Lawrence Block - A Dance at the Slaughterhouse

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Amazon.com Review
Matt Scudder, the recovering alcoholic private eye from The Devil Knows You're Dead and A Ticket to the Boneyard, embarks on another descent into the nightmarish quarters of New York, this time to investigate the sex-for-sale industry. Hired by the brother of an heiress to investigate her rape and murder, Scudder tails her husband to a boxing match and notices another man whom he saw on video a few months earlier on a different case involving a snuff film. As Scudder calls on old friends for assistance and tours New York's dark physical and social landscapes, Block masterfully builds the pressure that leads Scudder to the violent resolution in this winner of the 1992 Edgar Award for best mystery novel.
From Publishers Weekly
Block masterfully builds the pressure in this Edgar Award winner, as newly sober Manhattan PI Matt Scudder investigates the death of a TV producer's wife.

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So I had a choice of midnight meetings, and I could tell Burke to let Mick know I was looking for him, and that I'd be back by one-thirty at the latest. But something stopped me, something kept me on my stool and led me to order another Coke when my glass was empty.

I was in the john when Mick finally showed up a little before one. When I emerged he was at the bar with his bottle of JJ amp;S and his Waterford tumbler. "Good man," he said. "Burke told me you were here and I said he should put on a pot of coffee. I hope you're up for a long night."

"Just a short night tonight," I said.

"Ah, well," he said. "Maybe I can get you to change your mind."

We sat at our usual table and he filled his glass and held it to the light. "By God that's a good color," he said, and he took a drink.

"If you ever quit drinking," I said, "they make a cream soda that's just about the same shade."

"Is that a fact?"

"Of course you'd have to let it go flat," I said, "or it'd have a head on it."

"Spoil the effect, wouldn't it?" He took a drink and sighed. "Cream soda indeed," he said.

We talked about nothing much, and then I leaned forward and said, "Do you still need money, Mick?"

"I've not got holes in my shoes," he said.

"No."

"But I always need money. I told you that the other night."

"You did."

"Why?"

"I know where you can get some," I said.

"Ah," he said. He sat in silence for a moment, and a slight smile came and went, came and went. "How much money?"

"A minimum of fifty thousand. Probably a lot more than that."

"Whose money?"

A good question. Joe Durkin had reminded me that money knows no owner. It was, he'd said, a principle of law.

"A couple named Stettner," I said.

"Drug dealers?"

"Close. He deals in currencies, launders money for a pair of Iranian brothers from Los Angeles."

"Eye-ranians," he said, with relish. "Well, now. Maybe you should tell me more."

I must have talked for twenty minutes. I took out my notebook and showed him the sketches I'd made in Maspeth. There wasn't that much to tell, but he took me back over various points, covering everything thoroughly. He didn't say anything for a minute or two, and then he filled his glass with whiskey and drank it down as if it were cool water on a hot afternoon.

"Tomorrow night," he said. "Four men, I'd say. Two men and myself, and Andy for the driving. Tom would do for one of them, and either Eddie or John. You know Tom. You don't know Eddie or John."

Tom was the day bartender, a pale tight-lipped man from Belfast. I'd always wondered what he did with his evenings.

"Maspeth," he said. "Can any good thing come out of Maspeth? By God, there we sat watching the niggers punching each other and all the time there's a money laundry beneath our feet. Is that why you went out there then? And brought me along for company?"

"No, it was work took me out there, but I was working on something else at the time."

"But you kept your eyes open."

"You could say that."

"And put two and two together," he said. "Well, it's just the kind of situation I can use. I don't mind telling you, you've surprised me."

"How?"

"By bringing this to me. It seems unlike you. It's more than a man does out of friendship."

"You pay a finder's fee," I said. "Don't you?"

"Ah," he said, and a curious light came into his eyes. "That I do," he said. "Five percent."

