient Persia, Ahriman is a demon. The spirit of destruction.” She set the magnifier on the desk and took a deep breath. “He’s their personification of evil.”

Giorgio gave a laugh and rubbed his hands in glee. “You see, Paolo? I told you she’d know. Devils, demons, she knows them all. Every time, she has the answer.”

“Why?” Paolo looked at her. “I never understood why you’re so interested in evil things.”

How could she answer that question? How could she tell him that she’d once looked the Beast in the eye, and It had looked right back at her? Had seen her? It’s been pursuing me ever since.

“So it is authentic?” asked Giorgio. “This cornerstone?”

“Yes, I believe it is.”

“Then I should write him at once, eh? Our new friend in Tel Aviv. Tell him he has sent it to the right dealer, one who understands its value.” With great care, he set the stone back into its packing crate. “For something this special, we will certainly find a buyer.”

Who would want that monstrosity in their home? Lily thought. Who’d want to have evil staring at you from your own wall?

“Ah, I almost forgot,” said Giorgio. “Did you know you have an admirer?”

Lily frowned at him. “What?”

“A man, he came to the shop at lunchtime. He asked if an American woman worked for me.”

She went very still. “What did you tell him?”

Paolo said, “I stopped Father from saying anything. We could get into trouble, since you have no permit.”

“But now I’ve been thinking about it some more,” said Giorgio. “And I think maybe the man’s just sweet on you. And that’s why he inquired.” Giorgio winked.

She swallowed. “Did he say his name?”

Giorgio gave his son a playful slap on the arm. “You see?” he scolded. “You move too slowly, boy. Now another man will come and swoop her away from us.”

“What was his name?” Lily asked again, her voice sharper. But neither father nor son seemed to register the change in her demeanor. They were too busy teasing each other.

“He didn’t leave one,” said Giorgio. “I think he wants to play the incognito game, eh? Make you guess.”

“Was he a young man? What did he look like?”

“Oh. So you’re interested.”

“Was there anything”-she paused-“unusual about him?”

“What do you mean, unusual?”

Not human was what she wanted to say.

“He had very blue eyes,” offered Paolo brightly. “Strange eyes. Bright, like an angel’s.”

Quite the opposite of an angel.

She turned and immediately crossed to the window, where she peered out through dusty glass at passersby. He’s here, she thought. He’s found me in Siena.

“He’ll come back, cara mia. Just be patient,” said Giorgio.

And when he does, I can’t be here.

She snatched up her backpack. “I’m sorry,” she said. “I’m not feeling well.”

“What’s the matter?”

“I think I shouldn’t have eaten that fish last night. It’s not agreeing with me. I need to go home.”

“Paolo will walk you there.”

“No! No.” She yanked open the door, setting off a violent jangle of the bell. “I’ll be fine.” She fled the shop and did not glance back, for fear that Paolo would try to run after her, would insist on playing the gentleman and escort. She couldn’t afford to let him slow her down. Haste was everything now.

She took a circuitous route back to her flat, avoiding crowded piazzas and major streets. Instead she cut through tiny alleys, scrambled up narrow steps between medieval walls, steadily circling toward the Fontebranda neighborhood. It would take her only five minutes to pack. She had learned to be mobile, to move at an instant’s notice, and all she had to do was toss her clothes and toilet case into the suitcase and grab the stash of Euros from its hiding place behind the dresser. These past three months, Giorgio had paid her under the table in cash, knowing full well that she had no work permit. She’d collected a nice nest egg to tide her over between jobs, enough to last her till she settled into a new town. She should grab the cash and suitcase and just go. Straight to the bus station.

No. No, on second thought, that’s where he’d expect her to go. A taxi would be better. Costly, yes, but if she used it only to get out of town, maybe as far as San Gimignano, she could catch a train to Florence. There, among the teeming crowds, she could disappear.

She did not enter her building through the piazzetta; instead, she approached through the shadowy side street, past rubbish cans and locked bicycles, and climbed the back stairs. Music was blaring in one of the other flats, spilling out an open doorway into the hall. It was that sullen teenager next door. Tito and his damn radio. She caught a glimpse of the boy, slouched like a zombie on the couch. She continued past his flat, toward hers. She was just taking out her keys when she spotted the torn matchstick and froze.

It was no longer wedged in the doorjamb; it had fallen to the floor.

Her heart pounded as she backed away. As she retreated past Tito’s doorway, the boy looked up from the couch and waved. Of all the inconvenient times for him to start being friendly. Don’t say a word to me, she silently pleaded. Don’t you dare say a word.

“You’re not at work today?” he called out in Italian.

She turned and ran down the stairs. Almost tripped over the bicycles as she fled into the alley. I’m too fucking late, she thought as she hurtled around the corner and scrambled up a short flight of steps. Ducking into an overgrown garden, she crouched behind a crumbling wall and froze there, scarcely daring to breathe. Five minutes, ten. She heard no footsteps, no sounds of pursuit.

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