Lawrence Block - A Dance at the Slaughterhouse

"Because he wanted to be tied up when the cops got there."

"Exactly, because that alibied him for the murder. If he gets loose we can say he could have killed her, he wasn't really tied up in the first place. But now, the way things stand, what we can say is he stayed tied up because he wanted to be found that way. It doesn't prove anything because if you look at it that way he's damned if he does and damned if he doesn't, but as far as his motivation-"

"I know what you mean."

"So I wish I'd seen him before they cut him loose."

"So do I. How was he tied?"

"I just said-"

"I mean what did they use? Cord, clothesline, what?"

"Oh, right. They used a kind of household twine, pretty strong stuff, like you'd use to wrap a package. Or to tie up your girlfriend, if you happened to be into that kind of thing. Did they bring it with them? I don't know. The Gottschalks had a drawer in the kitchen with pliers and screwdrivers and the usual odds and ends of household hardware. The old man couldn't say whether they might have had a ball of twine in there or not. Who remembers that sort of thing, especially when you're seventy-eight years old and you live half the year in one place and the rest of the time somewhere else? The burglars dumped that drawer, so if there was twine in it they would have seen it."

"What about the tape?"

"Ordinary adhesive tape, white, kind you'd find in your medicine chest."

"Not in mine," I said. "In mine you'd find a bottle of Rexall aspirin and a thing of dental floss."

"Well, the kind you'd find in your medicine chest if you happened to live like a human being. Gottschalk said he thought they had adhesive tape, and there wasn't any in the bathroom. They didn't leave the roll behind, or the twine either."

"I wonder why not."

"I don't know. String savers, I guess. They took the pry bar, too. If I just left a woman dead in an apartment, I don't think I'd want to walk down the street carrying burglar's tools, but if they were geniuses-"

"They'd be in some other line of work."

"Right. Why take the stuff? If Thurman was in on it, and if he was the one who bought the stuff, maybe they were afraid it could be traced. If they used what they found in the apartment… I don't know, Matt, the whole thing's so fucking speculative, you know?"

"I know. You bat around the whys and what ifs, though, and sometimes something shakes loose."

"Which is why we're batting them around."

"Did he describe the burglars?"

"Oh, sure. A little hazy on the details, but consistent from one interrogation to another. He didn't contradict himself enough to amount to anything. The descriptions are in the files, you'll see them for yourself. What they were, they were two big white guys about the same age as Thurman and his wife. They both had mustaches, and the bigger one had his hair long in the back, the way some of them wear it, with like a little tail growing down there?"

"I know how you mean."

"A really classy style, marks you right away as a member of the upper crust. Like the spades with those high flattops, looks like they got a fez stuck on their heads, like they trim it with hedge clippers. Class all the way. What was I saying?"

"The two burglars."

"Yeah, right. He went through the books of mug shots, very cooperative, very eager, but he didn't spot them. I sat him down with a police artist. I think you know him. Ray Galindez?"

"Sure."

"He's good, but his sketches always come out looking Hispanic to me. There's copies in the file. I think one of the papers ran them."

"I must have missed it."

"I think it was Newsday. We got a couple calls and wasted a little time checking them out. Nothing. You know what I think?"

"What?"

"I don't think he did it all by himself."

"No, neither do I."

"I mean you can't positively rule it out, because he could have found a way to tie himself up, and he could have managed to lose the pry bar and the tape and the twine. But I don't think that's what happened. I think he had help."

"I think you're right."

"He makes arrangements with a couple of skells, says here's a key to the front door, make it easy on yourselves, walk on in and go up three flights and bust into the fourth-floor apartment. Not to worry, there's nobody home, there won't be anybody home upstairs either. Make yourselves at home, dump the drawers, throw the books on the floor, and help yourselves to all the cash and jewelry you can find. Just so you're ready to go at twelve-thirty or one, whatever time we get home from the party."

"And they walk home because he doesn't want to get there too early."

"Maybe, or maybe they just walk home because it's a nice night. Who knows? They get to the Gottschalks' floor and she says, 'Oh, look, Ruth and Alfred's door is open,' and he shoves her through it and they grab her and knock her out and fuck her and kill her. Then he says, 'Hey, asshole, you don't want to walk down the street middle of the night carrying a television set, you can buy ten TVs with what I'm paying you for this.' So they leave the set, but they take the twine and tape and pry bar because maybe they can be traced. No, that's bullshit, how do you trace drugstore and hardware store shit like that?"

"They take the stuff because that way we'll know he couldn't have done it himself, because how could the twine and tape walk out of there under their own power?"

"Right, okay. But first before they take anything out of there they knock him around a little, and they do some fairly impressive superficial damage, you'll see photos we took of him in the file. Then they tie him up and tape him up, his mouth, and maybe they rip it halfway off for him so he'll be able to make the call when it's time."

"Or maybe they've got him tied loosely enough that he can get a hand free and do what he has to do and then slip it back under the twine."

"I was coming to that. Jesus, don't I wish those blues had been a little slower to cut him loose."

I said, "Anyway, they clear out and he waits as long as he can and then calls 911."

"Right. I don't see any holes in that."

"No."

"I mean, show me some other way it makes sense that he's alive. They just killed her, she's lying there dead, so why would they tie him up when it's so much easier to kill him?"

"They already tied him up and taped his mouth before they did her."

"Oh, right, that's his story. Even so, why leave him alive? He can ID the both of them all day long, and they're already going to hang for doing her-"

"Not in this state."

"Don't remind me, will you? Point is they're already down for Murder Two for doing her, they don't make it any worse for themselves by doing him while they're at it. They got the pry bar, all they gotta do is hit him a lick upside the head, as our little brown brothers would say."

"Maybe they did."

"Did what?"

"Hit him hard enough so that they thought he was dead. Remember, they just killed her, and maybe they didn't plan on it, so-"

"You mean if he's telling the truth."

"Right, playing devil's advocate for a minute. They killed her unintentionally-"

"Just happened to get her panty hose accidentally wrapped around her throat-"

"- and they don't exactly panic, but they're in a hurry, they hit him a shot and he's unconscious and they think he's probably dead, that hard a shot with a steel bar ought to kill a man, and all they want to do is get the fuck out, they don't want to take his pulse, see if he's got enough breath left to fog a mirror."

"Shit."

"You see what I mean."

He sighed. "Yeah, I see what you mean. That's why it's an open file. The evidence is inconclusive and the facts we've got'll support any theory you want." He stood up. "I want some coffee," he said. "Can I get you some?"