He excused himself to make a phone call. While he was gone I sat there and looked at the bottle and the glass. I could have had some of the coffee Burke had made but I didn't want any. I didn't want the booze either.

When he came back I said, "Five percent's not enough."

"Oh?" His face hardened. "By God, you're full of surprises tonight, aren't you? I thought I knew ye. What's the matter with five percent, and how much is it you think you ought to have?"

"There's nothing wrong with five percent," I said. "For a finder's fee. I don't want a finder's fee."

"You don't? Well, what in hell do you want?"

"A full share," I said. "I want to be a player. I want to go in."

He sat back and looked at me. He poured a drink but didn't touch it, breathed in and breathed out and looked at me some more.

"Well, I'll be damned," he said finally. "Well, I'll be fucking damned."

Chapter 22

In the morning I finally got around to stowing The Dirty Dozen in my safe-deposit box. I bought an ordinary copy to take to Maspeth, then began to imagine some of the things that might go wrong. I returned to the bank and retrieved the genuine article, and I left the replacement cassette in the box so I wouldn't mix them up later on.

If I got killed out in Maspeth, Joe Durkin could watch the cassette over and over, searching for a hidden meaning.

All day long I kept thinking that I ought to go to a meeting. I hadn't been to one since Sunday night. I thought I'd go at lunch hour but didn't, and then I thought about a Happy Hour meeting around five-thirty, and finally figured I'd catch at least the first half of my usual meeting at St. Paul's. But I kept finding other things to do.

At ten-thirty I walked over to Grogan's.

Mick was there, and we went into his office in the back. There's an old wooden desk there, and a safe, along with a pair of old-fashioned wooden office chairs and a Naugahyde recliner. There's an old green leather sofa, too, and sometimes he'll catch a few hours on it. He told me once he has three apartments around town, each of them rented in a name other than his own, and of course he has the farm upstate.

"You're the first," he said. "Tom and Andy'll be here by eleven. Matt, have you thought it over?"

"Some."

"Have you had second thoughts, man?"

"Why should I?"

"It's no harm if you do. There'll likely be bloodshed. I told you that last night."

"I remember."

"You'll have to carry a gun. And if you carry one-"

"You have to be willing to use it. I know that."

"Ah, Jesus," he said. "Are ye sure ye have the heart for it, man?"

"We'll find out, won't we?"

He opened the safe and showed me several guns. The one he recommended was a SIG Sauer 9-mm automatic. It weighed a ton and I figured you could stop a runaway train with it. I played with it, working the slide, taking the clip out and putting it back, and I liked the feel of it. It was a nice piece of machinery and it looked intimidating as all hell. But I wound up giving it back and choosing a.38 S amp;W short-barreled revolver instead. It lacked the SIG Sauer's menacing appearance, to say nothing of its stopping power, but it rode more comfortably tucked under my belt in the small of my back. More to the point, it was a close cousin to the piece I'd carried for years on the job.

Mick took the SIG for himself.

By eleven Tom and Andy had both arrived, and each had come into the office to select a weapon. We kept the office door closed, of course, and we were all pacing around, talking about the good weather, telling each other it would be a piece of cake. Then Andy went out and brought the car around and we filed out of Grogan's and got into it.

The car was a Ford, a big LTD Crown Victoria about five years old. It was long and roomy, with a big trunk and a powerful engine. I thought at first it had been stolen for the occasion, but it turned out to be a car Ballou had bought a while back. Andy Buckley kept it garaged up in the Bronx and drove it on occasions of this sort. The plates were legitimate but if you ran them you wouldn't get anywhere; the name and address on the registration were fictitious.

Andy drove crosstown on Fifty-seventh Street and we took the Fifty-ninth Street Bridge into Queens. I liked his route better than the one I had taken. Nobody talked much once we were in the car, and after we crossed the bridge the silence was only rarely interrupted. Maybe a locker room's like that in the minutes before a championship game. Or maybe not; in sports they don't shoot the losers.

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